She’d be watching old comedy sketches with him. She’d be kissing him in the library stacks.She certainly wouldn’t be at The Wooden Barn, a therapeutic boarding school in rural Vermont, living with a weird roommate, and signed up for an exclusive, mysterious class called Special Topics in English.But life isn’t fair, and Reeve Maxfield is dead.Until a journal-writing assignment leads Jam to Belzhar, where the untainted past is restored, and Jam can feel Reeve’s arms around her once again. But there are hidden truths on Jam’s path to reclaim her loss.From New York Times bestselling author Meg Wolitzer comes a breathtaking and surprising story about first love, deep sorrow, and the power of acceptance.

    Though it is intensely personal, he decided to publish it in the hope that some of those who sit on the mourning bench for children would find his words giving voice to their own honoring and grieving. What he learned, to his surprise, is that in its particularity there is universality. Many who have lost children have written him. But many who have lost other relatives have done so as well, along with many who have experienced loss in forms other than the death of relatives or friends. The sharply particular words of Lament, so he has learned, give voice to the pain of many forms of loss. This book, Lament For A Son, has become a love-song. Every lament, after all, is a love-song. Will love-songs one day no longer be laments?

    Between her parents’ arguing and the battle she’s fighting with depression, she feels nothing inside but a hollow emptiness. When Mom suggests they spend a few months in California with Aunt Jo, Oakley isn’t sure a change of scenery will alter anything, but she’s willing to give it a try.In California, Oakley discovers a sort of safety and freedom in Aunt Jo’s beach house. Once they’re settled, Mom hands her a notebook full of letters addressed to her—from Lucas. As Oakley reads one each day, she realizes how much he loved her, and each letter challenges her to be better and to continue to enjoy her life. He wants her to move on.If only it were that easy.But then a surfer named Carson comes into her life, and Oakley is blindsided. He makes her feel again. As she lets him in, she is surprised by how much she cares for him, and that’s when things get complicated. How can she fall in love and be happy when Lucas never got the chance to do those very same things?With her brother’s dying words as guidance, Oakley knows she must learn to listen and trust again. But will she have to leave the past behind to find happiness in the future?

    Running the show (or so she thinks) is priggish administrator Annabelle Walker, charged with keeping the residents happy, or at least as happy as is required to keep a tidy profit flowing to far-away investors.But not all residents of the Idyll Inn choose to acquiesce. Sylvia Lodge, one of the Idyll Inn’s first residents, prides herself on her steely backbone, despite crippling arthritis. Affluently widowed, she has selected the Idyll Inn as a less objectionable alternative to a perilous dwindling at home. She coolly refuses to be bossed, certainly not by Annabelle Walker (about whose family Sylvia keeps a dark secret), or by her estranged daughter, Nancy, from whom she keeps yet another, even more explosive, secret. Sylvia is determined to unapologetically lay claim to her lifetime of choices, responsibilities and blame, not yet aware that her icy solitude will shortly be broken by the company of three soon-to-be-intimate friends.Given the facility’s small population, the Idyll Inn’s new inhabitants are bound to have crossed paths. And indeed many have. Wheelchair-confined George Hammond, once a handsome shoe store—owner with a stay-at-home wife and adored daughter, long ago cupped Sylvia’s feet in his hands and admired her well-formed calves. He has done far more with Greta Bauer, his former clerk, whose loneliness as a young immigrant widow with children rendered her available for a comfortable and seemingly uncomplicated affair. Now deposited under the same roof by absent children, the former lovers are in a position to reflect on the consequences of their choices.Completing the newly formed coterie of friends is tiny Ruth Friedman, a retired Children’s Aid worker who keeps many of the city’s darkest secrets, and whose passionate late-in-life marriage to fellow social worker Bernard did not include children of their own. Now also widowed, her grief unfathomably deep, she has taken to cheerfully reading horrifying news stories aloud to her new friends, who are soon to discover that these daily doses of gloom are less for their edification than they are in service of a desperate project for which Ruth needs their complicity.In the wryly funny and wholly compassionate Exit Lines, acclaimed author Joan Barfoot once again treats her readers to an intimate encounter with some fascinating characters engaged in the fight of their lives. Sylvia, George, Greta and Ruth are at times tender, angry, hilarious and deeply flawed, but always utterly and captivatingly human. How do we treat the elderly in our liveYs? How do we intend to grow old ourselves? Will we ever come to the end of longing? Exit Lines brings to the surface these and other fundamental questions about the nature of life, and its closing.

