As they travel, they discover how cruel the world can be, but also how wondrous.

    He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands? And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?

    More than a hundred years later, this tale of the mild-mannered Dr. Jekyll and the drug that unleashes his evil, inner persona—the loathsome, twisted Mr. Hyde—has lost none of its ability to shock. Its realistic police-style narrative chillingly relates Jekyll's desperation as Hyde gains control of his soul—and gives voice to our own fears of the violence and evil within us. Written before Freud's naming of the ego and the id, Stevenson's enduring classic demonstrates a remarkable understanding of the personality's inner conflicts—and remains the irresistibly terrifying stuff of our worst nightmares.

    He disappeared on the very day they were to be married. It's a challenge Holmes can't turn down.This is #3 in Doyle's first collection of Holmes' short stories, "The Adventures of Sherlock Holmes."Librarian's note: this entry is for the story, "A Case of Identity." Collections of short stories by the author can be found elsewhere.

    Rue Morgue" is a short story by Edgar Allan Poe first published in "Graham's Magazine" in 1841. It has been recognized as the first modern detective story; Poe referred to it as one of his tales of "ratiocination," his concept of analyzing a fictional crime to find the resolution. Brand new idea in its day.Poe's amateur detective, C. Auguste Dupin, takes an interest in the murder in Paris of two women. It was terribly brutal but difficult to categorize; there appeared to be no robbery or sexual assault, no obvious reason for the crimes. The newspapers carried sensational headlines. Dupin gets involved because the man arrested for the crimes, Monsieur Le Bon, had previously done him a favour. It becomes a challenge to Dupin.Get set for a step back in the history of detective fiction that leaves the impression that it was written just a short while ago.Librarian's note: this entry is for the story "The Murders in the Rue Morgue." It is the first of three in the author's Dupin series. Collections of the series, including those under this title, and other stories by the author, are located elsewhere on Goodreads. Each of the Dupin stories can be found by searching Goodreads for "a C. Auguste Dupin Short Story."

    He maintains his innocence over the decades he spends at Shawshank during which time he forms a friendship with "Red", a fellow inmate.Source: stephenking.com

    But every wish has a consequence, and the White family finds they are completely unprepared for what comes next. The Monkey’s Paw is a classic horror tale that gives new meaning to the phrase “be careful what you wish for.”The Monkey’s Paw has become a classic horror story and has been adapted numerous times, including into episodes of such popular television series as The X-Files, The Twilight Zone, Buffy the Vampire Slayer, The Simpsons: Treehouse of Horror, Are You Afraid of the Dark?, and Tales from the Crypt.HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.

    He is obsessed with a beautiful stranger, the art student Miranda. When he wins the pools he buys a remote Sussex house and calmly abducts Miranda, believing she will grow to love him in time.

    The Most Dangerous Game features a big-game hunter from New York who becomes shipwrecked on an isolated island in the Caribbean and is hunted by a Russian aristocrat.

    Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they're unwilling to reveal—and a secret that will seal their fate. For each has been marked for murder. A famous nursery rhyme is framed and hung in every room of the mansion:"Ten little boys went out to dine; One choked his little self and then there were nine. Nine little boys sat up very late; One overslept himself and then there were eight. Eight little boys traveling in Devon; One said he'd stay there then there were seven. Seven little boys chopping up sticks; One chopped himself in half and then there were six. Six little boys playing with a hive; A bumblebee stung one and then there were five. Five little boys going in for law; One got in Chancery and then there were four. Four little boys going out to sea; A red herring swallowed one and then there were three. Three little boys walking in the zoo; A big bear hugged one and then there were two. Two little boys sitting in the sun; One got frizzled up and then there was one. One little boy left all alone; He went out and hanged himself and then there were none."When they realize that murders are occurring as described in the rhyme, terror mounts. One by one they fall prey. Before the weekend is out, there will be none. Who has choreographed this dastardly scheme? And who will be left to tell the tale? Only the dead are above suspicion.

    From shopkeepers to kings, everyone wants the help of Sherlock Holmes, but can he solve these mysteries?

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    This masterpiece of science fiction is the fascinating story of Griffin, a scientist who creates a serum to render himself invisible, and his descent into madness that follows.

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .