Only after marriage will trusting and idealistic Cassie discover that Montague is not all that he seems. Nancy Winfield, born to the workhouse and betrayed by her protectors, is quick to recognize the preacher’s evil intentions. Imprisoned in a dangerous marriage and deceived by her sister, Cassie finds an ally in Nancy, and a friend in widower Allan Hunter, who is a victim of Montague’s twisted schemes. Beneath the surface of Cassie’s staid existence perverse and deadly passion run deep, threatening a tragedy that only Nancy Winfield’s loyalty – and Cassie’s courage – can prevent

    Told with humour and insight, it looks back across the decades at the life of this close knit, notorious East End family. Maureen Flanagan, a then 20 year old hairdresser started visiting the Kray family home in Vallance Road each week to give the twins’ mother, Violet, her weekly shampoo and set. Over the cups of tea and the rollers and hairpins, Violet began to confide in ‘Flan’ about her life, her incredible pride in her twins, the celebrities who visited her at their humble East End home - and her troubled relationship with her husband.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    But her parents have always been cold and distant, never showing her love. DisownedCraving affection, Constance falls into the arms of Albie Jones, the cook’s grandson. But one fateful encounter leaves her ashamed and pregnant, and she is soon shunned from the family home. DesperateHeartbroken and threatened by scandal, Constance is forced to wed Albie and moves to Battersea, where she suffers unforgiving stares and cruel whispers from the neighbours. Trapped in a bitter and loveless marriage without a penny to her name, Constance has no choice but to stay and surrender. Will she ever find freedom – or happiness – again?

    It is an exploration of intimacy, identity, and the courage it takes to be who you really are.

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    The youngest son of a landowner offers her marriage but his brother seduces her little sister and then betrays her in the most brutal of ways. Susan faces losing everything.

    The chief character is so well defined and so likeable. The story was intriguing and had plenty of twists and turns. ” Julia Corbett “Swift is a good character, suitable for people who like PD James, the story is believable and comes together well.” “Absolutely loved this book! Extremely well written with believable characters and lots of twists!” E. Boisvert “Excellent mystery, well drawn characters, and a great storyline.” Suki Anne Perfect for fans of Robert Galbraith, Paula Hawkins, P.D. James, or Ruth Rendell. IN THIS THREE-BOOK BOXSET: BOOK 1: THE LADY VANISHED A missing woman holds the key to a valuable inheritance Florence Davenport hires Swift to find her missing stepmother. There are no leads and no suspects, but if the body is found, Florence will inherit half of a very valuable house. BOOK 2: BLOOD SECRETS Fifteen years ago a teenage boy, Teddy Bartlett, went to a woods on the outskirts of London and was beaten to a pulp and left damaged for life. The police never found who did it or why he was targeted. Now, the boy’s father, recently returned from Australia, wants to find out what really happened to his son. He hires private detective Tyrone Swift to investigate the tragic crime. BOOK 3: TWO LOVERS, SIX DEATHS A man stabs his girlfriend to death. Then hangs himself, leaving a note confessing to the murder. Open and shut case? Not for detective Tyrone Swift Dominic Merrell’s estranged wife Georgie doesn’t believe that he could have done it. Detective Swift discovers that Dominic was a reliable, devoted husband and father for eighteen years until he met the beautiful, charismatic Lisa, who he left his wife for. No one can believe that Dominic was capable of murder. But if it wasn’t him, then who killed the seductive but chaotic Lisa? THE DETECTIVE Tyrone Swift is an ex-police detective who now works privately. He’s survived a stabbing and his fiancée running off with another man. Swift's personal life is complicated. He is still involved with his ex-wife Ruth. THE SETTING The streets of London with their vibrant mix of nationalities, cultures, and rich and poor are beautifully evoked. From the quiet suburbs with their veneer of happy family life, to the bustling centre with refugees struggling to survive, to exclusive penthouses where the rich can have anything they want delivered. THE AUTHOR Gretta is a critically acclaimed author of best-selling detective and literary fiction. 'Mulrooney has a real gift for dialogue, the words and phrases ring true and make her characters wonderfully real . . .

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    Finding herself pregnant, she runs away and is taken into the care of a group of nuns.Sister Madeline Armstrong and three others have been tasked with setting up a school to help the lost girls of south west Durham, and so Dinah becomes the first student of 'The Foundling School for Girls'.Together, the sisters bring aid to the orphans they take in, but when former street-child Jay returns to Newcastle, Maddy is suddenly torn between the love of her life and her calling to help the children... From the bestselling author of Miss Appleby's Academy and Nobody's Child comes a new series about the lost orphans of Durham and the nuns who take them in...

    Why did she get acquitted? Why did the jurors see George as a suspect? Why did they think she was a good mother? And how on God's green earth did they miss the suffocation search? There are surprisingly good answers for all of these questions. I argue in this book that not only did the prosecution hide evidence from the jury, but that the evidence points to Casey being factually innocent as well. Regardless of whether you agree with my viewpoint, I guarantee you'll learn something you didn't know before about this infamous case.

    A madman, with the audacity to call himself Angel, toys with police. This stealer of children, delusional and misunderstood, reaches out to his own “personal” reporter. He has story to tell.Christopher Lance is a young and ambitious beat writer for a second rate newspaper. A chronic insomniac, Christopher is always available when the stealer calls. Though prone to taking reckless chances, soon it's clear that the young reporter with something to prove is the only one who can save the taken.

    They knew they had struggles of a practical nature ahead of them - trying to build the bankrupt mill into a new and thriving business - but Madeleine felt that, providing everything was right between her and Leon, they could face whatever lay ahead. But trouble and disruption were still to be part of her future - for Leon's family in France bitterly resented the Yorkshire girl who had taken their son away from them. And Hortense Murer, who had thought she would be Leon's wife, resented her even more. And over all hung the shadow of a foolish curse made by her old enemy, Sophia Parkinson - that Madeleine would never bear a son - a curse that, against all the tenets of common sense, seemed to be coming true.

    Certainly jealousy plays a part: Maria believes that young Ryder Tempal would be hers with her pretty daughter out of the way, and throws Carys out of the house to fend for herself. Befriended by Alice, a young woman in domestic service, Carys herself takes a job as a housemaid and is lucky enough to find in the mistress of the house a friend and patron. Maria continues with her vicious scheme until Fate intervenes to punish her wicked ways; but for Carys, the reward of virtue is lasting love.Carys Beddows cannot understand why her mother hates her so much. Certainly jealousy plays a part: Maria believes that young Ryder Tempal would be hers with her pretty daughter out of the way and throws Carys out to fend for herself.Good fortune leads the girl to Ridge House, and a position as housemaid. The mistress there takes a shine to the gentle girl with the tragic past, and recognises her talent for drawing when she sees Carys's sketches of a young man on the heath. This young man is Reuben Fereday, and he is destined to meet Carys again .