His work was mostly written in tragic, sometimes humorous form, as in this title, often centering on the harsh lives of villagers in the Lori region. Tumanyan's inspiration for his writing came considerably from his parents. He was born in the village of Dsegh in the Province of Lori, Armenia. With his father was an offspring of an Armenian princely family of Tumanian (branch of the Mamikonians) and the village's priest and his mother an avid storyteller with a particular interest in fables, Tumanyan had incorporated many of the themes from his mother's stories and his father's preachings into his writings. Tumanyan is usually regarded in Armenian circles as "All-Armenian poet." He earned this title when the Catholicos of Armenia had ordered that Armenian refugees from the west not enter certain areas of his church and house, since he is considered to be "The Catholicos of all Armenians." Tumanyan in response decried that decision claiming that the refugees could seek relief in the Catholicos' quarters under order of "The Poet of all Armenians."

     Imagine canning a whole moose. One thousand pounds of meat, critical to survival through the brutal winter on an island in Alaska. And doing it in a home with no electricity, no plumbing, and no refrigeration. For the Wards, this is just another ordinary task in an environment that can be unforgiving of mistakes but immensely rewarding to those willing to embrace the work of creating a home in a harsh but beautiful land. In this sequel, Sam and Bonnie are thriving, building getaway cabins and continuing to joyfully tackle life on a remote, isolated island on Skilak Lake, where williwaw winds can whip up suddenly and without warning, and wicked storms can blow for weeks. In an era before cell phones and internet, their ability to communicate with the rest of the world, accessible only by boat or plane, is at the whim of the temperamental lake. Then, just as they are about to achieve a new dream, one of the largest man-made, environmental disasters strikes, altering their lives and threatening their livelihood and idyllic life. Will the love and devotion between Bonnie and Sam be enough for them to survive, or will Alaska finally win? From the awe-inspiring beauty of the Northern Lights, to terrifying accidents and strangers, to a Christmas miracle, this is a testament of courage and inspiration to anyone born with a wild longing in their hearts. Through sorrows and joys, love and loss, God’s hand is always present in their lives as Bonnie shares her chronicle of faith, survival, and beauty in an untamed land few others will ever know.

    The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories.In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published "Northwest Coast Indian Art: An Analysis of Form." This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists' styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration.The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field

    From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory—conveyed in gestures, the spoken word, movement, dance, song, and other performances—offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice.Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.

    Truly you do. You bring home these cute little balls of fur and squeal at its cuteness, declare your life complete because of it,and then get upset when your New Meaning of Life that you treasure poops in the bathtub or hocks a hairball into your shoe. You need to know the rules. You meed to know the truth. Max Thompson, known far and wide as "The Psychokitty" is an expert on all things kitty and has finally decided to share the wisdom of his years of dealing with People, and his in-depth discussions with kitties online. This is his gift to you, the People who are willingly owned by cats. Because that's how generous he is. Complete with paw-drawn illustrations!

    What followed was a whirlwind childhood spent among art and artists in the heyday of Abstract Expressionism. Gabrielle grew up in a home full of the most celebrated artists of the day: Rothko, de Kooning, Tinguely, Giacometti, and Christo, among others.Poignant and candid, Unstill Life is a daughter’s memoir of the art world and a larger-than-life father known to the world as Mr. Modern Art. Selz offers a unique window into the glamour and destruction of the times: the gallery openings, wild parties and affairs that defined one of the most celebrated periods in American art history. Like the art he loved, Selz’s father was vibrant and freewheeling, but his enthusiasm for both women and art took its toll on family life. When her father left MoMA and his family to direct his own museum in California, marrying four more times, Selz’s mother, the writer Thalia Selz, moved with her children into the utopian artist community Westbeth. Her parents continued a tumultuous affair that would last forty years.Weaving her family narrative into the larger story of twentieth-century art and culture, Selz paints an unforgettable portrait of a charismatic man, the generation of modern artists he championed and the daughter whose life he shaped.

    So He sent us His very strongest men and women." So begins the heartwarming story of Verna Mae and her father, Isom B. "Kitteneye" Slone, an extraordinary personal family history set in the hills around Caney Creek in Knott County, Kentucky.

    Combing through the oft-forgotten enclaves of the Holy City, Macy and Buxton bring readers face to face with a group of orphans who haunt a College of Charleston dorm, a Citadel cadet who haunts a local hotel and the specter of William Drayton at Drayton Hall Plantation, to name just a few. Based on historic events and specific details that are often lost in most ghost stories, this collection of haunting tales sparks curiosity about what figure might still be lurking in the alleyways of Charleston's storied streets.

    There's something horrible in that storm over the ocean. What does "feed the pig" mean? What are those ropes in the sky? Why is Dad acting so funny? In these dark tales you will experience every type of horror imaginable. It is so gruesome, frightening, and demented that only the bravest of readers will make it through these pages.

    Featuring beautiful illustrations from award-winning artist Kathleen Edwards, a variety of ways to celebrate the Wheel of the Year, and powerful wisdom from practicing Witches, this indispensible, on-the-go tool will make your days more magical.Find fresh ways to celebrate the sacred seasons and enhance your practice with inspiring sabbat musings by Thuri Calafia, tasty sabbat recipes by Monica Crosson, magic stones by Ember Grant, and Anglo-Saxon traditions by Alaric Albertsson. Also included are articles on fascinating topics, including the magic of language by Elizabeth Barrette, an energetic fence spell by Ellen Dugan, amulet pouches by Charlie Rainbow Wolf, and smile meditation by Robin Ivy Payton.At-a-glance guide to the best days to plant and harvest Wiccan holidays, sabbat musings, and tasty seasonal recipes for celebrating the Wheel of the Year Daily planetary and color correspondences to empower your magical work Moon lore and esbat rituals, plus Moon phases for successful spellcasting

    Plus, meet the monstrous Red Mother and her "children." Collects THE REALM #6-10

    These recipes, stories, jokes, advice, farm lore, and illustrations were collected from a wide variety of American agricultural sources from the 1880s to the 1950s.

    Whether you believe these urban myths or not, they have the power to unnerve and enthral us all.

    Included in this volume is the work from Eavan Boland's five early volumes of poetry: New Territory, The War Horse, In Her Own Image, Night Feed, and The Journey.The poems from Boland's first book, New Territory, show her to be, at twenty-two, a master of formal verse reflecting Irish history and myth. This collection charts the ways in which Boland's work breaks from poetic tradition, honors it, and reinvents it. Poems like "Anorexic," "Mastectomy," and "Witching" have an intensity reminiscent of Sylvia Plath and Anne Sexton. In later poems, her subjects become more personal, sequencing Boland's life as a woman, poet, and mother. Boland writes, "I grew to understand the Irish poetic tradition only when I went into exile with it," becoming, in effect, "a displaced person / in a pastoral chaos."This collection demonstrates how Boland's mature voice developed from the poetics of inner exile into a subtle, flexible idiom uniquely her own.

    Price on a faithfilled powerful journey to the heart of Gods holiness. The exciting 40day adventure guides you learn how to pray how to live a life of prayer and holiness and to find and fulfill your divine destiny. Find over 1000 scriptures to teach you in how to let the Holy Spirit cleanse your heart fill and direct you.