In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    She pilots a mail-delivery plane in the forbidding Alaskan wilderness, the lone woman in a male profession. But even that seems easy compared to finding true love. She likes a fellow pilot and would even consider marrying him--if it weren't for Paul, a mysterious man on her mail route with a gentle spirit and a past to hide. Can Kate break through the walls Paul has put up around his heart? And will her quest for adventure be her demise?

    It includes lots of cursing, descriptive sex, biting sarcasm, and dark themes. HYDE was inspired by Stevenson's novella but is not a retelling, in part because he and this author have very different definitions of 'bad boy'.Honesty is impossible when you don't know the truth to begin with.Mitchell Turner is everything women want most in a man--he's charismatic, successful, and undeniably gorgeous. But he's not a man--he's a monster. By venting his rage 24/7, Mitch keeps people out of the danger zone that surrounds him. But, after the most incredible night of his life, he realizes that might not be possible. Except the woman he wakes up with claims she doesn't remember any of it. And that kind of thing can make a guy insecure.Eden Colfax is kind, loyal, honest to a fault, and cavity-inducing sweet. To rid herself of the monsters that haunted her broken childhood, Eden doesn't lie, doesn't curse, and definitely never wakes up naked in strangers' beds...until the day she does. Then the flashbacks start--places she's never been, people she's never met, blood she's never spilled. And the only person with any answers is a man she never wants to see again.What they don't know is that someone is manipulating them, determined to find out exactly what they're capable of. And when the truth leaves them nothing to hold onto, they will be forced into a partnership neither expected. Or wanted.But in life, who you trust is as important as who you are. And when you can't even trust yourself, sometimes the only person you can rely on is the last person on earth you should be falling for.

    He’s an outlaw, was forced into his father’s gang at the age of thirteen, and is wanted Dead or Alive in more than one territory. But now his father is dead, he hates the life, the blood, and his brother’s rages. When a stagecoach robbery goes awry, Ed ends up with a satchel full of charming letters from an enticing young miss. Unfortunately for Miss Lizzie Cobb, her betrothed is now dead, and Ed Talbot sees a way out. Impersonating a fine, upstanding young man shouldn’t be too difficult. Despite the risks, falling in love with her proves to be all too easy. Isolated on her mother’s ranch just outside of Tombstone, Miss Lizzie Cobb doesn’t have the time or the means to find a respectable husband. As a half Apache woman in the Arizona Territory, being a mail order bride seems like the only solution to her problem until she realizes that San Francisco is too far away, and she’ll have to leave her vulnerable mother and baby brother behind. Her solution? Call off the wedding. When her groom shows up on her doorstep, she’s shocked. He’s handsome, strong, and has traveled hundreds of miles to claim her. His kisses inflame her body and his presence soothes her soul. Falling for the rugged man is beyond her control. But the past has a way of catching up to outlaws, and facing the truth is going to be hard…for both of them.

    What if you killed someone and then fell in love with them?In an alternate Renaissance world, somewhere in an imaginary "pocket" of Europe called the Kingdom of Lethe, Death comes, in the form of a grim Spaniard, to claim his Bride. Until she is found, in a single time-stopping moment all dying stops. There is no relief for the mortally wounded and the terminally ill....Covered in white cobwebs of a thousand snow spiders she lies in the darkness... Her skin is cold as snow... Her eyes frozen... Her gaze, fiercely alive...While kings and emperors send expeditions to search for a suitable Bride for Death, armies of the undead wage an endless war... A black knight roams the forest at the command of his undead father ... Spies and political treacheries abound at the imperial Silver Court.... Murdered lovers find themselves locked in the realm of the living...Look closer — through the cobweb filaments of her hair and along each strand shine stars...And one small village girl, Percy—an unwanted, ungainly middle daughter—is faced with the responsibility of granting her dying grandmother the desperate release she needs.As a result, Percy joins the crowds of other young women of the land in a desperate quest to Death's own mysterious holding in the deepest forests of the North...And everyone is trying to stop her.

    In a series of variations, Gass gives us a mosaic of a life—futile, comic, anarchic—arranged in an array of vocabularies, altered rhythms, forms and tones, and broken pieces with music as both theme and structure, set in the key of middle C.It begins in Graz, Austria, 1938. Joseph Skizzen's father, pretending to be Jewish, leaves his country for England with his wife and two children to avoid any connection with the Nazis, who he foresees will soon take over his homeland. In London with his family for the duration of the war, he disappears under mysterious circumstances. The family is relocated to a small town in Ohio, where Joseph Skizzen grows up, becomes a decent amateur piano player, in part to cope with the abandonment of his father, and creates as well a fantasy self—a professor with a fantasy goal: to establish the Inhumanity Museum . . . as Skizzen alternately feels wrongly accused (of what?) and is transported by his music. Skizzen is able to accept guilt for crimes against humanity and is protected by a secret self that remains sinless.Middle C tells the story of this journey, an investigation into the nature of human identity and the ways in which each of us is several selves, and whether any one self is more genuine than another.

