The book describes Binem's childhood in the rural Polish village of Radziejow, and details how his family and community were devastated by the trauma of the Nazi invasion and unimaginably cruel occupation of Poland. At the age of 24, Binem escapes a German forced labor camp and struggles to survive the harsh Polish winter by sleeping in haystacks during the day and begging food from peasant farmers at night. Through a chance encounter with a former schoolmate, Binem is taken in by the Osten-Sackens, an aristocratic Polish woman (the “Princess”) and her ethnic German husband, who Binem later learns is a secret Gestapo agent. When Germany begins to lose the war, their son, an SS officer (the “Nazi”), forces Binem to vow to protect his parents from inevitable attempts at retribution. Binem makes good on his promise (three times!) saving Osten-Sacken twice from Russian soldiers and later by testifying on his behalf in a Polish court. The book describes Binem’s Holocaust experience in harrowing detail, from its lows, including a suicide attempt in the Jewish graveyard where his parents were buried, to its highs, such as finishing off the war as an honored guest at the Osten-Sacken mansion, and his celebratory speech to the Russian Jewish officers who liberated him.

    However, few can match Hans Sturm in his astonishing rise from a mere private in an infantry regiment, thrown into the bloody maelstrom of the Eastern Front, to a highly decorated war hero. A young man who had displayed fearless heroism in combat, earning him some of Germany's highest military awards, Sturm hated bullies and injustice, and reacted in his normal pugnacious and outspoken manner when confronted with wrongdoing. From striking a member of the feared Sicherheitsdienst for his treatment of a Jewish woman, to refusing to wear a decoration he felt was tainted because of the treatment of enemy partisans, Sturm repeatedly stuck to his moral values no matter what the risk. Even with the war finally over, Sturm's travails would not end for another eight years as he languished in a number of Soviet labour camps until he was finally released in 1953. ** This electronic edition includes 60 black-and-white photographs **

    Perry captures Rose Kennedy's essential contributions to the incomparable Kennedy dynasty. This biography--the first to draw on an invaluable cache of Rose's newly released diaries and letters--unearths the complexities behind the impeccable persona she showed the world. The woman who emerges in these pages is a fascinating character: savvy about her family's reputation and resilient enough to persevere through the unfathomable tragedies that befell her. As a young woman, she defied her father, Boston mayor John Fitzgerald, by marrying ambitious businessman Joseph Kennedy. During Joe's diplomatic career, she began carefully calibrating her family's image, stage-managing photo shoots and interviews of her nine children and herself. After husband Joe's isolationist views on the eve of World War II made him a political liability, Rose took to the campaign trail for son Jack. Her perfectionism, initially a response to the strictures imposed on Catholic women, ultimately created a family portrait that resonated in modern politics and media. Perry's account looks past the fanfare, poignantly revealing the matriarch's vulnerability. Rose sought solace from crushing personal tragedies and a philandering husband in prayer, habitual shopping, travel, and medication. Initially ashamed and afraid of daughter Rosemary's mental disability, Rose ultimately shined a light on the affliction, raising millions of dollars for disabled children. An indefatigable campaigner for Jack, Bobby, and Teddy, she had an unshakable Catholic faith that informed their compassionate social policies and her daughters' philanthropies.The definitive biography, Rose Kennedy provides unequaled access to the life of a remarkable woman who witnessed a century of history and masked her family's more inconvenient truths while capturing the American imagination.

    Judy Melinek began her training as a New York City forensic pathologist. With her husband T.J. and their toddler Daniel holding down the home front, Judy threw herself into the fascinating world of death investigation, performing autopsies, investigating death scenes, counseling grieving relatives. Working Stiff chronicles Judy's two years of training, taking readers behind the police tape of some of the most harrowing deaths in the Big Apple, including a firsthand account of the events of September 11, the subsequent anthrax bio-terrorism attack, and the disastrous crash of American Airlines flight 587.Lively, action-packed, and loaded with mordant wit, Working Stiff offers a firsthand account of daily life in one of America's most arduous professions, and the unexpected challenges of shuttling between the domains of the living and the dead. The body never lies, and through the murders, accidents, and suicides that land on her table, Dr. Melinek lays bare the truth behind the glamorized depictions of autopsy work on shows like CSI and Law and Order to reveal the secret story of the real morgue.

