Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language.Includes: One Flea SpareIn the Heart of AmericaSlaughter CityThe War BoysThe Trestle at Pope's Creek

    He only has 24 hours before he returns to stone.Can he convince her to spend it with him?BLAZE - A computer geek turned rock star…Mike is good at playing with two things--numbers and his guitar. People, not so much. So when he stumbles upon two women having fun in the shadows at an underground club, and a bouncer urges him to get one to safety, he's not sure how to respond. But, when he discovers she's been bitten and her neck is bleeding, something wakes inside of him.He's compelled to protect her. But--why?

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    Book annotation not available for this title.

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.

    No Fear Shakespeare gives you the complete text of The Tempest on the left-hand page, side-by-side with an easy-to-understand translation on the right. Each No Fear Shakespeare contains The complete text of the original play A line-by-line translation that puts Shakespeare into everyday language A complete list of characters with descriptions Plenty of helpful commentary

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

    She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy.What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation.

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    He has also written fim scripts and for television.

     A collection of SEVEN full-length romances with HEAs and no cliffhangers, plus exclusive bonus chapters, featuring the couples from all seven stories that are included in the box set. BABY FOR MY BROTHER'S FRIEND It was supposed to be a one-night stand. Until I missed a period, and then two... Yeah. I’m pregnant. With a stranger’s baby. KNOCKED UP My prim-and-proper assistant has a dirty, dirty mind. I found her steamy writing on my computer. Now all I can think about is re-enacting the “good parts” of her story. But I don't sh*t where I eat. She's off-limits. Until I realize I need a baby — and she’d be the perfect surrogate. AGAIN My dad said the boy was trouble, and I didn't listen. Now, years after Aiden broke my heart, he suddenly reappears — everywhere. He shows up in the strangest places. I can't seem to escape him. Worse still, I don't want to. Even if I still hate what the boy did. I’m afraid I’m falling all over again for the man he's become. ROYAL BEAST Life’s not a fairy tale, and princes don't fall for bookish virgins like me. MY BROTHER'S FRIEND, THE DOM I started out with good intentions, I swear. I promised my best friend I’d protect his sister from a dark secret. Then I see her — all grown up, gorgeous, and completely off-limits. I try to stay away... until I find out just how bad she's been. Screw protection. What she really needs is punishment. MOUNTAIN MAN'S BABY PLAN Seven years ago, the mountain man broke my heart. I've managed to stay away from him... until now. MY BROTHER'S BEST FRIEND I’ve loved him my whole life. He’s only ever seen me as a crybaby. His friend's little sister. Now he’s back after 8 years away, and he doesn’t recognize me. The look in his eyes says I'm finally old enough for the ride of my life. I can't tell him who I am now… can I?

    Rachel was no different. She juggled her many roles and responsibilities well and rewarded herself with wine at the end of each day; after all, she deserved it. But, gradually her wine intake began to increase each night and soon it had gone from being a little treat to an absolute necessity. As wine invaded more and more areas of her life, it became harder to cope. In turn it meant she drank more wine, firmly believing it was the cure, never considering for a moment that it could be the problem. Eventually, when wine was dictating everything she did and did not do, Rachel realised that something had to change. However, as soon as she attempted to restrict or moderate her drinking, she seemed to want it even more. Her best intentions fell quickly by the way side after the first bottle was opened and the first drink took control, compelling her to have more. Drinking would continue until there was none left or Rachel 'fell asleep'. The following day consisted of a hangover, depression, overeating, remorse, worry, despair and self-hatred, until the time came around when the next bottle could be opened and these awful feelings could be blotted out. This pattern of trying and failing to control her wine drinking brought Rachel to acknowledge that it was not possible to do so, and she decided that she had to remove alcohol from her life forever. Despite being sick and tired of the drinking-hangover-drinking cycle of failure, giving up was not easy and it was only after a few more failed attempts that Rachel managed to do so. This book details her life in that first year of going alcohol-free. It describes in detail how her everyday pursuits became challenging and changing. Her outlook on the whole point of life turned on its axis when alcohol was removed, leaving her with a whole different sense of self and being. The changes that occurred were astounding and beyond anything she believed could be possible. She thought that removing alcohol from her life was all about giving up; she had never considered what she might gain.

    Life has always been hard, and now she and her little brother Billy are left homeless and alone. But Grace must put her grief and fear aside, and think practically. Accepting a job as companion to the wealthy, lonely Mrs Spencer means that she and Billy have a roof over their heads, but just as Grace starts to find her feet disaster strikes again. Things look desperate, and when she is offered marriage and the good life for herself and Billy, Grace is tempted. But is her suitor to be trusted? Or is she, in her search for safety for her little family, flying too close to the sun?