After six months, she wakes up with no memory of her past. When she is discharged from hospital a year later, Rishab, her husband, whisks her away to an unfamiliar address in Gurgaon to convalesce. There, in that plush apartment, with people waiting on her hand and foot, Sagarika can’t shake off the feeling that something is wrong. Why does the scent of a particular cologne unsettle her? Why does the innocuous word ‘cheeni’ bother her? And why is Rishab so evasive in response to her queries about her past? 'A Forgotten Affair' is a gripping story of a woman caught between two worlds.

    is told from the perspective of the three main characters- Annant, Agastaya, and Aditi. Their paths cross on January 13, 2010. It is the day before the first of the eleven sacred baths of the Haridwar Maha Kumbh.The three characters meet each other and exchange their stories. They remember the days gone by and are unsure about what lies ahead.As the Kumbh Mela draws towards an end, all three of them are thrown into a challenging situation that they have to face. The book then follows their journey as they try and find answers for their personal quests all at the same time - on life, love, and the thirst for knowledge.

    The place where they fought later became the site of the city of Harappa, possibly the first modern urban center in history, and the nation that was established in that region later came to be called…Bharat. A battle epic that flags off the Itihasa Series retelling major landmarks in the history of the Indian sub-continent.

    Pass out drunk with her on the same bed. Cry on his shoulder when you break up. Bore her with football talk at 3 a.m. Ask him for advice on how to keep your boyfriend 'happy'. Watch a cheesy movie with her and cry freely. Ask him to rate your butt. Dance with her in your boxers. But never, ever kiss your best friend. In this sequel to the bestselling Just Friends, find out what happens when headstrong and impulsive Tanie Brar meets her equally crazy best friend Sumer Singh Dhillon after five long years of separation. Heart-warming and poignant, Never Kiss Your Best Friend redefines the rules of friendship with its story of a boy and a girl who are soulmates in every sense.

    . . The collection is astonishingly diverse . . . Tyrewala’s anthology [offers] a sampling of brand-new authors and [a] superb introduction. It might provide a fictional contrast to Katherine Boo’s Behind the Beautiful Forevers."--Library Journal (Starred review)"Most of the 14 short stories in Akashic’s workmanlike Mumbai volume draw inspiration from the criminal networks and the sordid underbelly the city is infamous for . . . Armchair travelers will find plenty of amusement in touring the seedier parts of this island city in perfect safety."-- Publishers Weekly “The fifteen contributors to Mumbai Noir . . . provide a cool composite narrative of a unique human-intensive metropolitan system, whose magnitude, complexity, diversity, and pace can hardly be captured in writing or, for that matter, any other medium. [Mumbai Noir is] rich and diverse in character and characterization.”-- Rain Taxi Review of Books Featuring brand-new stories by: Annie Zaidi, R. Raj Rao, Abbas Tyrewala, Avtar Singh, Ahmed Bunglowala, Smita Harish Jain, Sonia Faleiro, Altaf Tyrewala, Namita Devidayal, Jerry Pinto, Kalpish Ratna, Riaz Mulla, Paromita Vohra, and Devashish Makhija.Bombay’s communal riots of 1992--in which Hindus were alleged to be the primary perpetrators—were followed by retaliatory bomb blasts in 1993, masterminded by the Muslim-dominated underworld. Over a thousand citizens lost their lives in these internecine bouts of violence and thousands more became refugees in their own city. In a matter of months, Bombay ceased to be the cosmopolitan, wholesome, and middle-class bastion it had been for decades. When the city was renamed Mumbai in 1995, it merely formalized the widespread perception that the Bombay everyone knew and remembered had been lost forever.Today Mumbai is like any other Asian city on the rise, with gigantic construction cranes winding atop upcoming skyscrapers and malls . . . Right-wing violence, failing electricity and water supplies, overcrowding, and the ever-looming threat of terrorist attacks—these are some of the gruesome ground realities that Mumbai’s middle and working classes must deal with every day, while the city’s super-rich . . . zip from roof to roof in their private choppers. Abandoned by its wealthy, mistreated by its politicians and administrators, Mumbai continues to thrive primarily because of the helpless resilience of its hardworking, upright citizens.The stories in Mumbai Noir depict the many ways in which the city’s ever-present shadowy aspects often force themselves onto the lives of ordinary people. . . . What emerges is the sense of a city that, despite its new name and triumphant tryst with capitalism, is yet to heal from the wounds of the early '90s, and from all the subsequent acts of havoc wreaked within its precincts by both local and outside forces.

