Non-stop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting--working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she's asexual). Alice is done with dating--no thank you, do not pass go, stick a fork in her, done.But then Alice meets Takumi and she can’t stop thinking about him or the rom com-grade romance feels she did not ask for (uncertainty, butterflies, and swoons, oh my!).When her blissful summer takes an unexpected turn, and Takumi becomes her knight with a shiny library employee badge (close enough), Alice has to decide if she’s willing to risk their friendship for a love that might not be reciprocated—or understood.

    Not just bedazzling, but sewing, stitching, draping, pattern making—for creation. He's always chosen his art over everything—and everyone—else and is determined to make his mark at this year's biggest cosplay competition. If he can wow there, it could lead to sponsorship, then art school, and finally earning real respect for his work. There's only one small problem... Raffy's ex-boyfriend, Luca, is his main competition.Raffy tried to make it work with Luca. They almost made the perfect team last year after serendipitously meeting in the rhinestone aisle at the local craft store—or at least Raffy thought they did. But Luca's insecurities and Raffy's insistence on crafting perfection caused their relationship to crash and burn. Now, Raffy is after the perfect comeback, one that Luca can't ruin.But when Raffy is forced to partner with Luca on his most ambitious build yet, he'll have to juggle unresolved feelings for the boy who broke his heart, and his own intense self-doubt, to get everything he's ever wanted: choosing his art, his way.

    But when Nate learns that Cameron is the heir to a record label, the very one that destroyed his father's life, he runs away as fast as he can. The only evidence of their brief but intense connection is a blurry photo Cameron snaps of Nate's Sharpie-decorated Chuck Taylors as he flees. Considering that Cameron is a real life Prince Charming--he's handsome, famous, and rich--it's only fitting that he sets out to find the owner of the Sharpied shoes. Cameron's twin sister, a model and socialite, posts the picture of Nate's shoes on Instagram to her legions of fans with the caption, "Anyone know the gorgeous owner of these shoes? My hottie brother is looking for him." The internet just about breaks with the news of a modern fairy tale and the two become entwined in each other's lives in this sparkling story about the power of music, the demons that haunt us, and the flutterings of first real love.

    Abandoned by a single mother she never knew, 16-year-old Raya—obsessed with ancient myths—lives with her grandmother in a small conservative Texas town. For years Raya has been forced to hide her feelings for her best friend and true love, Sarah. When the two are outed, they are sent to Friendly Saviors: a re-education camp meant to “fix” them and make them heterosexual. Upon arrival, Raya vows to assume the mythic role of Orpheus to escape Friendly Saviors, and to return to the world of the living with her love—only becoming more determined after she, Sarah, and Friendly Saviors' other teen residents are subjected to abusive "treatments" by the staff.In a haunting voice reminiscent of Sylvia Plath, with the contemporary lyricism of David Levithan, Brynne Rebele-Henry weaves a powerful inversion of the Orpheus myth informed by the real-world truths of conversion therapy. Orpheus Girl is a mythic story of dysfunctional families, trauma, first love, heartbreak, and ultimately, the fierce adolescent resilience that has the power to triumph over darkness and ignorance. CW: There are scenes in this book that depict self-harm, homophobia, transphobia, and violence against LGBTQ characters.

    But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

    Today's transgenders and other sex/gender radicals are writing a drastically new world into being. In Gender Outlaws, Bornstein, together with writer, raconteur, and theater artist S. Bear Bergman, collects and contextualizes the work of this generation's trans and genderqueer forward thinkers — new voices from the stage, on the streets, in the workplace, in the bedroom, and on the pages and websites of the world's most respected mainstream news sources. Gender Outlaws includes essays, commentary, comic art, and conversations from a diverse group of trans-spectrum people who live and believe in barrier-breaking lives.

    Told through the perspective of Artemis herself with the contributions of a few other Greek Goddesses. This collection reimagines and follows Artemis navigating her lifelong vow of chastity and, rather than suffering through it, owning it as a facet of her aromanticism and asexuality. Immerse yourself in a cultivated tempest of poems illustrating Artemis as a warrior, whose shoulders have known an excessive weight of responsibility, and who always fights to remain her authentic self among people who would change her.

