Set within Australia's lush rain forest at the height of the rainy season, Salt Rain is an absorbing debut about sifting through the complicated stories that shape us, and ultimately reclaiming them as our own.

    But long before Cold Chisel and 'Barnesy', long before the tall tales of success and excess, there was the true story of James Dixon Swan - a working class boy whose family made the journey from Scotland to Australia in search of a better life.Working Class Boy is a powerful reflection on a traumatic and violent childhood, which fuelled the excess and recklessness that would define, but almost destroy, the rock'n'roll legend. This is the story of how James Swan became Jimmy Barnes. It is a memoir burning with the frustration and frenetic energy of teenage sex, drugs, violence and ambition for more than what you have.Raw, gritty, compassionate, surprising and darkly funny, Jimmy Barnes's childhood memoir is at once the story of migrant dreams fulfilled and dashed. After arriving in Australia in the summer of 1962, things went from bad to worse for the Swan family - Dot, Jim and their six kids. The scramble to manage in the tough northern suburbs of Adelaide in the 60s would take its toll on the Swans as dwindling money, too much alcohol and fraying tempers gave way to violence and despair. This is the story of a family's collapse, but also of a young boy's dream to escape the misery of the suburbs with a once-in-a-lifetime chance to join a rock'n'roll band and get out of town for good.

    In that time, she hasn't spoken a single word.As Jane's resolve begins to crack under the influence of her new and unexpectedly kind evaluator, she uncovers the truth about Lengard's mysterious program, discovering that her own secret is at the heart of a sinister plot.Desperate to save her friends—and the rest of the world—from the looming danger, Jane must first question everything she has ever believed, especially when long-lost memories begin to surface and the mysteries of her past continue to grow. Allies become enemies and enemies become allies, leaving her certain about only one thing:One wrong move, one wrong word, could change the world.The Complete Whisper Series is an epic duology of Young Adult dystopian fiction consisting of Whisper and Weapon.

    A VINTAGE ORIGINAL.What do we see when we read? Did Tolstoy really describe Anna Karenina? Did Melville ever really tell us what, exactly, Ishmael looked like? The collection of fragmented images on a page - a graceful ear there, a stray curl, a hat positioned just so - and other clues and signifiers helps us to create an image of a character. But in fact our sense that we know a character intimately has little to do with our ability to concretely picture our beloved - or reviled - literary figures.In this remarkable work of nonfiction, Knopf's Associate Art Director Peter Mendelsund combines his profession, as an award-winning designer; his first career, as a classically trained pianist; and his first love, literature - he thinks of himself first, and foremost, as a reader - into what is sure to be one of the most provocative and unusual investigations into how we understand the act of reading.

    A divorced mother has a secret love affair with a travelling priest. A widower miraculously finds a three-minute video recorded by his wife before she died. A tree lopper's heart falls in a forest. A working mum contemplates taking the photographs of her late husband down from the fridge. A girl writes her last letter to the man she loves, then sets it on fire. An ageing gigolo regrets the one that got away. A palliative care nurse helps a dying woman converse with the angel at the end of her bed. A renowned 100-year-old scientist ponders the one great earthly puzzle he was never able to solve: 'What is love?'Endless stories. Human stories. Love stories.Inspired by a personal moment of profound love and generosity, bestselling author – and one of Australia's finest journalists – Trent Dalton spent two months in 2021 pounding city pavements, speaking to Australians from all walks of life and asking them one simple and direct question: 'Can you please tell me a love story?' For two straight weeks he sat at a desk with a sky-blue 1960s Olivetti typewriter, on the bustling corner of Adelaide and Albert streets, Brisbane, with a sign saying, 'Sentimental writer collecting love stories. Do you have one to share?'The result is Love Stories – a warm, wise, poignant, funny and moving book about love in all its guises, including stories, observations and reflections on lovers in parks; people in cemeteries, hospital wards, pubs and bingo halls; and newlyweds walking out of registry offices. There will be stories of people falling into love, falling out of love, and never letting go of the loved ones in their hearts. And woven through it all will be remembrances of Trent's own special moments, and of the people whose love stories have made him the man and writer he is today.A heartfelt, deep, funny, wise and tingly tribute to the greatest thing we will never understand and the only thing we will ever really need: love.

