True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    The story takes place in a small Vermont town in the year 1924, revealing the devastating impact of the Ku Klux Klan on this pastoral, insular community. At the heart of the tale are two motherless girls who come to the attention of the newly formed Klan: 12-year-old Leanora Sutter, who is black, and 6-year-old Esther Hirsch, who is Jewish. Hesse tells her story, which is based on real events, through the eyes of 11 different characters. Each point of view is expressed in poetic form, but with a stark clarity of difference that makes the voices unique and identifiable. There is a fire-and-brimstone preacher whose sermons reveal him as a zealot and whose actions brand him as a hypocrite. There is a middle-aged farm woman named Sara who takes Esther under her wing despite the warnings of her neighbors, trying to help the child understand why the Klan has marked her and her widowed father as targets for their hatred. Esther's only other friend is Leanora, who is about to learn some harsh lessons on tolerance and hatred herself at the hands of the Klan. And linking them all together is 18-year-old Merlin Van Tornhout, a young man struggling to fit in with the adult world and determine for himself the difference between right and wrong. The remaining characters who circle the periphery of this core group reflect the various mind-sets and biases that were common during this era of fear and persecution, even in a setting as bucolic as the Vermont countryside.Hesse weaves real historic events into her tale, such as the murder trial of the infamous kidnappers Leopold and Loeb, giving the work a definite period flavor. Using prose that is both sparse and powerful, she builds the tension with a slow crescendo of inevitability that ends in violence, but also offers up an unforgettable lesson on the true power of friendship and acceptance. (Beth Amos)

    She joins him on his rounds and has a keen interest in the people around her. She's especially intrigued by Jacob, a gentle, silent boy who has a special sensitivity toward animals. While Jacob never speaks to or looks at Katy, they develop an unusual friendship and understanding. The townspeople dismiss Jacob as an imbecile. Katy just thinks of him as someone special who has a way of communicating with the animals through his sounds and movements.   And only Katy comes to realize what the gentle, silent boy did for his family. He meant to help, not harm. It didn't turn out that way.

    Elise has always lived in the big house with her loving Uncle and Aunt, because Elise's parents died when she was too young to remember them.  There's always been a barn behind the house with eight locked doors on the second floor. When Elise and Franklin start middle school, things feel all wrong. Bullying. Not fitting in. Franklin suddenly seems babyish.  Then, soon after her 12th birthday, Elise receives a mysterious key left for her by her father. A key that unlocks one of the eight doors upstairs in the barn...

    Meticulously researched and illustrated with many detailed drawings, this novel offers an exceptionally vivid and personal portrait of Native American life and customs.

    Really, one kisses the air over his hand, and that's a good thing, for he's so glistening with lotions and powders to cover the liver spots on his skin, which he hates...Aunt Soap says he was a beautiful lad when he was young. "Prinny was the handsomest Prince ever. His curls were the colour of honey on toast, like that red-gold Russian sable the Princess de Lieven wears." Now, unfortunately, his beauty has quite fled. Perhaps he does wear a corset, as I once heard Lady C. remark--though I can't see that it does much good. (I'm sure she would be shocked to know I overheard. But I do wonder why so many people seem to think a young person's ears do not work unless they are instructed to by some adult.)

    And when the sheriff returns to town with an unidentifiable body—wearing Agatha's blue-green ball gown—everyone assumes the worst. Except Georgie. Refusing to believe the facts that are laid down (and coffined) before her, Georgie sets out on a journey to find her sister. She will track every last clue and shred of evidence to bring Agatha home. Yet even with resolute determination and her trusty Springfield single-shot, Georgie is not prepared for what she faces on the western frontier.From the Hardcover edition.

