Marco is young, handsome and well-educated. Not to mention he is one of the powerful Medici family’s favored circle.Even before her marriage with Marco is set, Simonetta is swept up into Lorenzo and Giuliano de’ Medici’s glittering circle of politicians, poets, artists, and philosophers. The men of Florence―most notably the rakish Giuliano de’ Medici―become enthralled with her beauty. That she is educated and an ardent reader of poetry makes her more desirable and fashionable still. But it is her acquaintance with a young painter, Sandro Botticelli, which strikes her heart most. Botticelli immediately invites Simonetta, newly proclaimed the most beautiful woman in Florence, to pose for him. As Simonetta learns to navigate her marriage, her place in Florentine society, and the politics of beauty and desire, she and Botticelli develop a passionate intimacy, one that leads to her immortalization in his masterpiece, The Birth of Venus.

    But the beauty and pageantry masks the deadly rivalry that exists among the city's districts. Each ward, represented by an animal symbol, puts forth a rider to claim the winner's banner, but the contest turns citizens into tribes and men into beasts—and beautiful, headstrong, young Pia Tolomei is in love with a rider of an opposing ward, an outsider who threatens the shaky balance of intrigue and influence that rules the land.

    The same Protestant wind that had filled the sails of Drake's ships in 1588 was surely behind him.Determined to avenge the loss of the Puritan colony of Providence Island, he decided to take on the Spanish in the New World; but an assault on the island of Hispaniola proved a disaster.To Cromwell, obsessed with God's plan for an elect nation, this was a grievous blow. Concluding that God had deserted him because his domestic reforms had not gone far enough, he introduced the hardline puritan rule of the Major-Generals. Sectarianism and fundamentalism ran riot; Levellers and royalists joined together in conspiracy against Cromwell. The only way out seemed to be a return to the Parliament presided over by a King. But would Cromwell accept the crown?

    The worlds of Milan and Rome through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and prostitutes, prayer and violence. Graham-Dixon puts the murder of a pimp, Ranuccio Tomassoni, at the centre of his story. It occurred at the height of Caravaggio’s fame in Rome and probably brought about his flight through Malta and Sicily, which led to his death in suspicious circumstances off the coast of Naples. Graham-Dixon shows how Caravaggio’s paintings emerged from this extraordinarily wild and troubled life: his detailed readings of them explain their originality and Caravaggio’s mentality better than any of his predecessors.

    A republican city-state funded by trade and banking, its often bloody political scene was dominated by rich mercantile families, the most famous of which were the Medici. This enthralling book charts the family's huge influence on the political, economic and cultural history of Florence. Beginning in the early 1430s with the rise of the dynasty under the near-legendary Cosimo de Medici, it moves through their golden era as patrons of some of the most remarkable artists and architects of the Renaissance, to the era of the Medici Popes and Grand Dukes, Florence's slide into decay and bankruptcy, and the end, in 1737, of the Medici line.

    Yet the emergence of the book was a process of immense historical importance & heralded the dawning of the epoch of modernity. In this much praised history of that process, Lucien Febvre & Henri-Jean Martin mesh together economic & technological history, sociology & anthropology, as well as the study of modes of consciousness, to root the development of the printed word in the changing social relations & ideological struggles of Western Europe.

    The author takes a fresh and updated look at a tragedy beyond compare, asking, “How could it happen?"

    He explains how the mafia began, how it responds to threats and challenges, and introduces us to the real-life characters that inspired the American imagination for generations, making the mafia an international, larger than life cultural phenomenon. Dickie's dazzling cast of characters includes Antonio Giammona, the first "boss of bosses''; New York cop Joe Petrosino, who underestimated the Sicilian mafia and paid for it with his life; and Bernard "the Tractor" Provenzano, the current boss of bosses who has been hiding in Sicily since 1963.

    Her most cherished sights and experiences color this timeless, graceful portrait of a city that's as famous as it is alluring.

    Juana of Castile, third child of the Spanish monarchs Isabel and Fernando, grows up with no hope of inheriting her parents' crowns, but as a princess knows her duty: to further her family's ambitions through marriage. Yet stories of courtly love, and of her parents' own legendary romance, surround her. When she weds the Duke of Burgundy, a young man so beautiful that he is known as Philippe the Handsome, she dares to hope that she might have both love and crowns. He is caring, charming, and attracted to her-seemingly a perfect husband.But what begins like a fairy tale ends quite differently.When Queen Isabel dies, the crowns of Spain unexpectedly pass down to Juana, leaving her husband and her father hungering for the throne. Rumors fly that the young Queen has gone mad, driven insane by possessiveness. Who is to be believed? The King, beloved by his subjects? Or the Queen, unseen and unknown by her people?One of the greatest cautionary tales in Spanish history comes to life as Lynn Cullen explores the controversial reign of Juana of Castile-also known as Juana the Mad. Sweeping, page-turning, and wholly entertaining, Reign of Madness is historical fiction at its richly satisfying best.