    She has no one to celebrate with, as her boyfriend of five years left her for her best friend and, after losing her home in a fire, she has nowhere to live. Left without a choice, she accepts the offer to the stay with family friends Rob and Linda Nicholls.Chris Nicholls is excited about bringing his five-year-old daughter, Jasmine, home to Lakefield, Ontario for her first white Christmas. The trip is a surprise for his parents, though no one is more surprised than Chris when he finds his childhood best friend in his parent's spare room. Surprise soon turns to delight as Chris has always had feelings for Melissa, feelings that are only getting stronger the longer they are together. But Melissa has had her fill of heartbreak, and isn't willing to fall for a man who is only going to leave. And Jasmine? She doesn't want to share her daddy with anyone. If Chris has any hope of convincing Melissa and Jasmine that they have a future together as a family, he'll need all the mistletoe magic he can get.

    The crash wakes Charlie’s sister, Abby, who’d been sleeping in the passenger seat next to him. They were heading to their father’s farm.A dead woman has no place in either of their plans. They drive away, leaving her on the ground as heavy rain falls. They cannot help her, there are no witnesses, and there is too much at stake.When they arrive at the farm, the siblings learn that the dead woman, Skye, was their father’s fiance.They resolve to tell no one what they’ve done — to admit to this crime will cost them their father and their future. Charlie leans on his older sister to lead them out of trouble, to act as the protector she’s had to be since their mother died. But their secret grows more complicated by the day.Abby, however, is not one to give up. She keeps the single piece of evidence hidden, and decides to redeem herself. She determines to raise Skye’s son as her own, study, and make a difference. She is convinced that she and Charlie can get back on track. But along the way, they need to reconsider exactly what it is they want.

    W. Norton in 1993, now out of print. In Walking Light, Dunn discusses the relationship between art and sport, the role of imagination in writing poetry, and the necessity for surprise and discovery when writing a poem. Humorous, intelligent and accessible, Walking Light is a book that will appeal to writers, readers, and teachers of poetry.Stephen Dunn is the author of eleven collection of poetry. He teaches writing and literature at the Richard Stockton College in Pomona, New Jersey, and lives in Port Republic, New Jersey.

    Rosie Waterland has never been cool. Growing up in housing commission, Rosie was cursed with a near perfect, beautiful older sister who dressed like Mariah Carey on a Best & Less budget while Rosie was still struggling with various toilet mishaps. She soon realised that she was the Doug Pitt to her sister's Brad, and that cool was not going to be her currency in this life. But that was only one of the problems Rosie faced. With two addicts for parents, she grew up amidst rehab stays, AA meetings, overdoses, narrow escapes from drug dealers and a merry-go-round of dodgy boyfriends in her mother's life. Rosie watched as her dad passed out/was arrested/vomited, and had to talk her mum out of killing herself. As an adult, trying to come to grips with her less than conventional childhood, Rosie navigated her way through eating disorders, nude acting roles, mental health issues and awkward Tinder dates. Then she had an epiphany: to stop pretending to be who she wasn't and embrace her true self - a girl who loved drinking wine in her underpants on Sunday nights - and become an Anti-Cool Girl. An irrepressible, blackly comic memoir, Rosie Waterland's story is a clarion call for Anti-Cool Girls everywhere. 'If Augusten Burroughs and Lena Dunham abandoned their child in an Australian housing estate, she'd write this heartbreaking, hilarious book. It made me laugh uproariously, then feel terrible for her, then laugh all over again. Sorry, Rosie.' Dominic Knight, The Chaser 'Hilarious, wise, gutsy, clear-eyed, devastating and uplifting. It's a marvel.' Richard Glover