    Years later, she is miserable, having been gradually shut out by the coldness of her husband’s family and his indifference to her and her daughter’s needs.Finally she flees to England to escape the loveless union—but at what price to herself and those she loves? The moving story of one woman’s painful journey of self-discovery, Ancient Promises is about a marriage, a divorce, and motherhood. It is about why we love and lose, sometimes seeming to have little control over our destinies.About the AuthorJaishree Misra is the best-selling author of Ancient Promises, Accidents Like Love and Marriage and Afterwards. She lives in the United Kingdom.

    It captures the dominance of a colonial power over the region that began with the entry of the Portuguese about four hundred years ago. The novel is a graphic description of the displacement of this strongly-rooted community which saw its resurrection in a new area. In the course of its narrative, the novel traces the gradual changes in the structure of the family that moved from a closely knit joint family of the bygone era to the nuclear family. It also deals with the factors that are responsible for the change in value systems of individuals in the wake of such paradigm shifts. With its vast canvas, it remarkably weaves fiction with myth and history, peppered with cultural details and linguistic nuances. The narration in Swapna Saraswatha progresses in the form of an epic detailing the story of nine generations spread over a period of two hundred and fifty years from 1510 to about 1760. It encompasses more than a hundred and fifty characters which include Hindus, Muslims, Christians, chieftains, traders, farmers, priests and black magicians, and covers a range of themes spread across folk tales, legends, armies, myths and a sprinkling of history.

    But MT Vasudevan Nair (popularly known as “MT”) turned him into a three-dimensional figure, more sensitive and thoughtful than he is usually given credit for. “He took familiar building blocks and created an entirely new, incredibly compelling construct from them,” says Prem Panicker, senior journalist, Rediff.com co-founder and a long-time admirer of MT’s work.

    When the beautiful and lonely lady of the manor invites him to stay and share a story, his grief at the destruction of his glorious city spills forth in a story of two brothers, Taka and Wara - wolf and boy - a tale of love and loyalty, hurt and distrust. The storyteller is amazed when the lady, or Begum, responds with a tale of her own, of Aresh and Barab, and a friendship that transcends death. Transfixed by their storytelling duel and shocked by the discovery of forbidden love, the pair draw out their stories in order to delay the moment of their parting. Part fable, part fantasy, The Storyteller's Tale captures the twilight of the Mughals and transports the reader to the stunning setting of an unforgettable brief encounter. Adapting ancient traditions of storytelling, skilfully weaving history and the lives of ordinary people in a landscape of war and devastation, Ahmad's finely drawn tale draws from the great folklore traditions of One Thousand and One Nights and the Tales of Genji.

    Three teenage girls planning a flight from the Soviet Union to the West end up being sold in Mumbai's red-light area instead. The murders start a quarter of a century later. The victims are all men. All of them tricks, waiting for trysts with high-class escorts. DCP Rita Ferreira is quick to recognize the serial-killer strain; the media isn't far behind. The news sends shockwaves through the city. The first serial killer in living memory of Mumbai is out on the streets. As Rita grapples to establish the killer's pattern through Bhendi Bazaar, the killer gives her 24 hours to stop the next murder. Can she do that before she becomes the next victim?

    When Satish offers a bribe to Jitesh, the latter abuses the industrialist and threatens to call the police. Undeterred by all this, Satish approaches Arora who is Jitesh’s senior officer and offers him a share in his business. Arora puts pressure on Jitesh to ignore certain norms and stipulations and approve the loan, but Jitesh succumbs neither to greed nor pressure. Arora and Satish turn hostile towards Jitesh. A few days later at the bank, Jitesh helps an unknown customer, who claims to be illiterate, to fill his withdrawal form. The customer is later identified as a conman who fraudulently withdraws money from someone else’s account. His arch rival Arora manipulates facts and Jitesh is named in the chargesheet. Jitesh is suspended from his job and faces a judicial inquiry that lasts for 14 long and painful years. During the long ordeal, Jitesh is flooded with offers to bribe his way out of the matter and this includes vigilance officers, bank officials, CID officers, court clerks and even the judge. Arora connives with businessmen and amasses huge wealth through underhand means. Arora ignores his family and takes to the wrong path in personal life also. What has destiny in store for him? Is he able to escape from the clutches of justice? ********************************** ABOUT THE AUTHOR: Gireesh Sharma, soldier-turned-author, writes straight from his heart. Born in 1973 in a small hamlet near Aligarh, he was brought up by his grandfather-in-law, an active political leader. It was under his tutelage that he developed patriotic fervour and on turning 17 years of age, chose to join the Indian Air Force to serve the nation. After his retirement, he worked with several youth organisations and today actively participates in socio-political activities to bring a positive change in the country. He is working as a marketing manager in a software company and enjoys writing books during his spare time. I Refused to Bribe is his first fiction, though he has written three popular non-fictions: 'Office Politics', 'How to Win the Heart of Your Wife' and 'Stay Free, Stay Happy'.http://www.amazon.com/gp/search/ref=s...