    But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.With unflinching honesty and lyrical prose, spanning from 1960s Hawai'i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It's a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.

    Sports. Video games. Gay and not a big deal, not to him, not to his mom, not to his buddies. And a secret: An encounter with an older kid that makes it hard to breathe, one that he doesn't want to think about, ever.Jordan: The opposite of chill. Poetry. His "wives" and the Chandler Mall. Never been kissed and searching for Mr. Right, who probably won't like him anyway. And a secret: A spiraling out of control mother, and the knowledge that he's the only one who can keep the family from falling apart.Throw in a rickety, 1980s-era food truck called Coq Au Vinny. Add in prickly pears, cloud eggs, and a murky idea of what's considered locally sourced and organic. Place it all in Mesa, Arizona, in June, where the temp regularly hits 114. And top it off with a touch of undeniable chemistry between utter opposites.Over the course of one summer, two boys will have to face their biggest fears and decide what they're willing to risk -- to get the thing they want the most.

    His SAT scores bombed, the old man he delivers meals to died, and when he came out to his religious zealot mother, she had him kidnapped and shipped off to a secluded island. His final destination: Nightlight Ministries, a conversion therapy camp that will be his new home until he “changes.” But Connor’s troubles are only beginning. At Nightlight, everyone has something to hide from the campers to the “converted” staff and cagey camp director, and it quickly becomes clear that no one is safe. Connor plans to escape and bring the other kidnapped teens with him. But first, he’s exposing the camp’s horrible truths for what they are—and taking this place down.

    Awaiting safe passage to New York on the SS Manhattan, two couples meet: Pete and Julia Winters, expatriate Americans fleeing their sedate life in Paris; and Edward and Iris Freleng, sophisticated, independently wealthy, bohemian, and beset by the social and sexual anxieties of their class. As Portugal's neutrality, and the world's future, hang in the balance, the hidden threads in the lives of these four characters—Julia's status as a Jew, Pete and Edward's improbable affair, Iris's increasingly desperate efforts to save her tenuous marriage—begin to come loose. This journey will change their lives irrevocably, as Europe sinks into war.Gorgeously written, sexually and politically charged, David Leavitt's long-awaited new novel is an extraordinary work.

    and a small boy very worried.Lydia Weekes is distraught at the break-up of her marriage. When her young son, Charlie, makes friends with the local doctor, Jean Markham, her life is turned upside down.Charlie tells his secrets to no one but the bees, but even he can't keep his mother's friendship to himself. The locals don't like things done differently. As Lydia and the doctor become closer, the rumours start to fly and threaten to shatter Charlie's world.

    He is the author of The Darker Fall and Want and teaches at the MFA Program for Writers at Warren Wilson College.

    Tempestuous, swashbuckling and volatile, within two years she has run away with her fencing master, fallen in love with a nun and is hiding from the authorities, sentenced to be burnt at the stake. Within another year, she has become Mademoiselle de Maupin, a beloved star at the famed Paris Opéra. Her lovers include some of Europe's most powerful men and France's most beautiful women. Yet Julie is destined to die alone in a convent at the age of 33. Based on an extraordinary true story, this is an original, dazzling and witty novel - a compelling portrait of an unforgettable woman. For all those readers who love Sarah Dunant, Sarah Waters and Hilary Mantel.

    A truly gifted poet and truth-spiller, Ashe’s metaphors create images within images, leading us to question the subjective truths, both shared and hidden, in personal relationship – to the other, and to oneself. Unflinching in her approach, her poetry gives voice to that which most struggle to admit – even if only to themselves. And as such, Belly of the Beast is a work of startling courage and rich depth – a darkly delicious pleasure.” —Amy Palko“It isn’t often you find a book of poetry that is as unapologetic, as violent, as moving as this one. Ashe’s writing is intense and visceral. You feel the punch in your gut while you’re reading, but you don’t question it. You know why it’s there and you almost welcome it.” —Caitlyn Siehl“The poems you are about to encounter are the fierce time capsules of girlhood, girded with sharp elbows, surprise kisses, the meanders of wanderlust. We need voices this strong, this true for the singing reminds us that we are not alone, that someone, somewhere is listening for the faint pulse that is our wish to be seen. Grab hold, this voice will be with us forever.” —RA Washington