He is entranced by her image, flooded by memories of their teenage summer together, and utterly conpelled to make contact with her again. Charles sends Sian a letter, knowing all the while that "from the very first sentence of the very first note there was nothing innocent about it." Sian writes back - she is now a poet living with her husband and small child on an onion farm in Pennsylvania. She is intrigued that Charles has sought her out after so many years but wary of where their correspondence might lead. For Charles, troubled by financial woes, on the verge of losing his home, and concerned about the security of his family, the letters become a secret obsession and another source of instability in his already complicated life. Despite their reservations, the power of Charles and Sian's attraction leads them to meet again . . . and again. As Charles understands it, "for the two of them, eros is linked with time. It is the very urgency of time he dreads, the sense that their minutes together are short and numbered, that he must say what he has come to say before she leaves, that gestures and words cannot be wasted." Anita Shreve takes the classic theme of "Romeo and Juliet" and gives it an unusual twist: two lovers struggle against formidable odds, reaching across a lifetime to reclaim what they once lost. In doing so, they set in motion a tumultuous series of events that moves inexorably to a shocking conclusion.

    As the two know well, there's more to the bordertown than meets the eye: behind the gaudy storefronts and sidewalk vendors, past the hawkers of tourist T-shirts and cheap souvenirs live the real people who scrape together a living by toiling at the Bisk, the local cookie factory. And then there are the truly desperate, those who find themselves drawn to the borderline and a world of dog-racing, bare-knuckle fighting, and night-time smuggling.     Owen and Duncan think they are different: both dream of escape, a longing made more urgent by a near-death incident in childhood that sealed their bond. But in adulthood their paths diverge, and as Duncan, the less privileged, falls deep into the town's underworld, he and Owen become reluctant adversaries at opposite ends of the law. At stake is not only survival and escape, but a lifelong friendship that can only be broken at an unthinkable price.

    A god-like ocean deposits many a thing, yet it also takes away. The 1960s blaze off shore and draw the island’s inhabitants into politics, the Vietnam War, and the peace movement. Sound impossible? Not on Whalebone Island, AKA the Republic of Nothing. Where else can a dead circus elephant, a long-dead Viking, the discovery of uranium, a raven-haired castaway who may be psychic, an anarchist turned politician, and refugees fleeing from the United States all be part of everyday life? Where else is eccentricity embraced with such open arms? In this new readers’ guide edition, complete with an afterword by Neil Peart, Lesley Choyce’s novel about resilience, independence, and anarchy comes alive, leading readers to discover once again that everything is nothing and nothing is everything.

    Virgil Marcel is flying to London as a guest of the ancient and mysterious Everlasting Club. Virgil is the obnoxious, spoiled rotten son of Frank Marcel, founder of the Golden Boy chain, Howard Johnson-like restaurants in California; the only work he's done since college is to revamp his father's one fancy restaurant, now the last word in L.A. chic. In London, a black chauffeur, Butterworth, drives Virgil blindfolded to the club, where his host Kingsley, an upper-class twit, explains the club's tradition of ``indulging in excess.'' Virgil eats and drinks with the same swinish abandon as the other members, all male, but gets into trouble when he French-kisses the naked girl who is the motionless table decoration. So begins this story of gastronomic and erotic debauch; Nicholson cuts between England (where Virgil will be kidnapped by the sexy dinner-table centerpiece, then rescued by the God-fearing Butterworth) and California, where Frank, in the course of investigating his wife's supposed infidelity, discovers his prized chef Leo ejaculating into the sauces. Nicholson sustains a tone of campy menace (by now there's a whiff of cannibalism in the air) as he brings all these characters to London in a plot that zigs and zags entertainingly, though with increasing improbability. Even more troubling, though, are the factual accounts of gastronomic and other excesses interspersed throughout. Aside from the borderline tackiness of linking those notorious modern cannibals, the Andean crash survivors, to the high jinks of the club, these passages suggest authorial obsessions run amok. Spicy fare, though some may find the aftertaste disagreeable.

    In the basement, she makes a shocking discovery — two dead girls curled into the bottom of her mother’s chest freezers. She remembers a pair of foster children who lived with the family in 1988: Casey and Jamie Cheng — troubled, beautiful, and wild teenaged sisters from Vancouver’s Chinatown. After six weeks, they disappeared; social workers, police officers, and Jessica herself assumed they had run away.As Jessica learns more about Casey, Jamie, and their troubled immigrant Chinese parents, she also unearths dark stories about Donna, whom she had always thought of as the perfect mother. The complicated truths she uncovers force her to take stock of own life.Moving between present and past, this riveting novel unflinchingly examines the myth of social heroism and traces the often-hidden fractures that divide our diverse cities.