    Bounced around numerous foster carers after her home life became too chaotic, Samantha thought she had found a friend in the streetwise Amanda Spencer. The older girl bought her clothes, styled her hair and found her places to stay. Samantha's welfare was the last thing on Spencer's mind, however, as in reality she was grooming the young girl for exploitation of the worst possible kind. Over the course of the next few months, Samantha was plied with alcohol and drugs and pimped out to over fifty men for Spencer's gain. Raped, abused, and with no chance of escape, Samantha was at the mercy of the calculating, ruthless and intimidating Spencer. It took a police investigation of two years to bring her and a small gang of cohorts to justice and, in 2014, Spencer was jailed for twelve years. With her abusers in jail, and Samantha bravely rebuilding her life, her shocking story is a stark warning to those who believe child sexual abuse follows any set pattern.

    As editor Charlotte Mosley notes, not since the Brontës have the members of a single family written so much about themselves, or have been so written about. The Mitfords offers an unparalleled look at these privileged sisters: Nancy, the scalding wit who transformed her family life into bestselling novels; Pamela, who craved nothing more than a quiet country life; Diana, the fascist jailed with her husband, Oswald Mosley, during World War II; Unity, a suicide, torn by her worship of Hitler and her loyalty to home; Jessica, the runaway Communist and fighter for social change; and Deborah, the genial socialite who found herself Duchess of Devonshire. Spanning the twentieth century, the magically vivid letters of the legendary Mitford sisters constitute not just a superb social and historical chronicle; they also provide an intimate portrait of the stormy but enduring relationships between six beautiful, gifted and radically different women who wrote to one another to confide, commiserate, tease, rage and gossip -- and above all, to amuse.

    The extraordinarily wealthy 5th Duke of Portland had a mania for it, hiding in his carriage and building tunnels between buildings to avoid being seen. In 1897, an elderly widow asked the court to exhume the grave of her late father-in-law, T. C. Druce, under the suspicion that he’d led a double life as the 5th Duke. The eccentric duke, Anna Maria contended, had faked his death as Druce, and her son should inherit the Portland millions. Revealing a dark underbelly of Victorian society, Piu Marie Eatwell evokes an era when the rise of sensationalist media blurred every fact into fiction and when family secrets and fluid identities pushed class anxieties to new heights.

    Born in the prisons of California in the late 1960s, Nuestra Familia expanded to control drug trafficking and extortion operations throughout the northern half of the state, and left a trail of bodies in its wake. Award-winning journalist Julia Reynolds tells the gang’s story from the inside out, following young men and women as they search for a new kind of family, quests that usually lead to murder and betrayal. Blood in the Fields also documents the history of Operation Black Widow, the FBI’s questionable decade-long effort to dismantle the Nuestra Familia, along with its compromised informants and the turf wars it created with local law enforcement agencies. Reynolds used her unprecedented access to gang members, both in and out of prison, as well as undercover wire taps, depositions, and court documents to weave a gripping, comprehensive history of this brutal criminal organization and the lives it destroyed.

    A young, highly intelligent man named Christian Longo, on the FBI's Ten Most Wanted list for killing his entire family, has recently been captured in Mexico, where he'd taken on a new identity -- Michael Finkel of the New York Times.The next day, on page A-3 of the Times, comes another bit of troubling news: a note, written by the paper's editors, explaining that Finkel has falsified parts of an investigative article and has been fired. This unlikely confluence sets the stage for a bizarre and intense relationship. After Longo's arrest, the only journalist the accused murderer will speak with is the real Michael Finkel. And as the months until Longo's trial tick away, the two men talk for dozens of hours on the telephone, meet in the jailhouse visiting room, and exchange nearly a thousand pages of handwritten letters.With Longo insisting he can prove his innocence, Finkel strives to uncover what really happened to Longo's family, and his quest becomes less a reporting job than a psychological cat-and-mouse game -- sometimes redemptively honest, other times slyly manipulative. Finkel's pursuit pays off only at the end, when Longo, after a lifetime of deception, finally says what he wouldn't even admit in court -- the whole, true story. Or so it seems.

    Wilder was handsome and charming, and time and time again he managed to convince beautiful young women that he was a fashion photographer looking to help them start a career in modelling. What followed were some of the most brutal, sadistic crimes the world has ever seen – as well as a years-long police operation, dogged by missed opportunities and bad decisions, to track the killer down. Featuring new evidence unearthed from case files and interviews with FBI agents, witnesses and survivors, some of whom have spoken for the first time since the horrendous crimes were committed, The Pretty Girl Killer takes us right into the mind and moment of one of Australia’s most heinous exports.