    Rascal is only a baby when Sterling brings him home, but soon the two are best friends, doing everything together--until the spring day when everything suddenly changes.Rascal is a heartwarming boyhood memoir that continues to find its way into the hearts of readers fifty years later. This special anniversary edition includes the book's classic illustrations restored to their original splendor, as well as a letter from the author's daughter, and material from the illustrator's personal collection."Everyone should knock off work, sit beneath the nearest tree, and enjoy Rascal from cover to cover."—Chicago Tribune

    With The Birchbark House, award-winning author Louise Erdrich's first novel for young readers, this same slice of history is seen through the eyes of the spirited, 7-year-old Ojibwa girl Omakayas, or Little Frog, so named because her first step was a hop. The sole survivor of a smallpox epidemic on Spirit Island, Omakayas, then only a baby girl, was rescued by a fearless woman named Tallow and welcomed into an Ojibwa family on Lake Superior's Madeline Island, the Island of the Golden-Breasted Woodpecker. We follow Omakayas and her adopted family through a cycle of four seasons in 1847, including the winter, when a historically documented outbreak of smallpox overtook the island. Readers will be riveted by the daily life of this Native American family, in which tanning moose hides, picking berries, and scaring crows from the cornfield are as commonplace as encounters with bear cubs and fireside ghost stories. Erdrich--a member of the Turtle Mountain Band of Ojibwa--spoke to Ojibwa elders about the spirit and significance of Madeline Island, read letters from travelers, and even spent time with her own children on the island, observing their reactions to woods, stones, crayfish, bear, and deer. The author's softly hewn pencil drawings infuse life and authenticity to her poetic, exquisitely wrought narrative. Omakayas is an intense, strong, likable character to whom young readers will fully relate--from her mixed emotions about her siblings, to her discovery of her unique talents, to her devotion to her pet crow Andeg, to her budding understanding of death, life, and her role in the natural world. We look forward to reading more about this brave, intuitive girl--and wholeheartedly welcome Erdrich's future series to the canon of children's classics. (Ages 9 and older) --Karin Snelson

    Recruited by the Hystorians, a secret society that dates back to Aristotle, the kids learn that history has gone disastrously off course.Now it's up to Dak, Sera, and teenage Hystorian-in-training Riq to travel back in time to fix the Great Breaks . . . and to save Dak's missing parents while they're at it. First stop: Spain, 1492, where a sailor named Christopher Columbus is about to be thrown overboard in a deadly mutiny!

    She always avoids the occupying Russian Cossack soldiers, who insist that everyone must become Russian -- they have banned Lithuanian books, religion, culture, and even the language. But Audra knows her parents are involved in something secret and perilous.When Cossacks arrive abruptly at their door, Audra's parents insist that she flee, taking with her an important package and instructions for where to deliver it. But escape means abandoning her parents to a terrible fate.As Audra embarks on a journey to deliver the mysterious package, she faces unimaginable risks, and soon she becomes caught up in a growing resistance movement. Can joining the underground network of book smugglers give Audra a chance to rescue her parents?

    But before they can make the escape, the worst happens--Master Stevens decides to sell some of his slaves, including Poppa and Addy's brother, Sam. Addy and Momma take the terrible risk of escaping by themselves, hoping that the family eventually will be together again in Philadelphia. Set during America's own struggle over slavery, the Civil War, Addy's story is one of great courage and love--love of family and love of freedom.

    Worth has come to Nebraska from New York City on the Orphan Train, which brings homeless children west to find new lives. Nathaniel feels increasingly jealous of the boy who has taken over not only his work but the attention of his father, who has barely spoken to him since his injury. In school for the first time he is far behind even his youngest classmates, and he feels as useless there as he does at home. Meanwhile, Worth is still grieving for his family and his old life. As the farm chores prevent him from going to school, he also resents losing his dream of an education and a good job. And for all the work he does, he knows he will never inherit the farm that he's helping to save. But a battle between ranchers and farmers -- and a book of Greek mythology that Nathaniel reads aloud each evening -- forges a connection between the two boys, who begin to discover that maybe there is enough room on the farm, and in the family, for both of them. A. LaFaye's dynamic portrayal of two boys longing for something they no longer have -- and finding the resources to face the future -- offers a fresh perspective on the thousands of children who moved west via the Orphan Trains in the late nineteenth century.

    However, the schools were inadequate at best. Some returned home, unable to endure the hardships of prairie life, but others were more committed. Jim Murphy's Sarah Jane Price stayed, braving the rough conditions of the West and the daily tasks that ensued.

    Kirsten's stories begin with her long, dangerous voyage with her family from Sweden to America. At first, Kirsten finds it difficult to get used to this strange new country. But as she makes friends and discovers what her new land has to offer, she learns the true meaning of home -- and that love is the same in any language.After a long, dangerous journey from Sweden, Kirsten and her family arrive at a tiny farm on the Minnesota frontier.