    The novel uses a "Bloods vs. Crips" metaphor for the philosophical conflict between chefs such as Papier, who favour local ingredients and menus, and those such as his nemesis Dante Beale, who favour a hip, globalized, "post-national" fusion cuisine.Papier also endures conflict with his father, an anthropologist studying homelessness in Vancouver's Stanley Park, who draws him into investigating the death of two children in the park.

    Her father said it was the home of Uncle Joe Spondoolak, an elf who’d moved in after the cottage had burned down long ago. Susan, a fanciful child, decided to become keeper of the hearth, tidying it up and leaving little gifts for the elves: handfuls of wild strawberries, daisy chains, a tiny birchbark canoe. Overnight the gifts would disappear. One morning, there was a tiny piece of carefully folded pink paper wedged in between the mossy stones.To Helen Susan Cameron Coyne: GreetingsHer Majesty, Queen Mab, has instructed me to thank you for making a home for all her people.Thus began Susan’s correspondence with a precocious young fairy princess, Nootsie Tah, and her indoctrination into the world of the great and little people.Susan took the letter next door to Mr. Moir, because he knew all sorts of interesting things. Sure enough, he had an entire library filled with books about characters such as Puck, Ariel and Oberon. The letters from Nootsie Tah continued, and that summer Susan developed two unique relationships: one with a proud princess from a mystical land, and the other with a gentle gardener with infinite wisdom and patience. These would sustain her throughout her life.

    It is 1984, the height of Nicaragua's post-revolutionary war, and the peace-activist Friesens have come to protest American involvement. In the midst of this tumult, Juliet's family lives outside of the boundaries of ordinary life. They've escaped, and the ordinary rules don't apply. Threat is pervasive, danger is real, but the extremity of the situation also produces a kind of euphoria, protecting Juliet's family from its own cracks and conflicts.When Juliet's younger brother becomes sick with cancer, their adventure ends abruptly. The Friesens return to Canada only to find that their lives beyond Nicaragua have become the war zone. One by one, they drift from each other, and Juliet grows to adulthood, pulled between her desire to live a free life like the one she remembers in Nicaragua, and her desire to build for her own children a life more settled than her parents could provide.With laser-sharp prose and breathtaking insight, these stories herald Carrie Snyder as one of Canada's most prodigiously talented writers.

    Families, friends, lovers disappear.Kim Echlin’s powerful new novel tells the story of Anne Greves, from Montreal, who meets Serey, a Cambodian student forced into exile when he cannot return home during Pol Pot’s time of terror. Anne and Serey meet in a jazz club where their shared passion for music turns into a passion for each other, against the will of her father. But when the borders of Cambodia open, Serey is compelled to return home, alone, to try to find his family. Left behind, and without word from her lover, Anne tries to build a new life but she cannot forget her first love. She decides to travel to the war-ravaged country that claimed Serey. What she finds there is a traumatized and courageous people struggling to create new freedoms out of the tragedy that claimed their traditional ways, their livelihood, and a seventh of their population.“Despair is an unwitnessed life,” writes Anne as she searches for the truth, about her lover, and about herself. “If we live long enough, we have to tell, or turn to stone inside.”From its first page, The Disappeared takes us into the land of kings and temples, fought over for generations. It reveals the forces that act on love everywhere: family, politics, forgetting. Universal in its questions about how to claim the past, how to honor our dead, and how to go on after those we love disappear, it is a story written in spare and rhythmic prose. The Disappeared is a remarkable consideration of language, truth, justice, and memory that speaks to the conscience of the world, and to love, even when those we love most are gone.

    It earned him nominations for the highest fiction prizes in Canada and was a national bestseller. His American editor said he hadn’t found such an exciting author since he discovered Don DeLillo. Johnston, who has been writing fiction for two decades, launched his next and sixth novel across the English-speaking world to great anticipation.The Navigator of New York is set against the background of the tumultuous rivalry between Lieutenant Peary and Dr. Cook to get to the North Pole at the beginning of the 20th century. It is also the story of a young man’s quest for his origins, from St. John’s, Newfoundland, to the bustling streets of New York, and the remotest regions of the Arctic.Devlin Stead’s father, an Arctic explorer, stops returning home at the end of his voyages and announces he is moving to New York, as “New York is to explorers what Paris is to artists”; eventually he is declared missing from an expedition. His mother meets an untimely death by drowning shortly after. Young Devlin, who barely remembers either of them, lives contently in the care of his affectionate aunt and indifferent uncle, until taunts from a bullying fellow schoolboy reveal dark truths underlying the bare facts he knows about his family. A rhyme circulated around St. John’s further isolates Devlin, always seen as an odd child who had inherited his parents’ madness and would likely meet a similar fate.Devlin, who has always learned about his father through newspaper reports, now finds other people’s accounts of his parents are continually altering his view of his parents. Then strange secret letters start to arrive, exciting his imagination with the unanticipated notion that his life might contain the possibility of adventure. Nothing is what it once seemed. Suddenly a chance to take his own place in the world is offered, giving him courage and a newfound zest for discovery. “It was life as I would live it unless I went exploring that I dreaded.”Caught up in the mystery of who his parents really were, and anxious to leave behind the image of ‘the Stead boy’, at the age of twenty Devlin sails, carrying only a doctor’s bag, to a New York that is bursting with frenzied energy and about to become the capital city of the globe; where every day inventors file for new patents and three thousand new strangers enter the city, a city that already looks ancient although taller buildings are constructed constantly. There he will become protégé to Dr. Cook, who is restlessly preparing for his next expedition, be introduced into the society that makes such ventures possible, and eventually accompany Cook on his epic race to reach the Pole before the arch-rival Peary. This trip will plunge Devlin into worldwide controversy -- and decide his fate.Wayne Johnston has harnessed the scope, energy and inventiveness of the nineteenth century novel and encapsulated it in the haunting and eloquent voice of his hero. His descriptions of place, whether of the frozen Arctic wastes or the superabundant and teeming New York, have extraordinary physicality and conviction, recreating a time when the wide world seemed to be there for the taking. An extraordinary achievement that seamlessly weaves fact and fabrication, it continues the masterful reinvention of the historical novel Wayne Johnston began with The Colony of Unrequited Dreams.From the Hardcover edition.

    John’s, her friends, family, and neighbours believe the culprit to be her abusive boyfriend, Sheldon Troke. But the evidence is circumstantial, the testimonies tainted by personal bias and attempts at deception. Police and prosecutors face a daunting challenge, and the course of justice, with all its intricacies and failings, takes many unpredictable turns before the truth is finally revealed. In this extraordinary novel, Michael Winter has mined the records of Sheldon’s trial—thousands of pages of court transcripts, police wiretaps, newspaper reports, private letters and diary entries—and distilled their raw, naked truth into a mesmerizing work of documentary fiction that captures the myriad voices of the people involved.

    It's a world in which she can escape some of her more painful childhood realities, like those games her father likes to make her play, where he's the boss and she the naughty secretary. And her mother so fiercely favors her younger brother, the cherubic Willy, that Thelma finds herself perpetually in emotional exile. No wonder Thelma asks practically every adult she meets to adopt her. Along Thelma's bumpy way from a rural English village to Canada to a law degree at Oxford, she meets many potential parents and even makes some friends, but it is with the companions of her fertile imagination—with the scaredy-baby Janawee, moody and timid Ginniger, and big, strong, stoic Heroin—that Thelma finds comfort. With them, too, she loses an already tenuous connection to reality, though ultimately Thelma's spirit and humor prove to be as indomitable as her wit. "Moving and comic at once.... Hallucinatory, hilarious, and haunting."—Boston Globe "Prickly, unsentimental...a portrait of terrible comic humanity."—New York Times Book Review "Mesmerizing.... Lush, visceral prose ... rings with an authority rarely found in first novels."—Washington Post Book World "A novel of astonishing power .... An instantaneous classic."—Baltimore Sun "Elegant ... sings with an almost Victorian delicacy and sophistication."—San Francisco Chronicle

    It is the story of a woman who is undone by grief when her husband is killed, and her eight-year-old son--who appears unscathed--until a troubling incident reveals his profound pain.

    It's about life. Set in a small Oklahoma town in the mid-1960s—a simple place in a confusing time—Flatbellies is partly about the seemingly unreachable goal of a high school golf team: to win the state championship. But mostly it's about the way Chipper, Jay, L.K., Buster, the unforgettable Peachy, and their friends learn to deal with love, loss, friendship, fear, triumph, tragedy, growing up, and growing together. Fictionalized from the author's teenage years in the heartland of America, Flatbellies is a memorable and moving coming-of-age story.

    His wife, Joan, vaults between denial and rage as the community she loved turns on her. Their daughter, Sadie, a popular over-achieving high school senior, becomes a social pariah. Their son, Andrew, assists in his father’s defense, while wrestling with his own unhappy memories of his teen years. A local author tries to exploit their story, while an unlikely men’s rights activist attempts to get Sadie onside their cause. With George locked up, how do the members of his family pick up the pieces and keep living their lives? How do they defend someone they love while wrestling with the possibility of his guilt?With exquisite emotional precision, award-winning author Zoe Whittall explores issues of loyalty, truth, and the meaning of happiness through the lens of an all-American family on the brink of collapse.