    Under their sultan, Solyman the Magnificent, the Turks had conquered most of Eastern Europe. The rulers of Christian Europe were at their wits' end to stem the tide of disaster. The Knights of St John, the fighting religious order drawn from most of the nations of Christendom had been driven from their island fortress of Rhodes 40 years earlier. From their new base of Malta their galleys had been so successful in their raids on Turkish shipping that the Sultan realised that only they stood between him and total mastery of the Mediterranean. He determined to obliterartethe Knights of Malta.

    From that exhilarating portrait, he takes us back more than two thousand years to the city's foundation, one mired in mythologies and superstitions that would inform Rome's development for centuries.From the beginning, Rome was a hotbed of power, overweening ambition, desire, political genius, and corruption. Hughes details the turbulent years that saw the formation of empire and the establishment of the sociopolitical system, along the way providing colorful portraits of all the major figures, both political (Julius Caesar, Marcus Aurelius, Nero, Caligula) and cultural (Cicero, Martial, Virgil), to name just a few. For almost a thousand years, Rome would remain the most politically important, richest, and largest city in the Western world.From the formation of empire, Hughes moves on to the rise of early Christianity, his own antipathy toward religion providing rich and lively context for the brutality of the early Church, and eventually the Crusades. The brutality had the desired effect—the Church consolidated and outlasted the power of empire, and Rome would be the capital of the Papal States until its annexation into the newly united kingdom of Italy in 1870.As one would expect, Hughes lavishes plenty of critical attention on the Renaissance, providing a full survey of the architecture, painting, and sculpture that blossomed in Rome over the course of the fourteenth through the sixteenth centuries, and shedding new light on old masters in the process. Having established itself as the artistic and spiritual center of the world, Rome in the seventeenth, eighteenth, and nineteenth centuries saw artists (and, eventually, wealthy tourists) from all over Europe converging on the bustling city, even while it was caught up in the nationalistic turmoils of the Italian independence struggle and war against France.Hughes keeps the momentum going right into the twentieth century, when Rome witnessed the rise and fall of Italian Fascism and Mussolini, and took on yet another identity in the postwar years as the fashionable city of "La Dolce Vita." This is the Rome Hughes himself first encountered, and it's one he contends, perhaps controversially, has been lost in the half century since, as the cult of mass tourism has slowly ruined the dazzling city he loved so much. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.

    A sumptuously illustrated history of one of Renaissance Italy's bloodiest families, complemented by extensive quotations from original sources and accompanied by a wealth of stunning images from the period.

    A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is intoxicated by the painter’s abilities.But their burgeoning relationship is interrupted when Alessandra’s parents arrange her marriage to a wealthy, much older man. Meanwhile, Florence is changing, increasingly subject to the growing suppression imposed by the fundamentalist monk Savonarola, who is seizing religious and political control. Alessandra and her native city are caught between the Medici state, with its love of luxury, learning, and dazzling art, and the hellfire preaching and increasing violence of Savonarola’s reactionary followers. Played out against this turbulent backdrop, Alessandra’s married life is a misery, except for the surprising freedom it allows her to pursue her powerful attraction to the young painter and his art. The Birth of Venus is a tour de force, the first historical novel from one of Britain’s most innovative writers of literary suspense. It brings alive the history of Florence at its most dramatic period, telling a compulsively absorbing story of love, art, religion, and power through the passionate voice of Alessandra, a heroine with the same vibrancy of spirit as her beloved city.

    But internal problems of corruption, popular unrest, and dwindling finances had weakened China far more than was commonly understood, and the war would help set in motion the eventual fall of the Qing dynasty--which, in turn, would lead to the rise of nationalism and communism in the twentieth century. As one of the most potent turning points in the country's modern history, the Opium War has since come to stand for everything that today's China seeks to put behind it.In this dramatic, epic story, award-winning historian Stephen Platt sheds new light on the early attempts by Western traders and missionaries to "open" China--traveling mostly in secret beyond Canton, the single port where they were allowed--even as China's imperial rulers were struggling to manage their country's decline and Confucian scholars grappled with how to use foreign trade to China's advantage. The book paints an enduring portrait of an immensely profitable--and mostly peaceful--meeting of civilizations at Canton over the long term that was destined to be shattered by one of the most shockingly unjust wars in the annals of imperial history. Brimming with a fascinating cast of British, Chinese, and American individuals, this riveting narrative of relations between China and the West has important implications for today's uncertain and ever-changing political climate.