    But as their search uncovers unforeseen dangers and exposes an unexpected ardour, is Alice ready for the truths they’ll uncover? An emotional historical drama perfect for fans of Linda Finlay and Rosie Goodwin

    Just a few years later, romance and these differences erupt simultaneously with the war in Europe. In a fit of fury and boyish pride, Riley enlists in the army and finds himself involved in the transformative nightmare of the twentieth century.While Riley and his commanding officer, Peter Locke, fight for their country and their survival in the trenches of Flanders, Peter's lovely and naive wife, Julia, and his cousin Rose eagerly await his return. But the sullen, distant man who arrives home on leave is not the Peter they knew. Worried that her husband is slipping away, Julia is left alone with her fears when Rose joins the nursing corps to work with a pioneering plastic surgeon treating wounded and disfigured soldiers.Only eighteen at the outbreak of the war, Nadine and Riley want to make promises to each other—but how can they when their future is out of their hands? Youthful passion is on their side, but then their loyalty is tested by terrible injury, and even more so by the necessarily imperfect rehabilitation that follows.Moving among Ypres, London, and Paris, this emotionally rich and evocative novel is both a powerful exploration of the lasting effects of war on those who fight—and those who don't—and a poignant testament to the power of enduring love.

    Told in the odd and unforgettable voice of its protagonist, "Cornbread" is the tale of a matricidal Arkansas woman bringing about the final days of her marriage. At turns darkly comical and deeply tragic, it's a story that lingers long after it's finished, like the smell of fresh baked cornbread or discharged gunpowder...

    By day, he teaches literature. At night, he steals it. Adam is a plagiarist, an expert reader with an eye for great works. He prowls simulated worlds perusing virtual texts, looking for the next big thing. And when he finds it, he memorizes it page by page, line by line, word for word. And then he brings it back to his world. But what happens when these virtual worlds begin to seem more real than his own? What happens when the people within them mean more to him than flesh and blood? What happens when a living thing falls in love with someone who does not actually exist?

    On the edge of horror, thriller and the occult. Sins of the Flesh: When the tortured and mutilated corpse of a wealthy author is discovered, the police officer sent to investigate finds a curious diary amongst the occult objects at the scene. Will he uncover the author’s secret at the ruined chapel, and can he pay the price that it demands? Sins of Treachery: On the death of their Grandfather, twin brothers Simon and Gestas are left a map covered in alchemical symbols that could lead them to great wealth and power. But they find more than they expected in the frozen wastes of the Arctic north … Sins of Violence: In a brutal post-apocalyptic world, a young girl is about to be taken to The Minotaur for a Blessing that will end her innocence. Can her sister gain access to the fortified city of Dis in time to stop the ritual and avenge her own lost youth? Includes the Prologue of Desecration, a dark crime thriller, at the end of the book.

    Abigail Martin has everything: beauty, money, a loving husband, and a fabulous house in the village of Sixpenny Cross. But Abigail is denied the one thing she craves... A baby. When a gypsy offers to change her life, will Abigail accept? Can she deal with the shattering consequences that threaten to send her world spinning out of control?

    He beat and choked her to death. I'm told that he was found hanging from a homemade noose in his cell. I want to know why he waited so long to do it." Sydney Brennan isn't sure how to answer her client's question, short of holding a séance, and the Tallahassee detective has some questions of her own. Why does Noel Thomas remember so little about her childhood? Why is she delving into her father's suicide now? And, most importantly, why isn't Noel telling her the truth?Sydney crisscrosses the Florida Panhandle, reconstructing the tragic Thomas family history. The violence that destroyed the Thomas family connects to a present-day web of deceit and corruption through a desperate man willing to do anything to keep his secrets safe. To discover his identity, Sydney must go Back to Lazarus, back to the town where Noel's beautiful but troubled mother began her inevitable descent over twenty years ago. But by following in the footsteps of the murdered woman, does Sydney risk sharing her fate?Rooted in bars and back roads and Panhandle prisons, forgotten towns and forgotten people, at its heart Back to Lazarus is about stories: the stories people tell us, the stories we tell ourselves, and what happens when we realize it's all a lie.

    She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.