    In “Losing Nora,” she deftly captures the rivalry, mutual respect, and intimacy that made up her relationship with her older sister and frequent writing companion. “Blame It on the Movies” is Ephron’s wry and romantic essay about surviving her disastrous twenties, becoming a writer, and finding a storybook ending. “Bakeries” is both a lighthearted tour through her favorite downtown patisseries and a thoughtful, deeply felt reflection on the dilemma of having it all. From keen observations on modern living, the joy of girlfriends, and best-friendship, to a consideration of the magical madness and miracle of dogs, to haunting recollections of life with her famed screenwriter mother and growing up the child of alcoholics, Ephron’s eloquent style and voice illuminate every page of this superb and singular work.

    Then Emilie’s mom enrolls her in public school, and Emilie goes from studying at home in her pj’s to halls full of strangers. To make matters worse, Emilie is paired with starting point guard Chatham York for a major research project on Emily Dickinson. She should be ecstatic when Chatham shows interest, but she has a problem. She hasn’t told anyone about her epilepsy. Emilie lives in fear her recently adjusted meds will fail and she’ll seize at school. Eventually, the worst happens, and she must decide whether to withdraw to safety or follow a dead poet’s advice and “dwell in possibility.”

    Tippi and Grace. Two sisters. Two hearts. Two dreams. Two lives. But one body.Grace and Tippi are conjoined twins, joined at the waist, defying the odds of survival for sixteen years. They share everything, and they are everything to each other. They would never imagine being apart. For them, that would be the real tragedy.But something is happening to them. Something they hoped would never happen. And Grace doesn’t want to admit it. Not even to Tippi.How long can they hide from the truth—how long before they must face the most impossible choice of their lives?

    Sarai is a first-generation Puerto Rican eighth grader who can see with clarity the truth, pain, and beauty of the world both inside and outside her Bushwick apartment. Together with her older sister Estrella, she navigates the strain of family traumas and the systemic pressures of toxic masculinity and housing insecurity in a rapidly gentrifying Brooklyn. Sarai questions the society around her, her Boricua identity, and the life she lives with determination and an open heart, learning to celebrate herself in a way that she has been denied.When We Make It is a love letter to anyone who was taught to believe that they would not make it. To those who feel their emotions before they can name them. To those who still may not have all the language but they have their story. Velasquez’ debut novel is sure to leave an indelible mark on all who read it.

    It was no wonder he gravitated to machines, which could, at least, be counted on.After fleeing his parents and dropping out of high school, his savant-like ability to visualize electronic circuits landed him a gig with KISS, for whom he created their legendary fire-breathing guitars. Later, he drifted into a “real” job, as an engineer for a major toy company. But the higher Robison rose in the company, the more he had to pretend to be “normal” and do what he simply couldn’t: communicate. It wasn’t worth the paycheck.It was not until he was forty that an insightful therapist told him he had the form of autism called Asperger’s syndrome. That understanding transformed the way Robison saw himself—and the world.Look Me in the Eye is the moving, darkly funny story of growing up with Asperger’s at a time when the diagnosis simply didn’t exist. A born storyteller, Robison takes you inside the head of a boy whom teachers and other adults regarded as “defective,” who could not avail himself of KISS’s endless supply of groupies, and who still has a peculiar aversion to using people’s given names (he calls his wife “Unit Two”). He also provides a fascinating reverse angle on the younger brother he left at the mercy of their nutty parents—the boy who would later change his name to Augusten Burroughs and write the bestselling memoir Running with Scissors.Ultimately, this is the story of Robison’s journey from his world into ours, and his new life as a husband, father, and successful small business owner—repairing his beloved high-end automobiles. It’s a strange, sly, indelible account—sometimes alien, yet always deeply human.