    In Bowraville, all three of the victims were Aboriginal. All three were killed within five months, between 1990 and 1991. The same white man was linked to each, but nobody was convicted.More than two decades later, homicide detective Gary Jubelin contacted Dan Box, asking him to pursue this serial killing. At that time, few others in the justice system seemed to know – or care – about the murders in Bowraville. Dan spoke to the families of the victims, Colleen Walker-Craig, Evelyn Greenup and Clinton Speedy-Duroux, as well as the lawyers, police officers and even the suspect involved in what had happened. His investigation, as well as the families’ own determined campaigning, forced the authorities to reconsider the killings. This account asks painful questions about what ‘justice’ means and how it is delivered, as well as describing Dan’s own shifting, uncomfortable realisation that he was a reporter who crossed the line.Praise for the Bowraville podcast:'It is a gripping true crime tale and an essay on racism; a challenge to the lies Australia tells itself about its treatment of Aboriginal and Torres Strait Islander people told through the voices of three Aboriginal families who have been indisputably let down … The podcast has galvanised the public in a way that two decades of print and television reporting on the Bowraville murders have not.’ The Guardian 'A masterful example of crime reporting which forensically details the worst of human nature, inexplicably compounded by the gross negligence of the only people who could provide justice. It’s stirred thousands, including the prime suspect, to re-engage with the case after trusting the journalist to take them to dark places.’ Walkley judges’ comments ‘Outstanding.’ Leigh Sales‘Moving, brilliant.’ Annabel Crabb'If you haven't listened to Bowraville by Dan Box, then you should.’ David Campbell

    Professor Baker has also written two new chapters in which he discusses Hemingway's two posthumously published books, A Movable Feast and Islands in the Stream.CONTENTS: Introduction. I. The Slopes of Montparnasse. II. The Making of Americans. III. The Way It Was. IV. The Wastelanders. V. The Mountain and the Plain. VI. The First Forty-Five Stories. VII. The Spanish Earth. VIII. The Green Hills of Africa. IX. Depression at Key West. X. The Spanish Tragedy. XI. The River and the Trees. XII. The Ancient Mariner. XIII. The Death of the Lion. XIV. Looking Backward. XV. Islands in the Stream.

    A funny and frank look at the way Australia used to be - and just how far we have come. "It was simpler time". We had more fun back then". "Everyone could afford a house". There's plenty of nostalgia right now for the Australia of the past, but what was it really like? In The Land Before Avocado, Richard Glover takes a journey to an almost unrecognisable Australia. It's a vivid portrait of a quite peculiar land: a place that is scary and weird, dangerous and incomprehensible, and, now and then, surprisingly appealing. It's the Australia of his childhood. The Australia of the late '60s and early '70s. Let's break the news now: they didn't have avocado. It's a place of funny clothing and food that was appalling, but amusingly so. It also the land of staggeringly awful attitudes - often enshrined in law - towards anybody who didn't fit in. The Land Before Avocado will make you laugh and cry, be angry and inspired. And leave you wondering how bizarre things were, not so long ago. Most of all it will make you realise how far we've come - and how much further we can go.

    A warm wind stirred, carrying with it the faint smell of pies and horses, and the man paused for just a moment before he sat down. Benny Miller would have driven right past him in her station wagon on that bright and brimming day.'On the first day of summer in 1993, two strangers arrive in the town of Cedar Valley. One is a calm looking man in a brown suit. He makes his way down the main street and walks directly to Cedar Valley Curios & Oldwares, sitting down on the footpath, where he leans silently against the big glass window for hours.The other is 21-year-old Benny Miller. Fresh out of university, Benny has come to Cedar Valley in search of information about her mother, Vivian, who has recently died. Vivian's mysterious old friend, Odette Fisher, has offered Benny her modest pale green cottage for as long as she wants it.Is there any connection between the man on the pavement and Benny's quest to learn more about her mother? Holly Throsby is the perfect guide as Cedar Valley and its inhabitants slowly reveal their secrets.

    Soon they're the parents of three young children.Initially, the kids keep them together until love turns to lies and the family implodes. As they become adults, each child faces love and loss in the shadow of their family legacy.You Belong Here is a book about trust and connection. About what keeps us going in spite of ourselves. About a place where we belong.

    Internationally acclaimed, Say No to Death has been translated into fourteen languages.'Dymphna Cusack... has created a number of attractive, likeable characters, given them a tragic dilemma, and moved them inexorably to a fine dramatic conclusion.' New York Times