    Confidential comes My Dark Places, an investigative autobiography by James Ellroy. In 1958, Ellroy's mother, Jean, was raped, killed, and dumped off a road in El Monte, California, a rundown L.A. suburb. The killer was never found, and the case was closed. It was a sordid, back-page homicide that no one remembered. Except her son.James Ellroy was ten years old when his mother died. His bereavement was complex and ambiguous: "I cried. I cranked tears out all the way to L.A. I hated her. I hated El Monte. Some unknown killer just bought me a brand-new beautiful life." He grew up obsessed with murdered women and crime. He ran from his mother's ghost.Ellroy became a writer of radically provocative and bestselling crime novels. "I wear obsession well," he says. "I've turned it into something." He tried to reclaim his mother through fiction. It didn't work. He quit running and wrote this memoir.My Dark Places is Jean and James Ellroy's story—from 1958 to all points past and up to this moment. It is the story of a brilliant homicide detective named Bill Stoner and of the investigation he and Ellroy undertook. It is also an unflinching autobiography with vivid reportage. This is James Ellroy's journey through his most forbidding memories.

    Asked about her experience during the war, Helga quietly revealed she had been a "Jugend," a member of Hitler's child army, "trained to revere and obey the Fuhrer." When Riehl asked how children were recruited, she replied, "Clever seduction." Helga's seduction begins with an invitation from Hitler she cannot refuse. The ten-year-old is ordered to attend weekly meetings of the Hitler Youth movement. Lies and tasty treats are employed to entice her allegiance to the Fuhrer. Helga is sent away to Hitler Youth training camps as the war draws nearer her home in Berlin. She is caught between loyalty to her family, suffering under Nazi rule, and loyalty to the Fuhrer, who keeps her safe and well-fed. Helga's gradual disillusionment, followed by her harrowing escape home, is a powerful coming-of-age story of a young girl's survival of Nazi mind control.

    22483, who had been shipped from Belgium to Buchenwald. It records what he saw and felt during his calvary from Antwerp to the Malin distribution camp in France and from there to the extermination camp of Buchenwald. He was one of the few people who both entered a Nazi concentration camp and left again. This is his remarkable personal story that records his experiences of one of the most harrowing events in human history. Buchenwald concentration camp was one of the first and largest camps to be built on German soil and during the years that Weinstock spent there he kept company with other Jews, Poles, Slavs, political prisoners and many other men and women that the Nazi’s deemed subhuman. “A mere number, he had the strength to remain a man, an artist of the word, observing his captors, his fellow-prisoners, life in the shadow of death. … . Throughout, the writing is poignant, vibrant with humanity, a cry “de profundis” and a vow that it must never happen again. This book should be long remembered.” — Emil Lengyel Eugene Weinstock was a Hungarian Jew who was living in Belgium at the beginning of the Second World War. Beyond the Last Path records his life during those terrible years up to the point when American troops released the remaining prisoners in Buchenwald. By this time Weinstock weighed a mere eighty pounds and had seen many of his good friends die. His work was first published in the United States in 1947 where he had gone to. He passed away in 1984.

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.

    The child of two lawyers, they are staunchly anti-death penalty. But the moment convicted murderer Ricky Langley’s face flashes on the screen as they review old tapes—the moment they hear him speak of his crimes -- they are overcome with the feeling of wanting him to die. Shocked by their reaction, they dig deeper and deeper into the case. Despite their vastly different circumstances, something in his story is unsettlingly, uncannily familiar.Crime, even the darkest and most unsayable acts, can happen to any one of us. As Alex pores over the facts of the murder, they find themself thrust into the complicated narrative of Ricky’s childhood. And by examining the details of Ricky’s case, they are forced to face their own story, to unearth long-buried family secrets, and reckon with a past that colors their view of Ricky's crime.But another surprise awaits: They weren’t the only one who saw their life in Ricky’s.An intellectual and emotional thriller that is also a different kind of murder mystery, THE FACT OF A BODY is a book not only about how the story of one crime was constructed -- but about how we grapple with our own personal histories. Along the way it tackles questions about the nature of forgiveness, and if a single narrative can ever really contain something as definitive as the truth. This groundbreaking, heart-stopping work, ten years in the making, shows how the law is more personal than we would like to believe -- and the truth more complicated, and powerful, than we could ever imagine.