    But when she was summoned to help out at Red Cliffs - a haven for poverty-stricken children from the cities - by her godfather Samuel she also found her own second chance within its walls. Now she will do anything to help the mischievous, loveable children there. Especially Monday whose continued silence tears at her heart.But with Samuel's health failing and his grasping nephew Christian eager to inherit, Red Cliffs is under threat. Sarah needs to fight - the children need her, and surprisingly she find she needs them. Will she be able to save the school and protect the little girl she's come to love so much, the one she's named Monday's Child?Monday's Child is the first in the Red Cliff Ragged School series, soon to be followed by Orphans and Angels. Praise for Linda Finlay 'Warm and atmospheric, you can practically taste the sea breeze' The Express'Take time out for a page-turner about family mysteries and betrayal' Take-a-Break'A compelling saga . . . with a surprising and emotional ending which weaves together the storylines in a most satisfying way. Strongly recommended and a great read on a Cornish holiday' cjbrownecrimewriter.com'A captivating and emotional novel about a strong woman struggling to find her own way in the world when others wish to see her fail' Winstone Books

    You’ve learned to cherish the small things. You’re past keeping up with the Joneses.And yet, anxieties over grown children, worries about money and health, and feelings of disappointment can challenge even the best marriages.In Married and Still Loving It, renowned relationship expert Gary Chapman and Harold Myra, longtime CEO of Christianity Today International, offer wise counsel and practical insight on making your marriage thrive during the later years. Real couples share honestly about their joys and struggles, including Jerry and Dianna Jenkins and Ken and Joni Eareckson Tada, who talk movingly about their marital journeys.Married and Still Loving It feels like a gathering of kindred spirits. It will inspire and equip you to embrace the adventures yet ahead, hand in hand with the one you love.

    Luke feels like he’s been looking after Toby his entire life. He patches Toby up when Toby’s father, a drunk and a petty criminal, beats on him, he gives him a place to stay, and he diffuses the situation at school when wise-cracking Toby inevitably gets into fights. Someday, Luke and Toby will leave this small town, riding the tails of Luke’s wrestling scholarship, and never look back.But during their senior year, they begin to drift apart. Luke is dealing with his unreliable mother and her new boyfriend. And Toby unwittingly begins to get drawn into his father’s world, and falls for an older woman. All their long-held dreams seem to be unraveling. Tense and emotional, this heartbreaking novel explores family, abuse, sex, love, friendship, and the lengths a person will go to protect the people they love. For fans of NPR’s Serial podcast, Jason Reynolds, and Matt de la Peña.

    He evokes other lives, too--family, beaches, dogs, the pleasures of marriage, New York City in the 1970s, "when nobody got up before noon, wore a suit/or joined anything"--and a mind struggling with revolutions both interior and exterior. Failure is a superb new collection from one of America's great poets.One called him a nobody.No, I said, he was a failure.You can't remembera nobody's name, that's whythey're called nobodies.Failures are unforgettable.--from "FAILURE"

    "Don’t Waste Your Time Homeschooling: 72 Things I Wish I’d Known" features concrete suggestions to help you: • Discover ways to take your family’s pulse and maintain a peaceful household. • Realize how easy it can be to sidestep the isolation trap. • Find creative ways to maintain your own identity amid a sea of others’ needs. • Learn the one easy habit to help avoid conflict with busy teen drivers. • Explain to others how your children are being properly socialized.

    Seasons in their tiny rustic home were peppered with wilderness hikes, building shelters from pine boughs and telling stories by the fire with their doting father and beautiful, adventurous mother. But at night, Maggie—a born worrier—would count the freckles on her father’s weathered arms, listening for the peal of her mother’s laughter in the kitchen, and never stop praying to keep them all safe from harm. Then her worst fears come true: Not long after Maggie’s tenth birthday, their father is killed in a logging accident, and a few months later, their mother abruptly drops the girls at a neighbor’s house, promising to return. She never does. With deep compassion and sparkling prose, Frances Greenslade’s mesmerizing debut takes us inside the extraordinary strength of these two girls as they are propelled from the quiet, natural freedom in which they were raised to a world they can’t begin to fathom. Even as the sisters struggle to understand how their mother could abandon them, they keep alive the hope that she is fighting her way back to the daughters who adore her and who need her so desperately. Heartwarming and lushly imagined, Shelter celebrates the love between two sisters and the complicated bonds of family. It is an exquisitely written ode to sisters, mothers, daughters, and to a woman’s responsibility to herself and those she loves.