    . . Nazarian writes clean and true prose . . ."--Publishers Weekly"Set in an alternate Renaissance Europe, this series opener by Russian-born Nazarian combines the stylistic manner of a folktale with the trappings of an epic fantasy, one driven by compassion rather than heroics.... Fans of period fantasy and those who like stories that feel like fairy tales should appreciate this skillful novel by the twice Nebula Award-nominated author of Dreams of the Compass Rose and The Duke in His Castle."--Library Journal"I really enjoyed the rich, complex and highly unusual storytelling in the Cobweb Bride. Nazarian does an excellent job of painting the Renaissance world of her alternate reality and bringing in interesting twists of fantasy to the story.... Everything about this story that was fresh and new. I loved the premise it was built on and I loved the story itself. The characters are rich, multi-dimensional, and so easy to get to know and identify with. I am really looking forward to reading the next book in the trilogy when it comes out and in finding out more about what happens to the characters that still have a mission to carry out and how the story eventually resolves by the end of the trilogy. I recommend this book to readers of YA, lovers of fantasy, alternate-history, and alternate-reality. It was a terrific read."--Tracy M. Riva, Midwest Book Review"Cobweb Bride is astonishing and captivating; a lush fantasy of imagery and magical realism. The visuals are illustrated by the author's lyrical and metaphoric writing. Every chapter and scene revels in this mortal coil, surrounded by an expansive collage of characters immersed in a plot as rich and decadent as a Verdi opera.... The vibrancy of Ms. Nazarian's writing is sheer kaleidoscopic visualization. The folkloric-fable twists and turns recount shavings from the mythos of Hades and Persephone without boring you with a full-blown serving of predictability. The romance is as subtle as it is grim, with glimmers of hope taking us further to our doom--perhaps.... The overall tone is introspective, hauntingly quiet with elements of horror-fantasy that are as provocative as the works of Tanith Lee and Storm Constantine."--Patrice, Romantic Historical Reviews , a 5-Star Top Pick Many are called... She alone can save the world and become Death's bride. COBWEB BRIDE is a history-flavored fantasy novel with romantic elements of the Persephone myth, about Death's ultimatum to the world. What if you killed someone and then fell in love with them? In an alternate Renaissance world, somewhere in an imaginary "pocket" of Europe called the Kingdom of Lethe, Death comes, in the form of a grim Spaniard, to claim his Bride. Until she is found, in a single time-stopping moment all dying stops. There is no relief for the mortally wounded and the terminally ill... Covered in white cobwebs of a thousand snow spiders she lies in the darkness... Her skin is cold as snow... Her eyes, frozen... Her gaze, fiercely alive...

    Each set of family members occupies a floor of the home, in accordance to their standing within the family. Poisonous rivalries between sisters-in-law, destructive secrets, and the implosion of the family business threaten to unravel bonds of kinship as social unrest brews in greater Indian society. This is a moment of turbulence, of inevitable and unstoppable change: the chasm between the generations, and between those who have and those who have not, has never been wider. The eldest grandchild, Supratik, compelled by his idealism, becomes dangerously involved in extremist political activism—an action that further catalyzes the decay of the Ghosh home.Ambitious, rich, and compassionate, The Lives of Others anatomizes the soul of a nation as it unfolds a family history, at the same time as it questions the nature of political action and the limits of empathy. It is a novel of unflinching power and emotional force.

    In Rashid's opium room the air is thick and potent. A beautiful young woman leans to hold a long-stemmed pipe over a flame, her hair falling across her dark eyes. Around her, men sprawl and mutter in the gloom, each one drifting with his own tide. Here, people say that you introduce only your worst enemy to opium.Outside, stray dogs lope in packs. Street vendors hustle. Hookers call for custom through the bars of their cages as their pimps slouch in doorways in the half-light. There is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. There are too many of them to count in this broken city.Narcopolis is a rich, chaotic, hallucinatory dream of a novel that captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

    Here, lives intertwine and unravel. A widower struggles with his love for an unmarried cousin. Bakul, a motherless daughter, runs wild with Mukunda, an orphan of unknown caste adopted by the family. Confined in a room at the top of the house, a matriarch goes slowly mad; her husband searches for its cause as he shapes and reshapes his garden. As Mukunda and Bakul grow, their intense closeness matures into something else, and Mukunda is banished to Calcutta. He prospers in the turbulent years after Partition, but his thoughts stay with his home, with Bakul, with all that he has lost—and he knows that he must return.