She has no idea the rope will become part of her family’s history. But for three generations, that rope is passed down, used for everything from jump rope games to tying suitcases onto a car for the big move north to New York City, and even for a family reunion where that first little girl is now a grandmother. Newbery Honor–winning author Jacqueline Woodson and Coretta Scott King Award–winning illustrator James Ransome use the rope to frame a thoughtful and moving story as readers follow the little girl’s journey. During the time of the Great Migration, millions of African American families relocated from the South, seeking better opportunities. With grace and poignancy, Woodson’s lilting storytelling and Ransome’s masterful oil paintings of country and city life tell a rich story of a family adapting to change as they hold on to the past and embrace the future.

    Popular poems such as "Direct Orders," "Shake the Dust," "Here Am I" and more, are collected here alongside lost poems, favorite poems and new, unpublished works.

    But while the good Reverend's been busy tending his flock, his family's gone astray. His nineteen-year-old daughter, Rachel, gives new meaning to "baby mama drama." David, the oldest at twenty-seven, has been spiraling into a life of crime ever since his promising football career came to an end. Blessedly, Jonathan, Simon's beloved middle child, is in control of his life and is poised to take his side as associate pastor -- or so everybody thinks. At the heart of the Jackson family is Loretta, the Reverend's wife. She has always been devoted to her husband, but she's beginning to realize that enabling him to give more to the church than to their children was her biggest mistake. As things continue to fall apart and secrets are revealed, will Loretta be able to help her husband reunite their tattered family...before it's too late?

    From Essence] bestselling author Lee comes a riveting new novel about a LosAngeles casino-owning family determined to protect its dynasty.

    Left to raise a baby without the assistance of the married father, she has given up on finding a prince on a white horse to rescue her. Enter Cardiologist and single father, Ford Tucker. Dr. Tucker is all work and no play. He has dedicated his life to work and raising his daughter. When Ford becomes Maya’s Cardiologist, he is instantly smitten with her. Sparks fly and the passion’s hot as ever between the two. But just when Ford thinks he has finally found Ms. Right, and Maya thinks she’s found her prince, a devastating secret is revealed that will rock the core of their relationship. Will their bond survive the terrible secret? Or will Ford end up alone and Maya prince less?

    This final book in the trilogy is the epitome of what humility can do to healing in any man’s life. Preston suffers eviction, lost bank accounts, and total disconnect from the ones that truly love him. But, through his obedience and loss of pride, Preston finally comes to realize that the Lord’s Word is true in every sense. How does he come to listen? Does he actually leave Lustray? If so, how does she take it? Will Delight readily accept him back into her life? Or does she have someone else in line to take Preston’s place? Come take a peek at this epic landing of the Preston Brown saga and learn how God delivers the strength needed for Preston to get himself right and how he escapes eternal death by Delight’s enduring love for him.Other titles included with this series are:How Did I Get HereHow Do I Get Out of HereQuest for IshmaelShort story collections include:Stop Taking All the CoversI Can't Stand Your Kids

    From the classic sixteenth-century love sonnets of Louise Labé and Maurice Sceve to the piercing lyricism of the Romantics and the dreamlike compositions of the Surrealists, French Love Poems is the perfect, seductive gift for anyone who makes your heart flutter.This collection includes poems by Guillaume Apollinaire, Charles Baudelaire, Claude Cahun, René Char, Marceline Desbordes-Valmore, Paul Éluard, Louise Labé, Stéphane Mallarmé, Anna de Noailles, Joyce Mansour, Arthur Rimbaud, Paul Verlaine, and many others; as well as translations by Mary Ann Caws, Robert Duncan, Lawrence Ferlinghetti, Denise Levertov, Ezra Pound, Kenneth Rexroth, Frederick Seidel, Richard Sieburth, and William Carlos Williams.

     Bone. Visceral. Close to. Stark. The poems in Yrsa Daley-Ward's collection bone are exactly that: reflections on a particular life honed to their essence--so clear and pared-down, they become universal. From navigating the oft competing worlds of religion and desire, to balancing society's expectations with the raw experience of being a woman in the world; from detailing the experiences of growing up as a first generation black British woman, to working through situations of dependence and abuse; from finding solace in the echoing caverns of depression and loss, to exploring the vulnerability and redemption in falling in love, each of the raw and immediate poems in Daley-Ward's bone resonate to the core of what it means to be human. "You will come away bruised. You will come away bruisedbut this will give you poetry."

    The Uses of the Body is her best book, its acerbic tone interspersed with lines of grave and startling beauty.” —Los Angeles Times"Like Richard Linklater's Boyhood,but for girls (and women): Deborah Landau's vividly relatable third collection, The Uses of the Body, reminds us that coming of age lasts well beyond adolescence.” —Vogue* “As freshly immediate as ever, award-winning poet Landau reveals that ‘the uses of the body are manifold,’ moving in four sections with a roughly chronological feel from wedding parties to flabby bodies around the pool to the realization ‘But we already did everything’—all with an underlying sense of urgency: ‘Life please explain.’ As Landau explores her physical self and her sexuality, she’s tart, witty, fluid, direct, and brutally honest, and her work can be appreciated by any reader.”—Library Journal,starred review"Deborah Landau . . . is both confessional and direct, like Sylvia Plath and Allen Ginsberg. Her taut, elegant, highly controlled constructions meditate upon yearning and selfhood."—BooklistDeborah Landau's Uses of the Body presents the very specific challenges of womanhood. Her poems address what it means to be alive—right now—in a female body. She fills her poetry with compelling nouns: wine glasses, bridal gowns, and "books and teacups and ghosts." And what ghosts: underneath evocative images and poetic play, there's a moving, yearning mysticism.From "Mr and Mrs End of Suffering":The uses of the body are wake up.The uses of the body, illusion.The uses of the body. Rinse repeat.To make another body.September. Draw the blanket up.Lace your shoes.The major and minor passions. Sunlight. Hair.The basic pleasures. Tomatoes, Keats, meeting a smart man for a drink.The uses of the body.It is only a small house. It gets older.Its upper and lower.Its red and white trim.It's tempting to gloss over this part,so you won't really see me.Deborah Landau is the author of two books of poetry. She was educated at Stanford, Columbia, and Brown, where she earned her PhD. Currently she is the director of the NYU Creative Writing Program and lives in New York City.

    Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. "What am I supposed to say: I'm free?" the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.

    I’m not as black as you dream.                      —from “Luke Cage Tells It Like It Is With humor and the serious collector’s delight, Gary Jackson imagines the comic-book worlds of Superman, Batman, and the X-Men alongside the veritable worlds of Kansas, racial isolation, and the gravesides of a sister and a friend.

    Barnes with a forward by Louis Untermeyer HC/DJ New York: Charles Scribner's Sons, 1945

    I believe everyone should understand that we all go through things in life, it's all about how we react and recover from them. If you've felt as though you didn't have a voice in a situation, or you weren't sure if you'd get through it "fluid." may be the book for you.

    But Malcolm believed that black people should stand up for their rights and he preached this belief everywhere he went. His message became popular because it was one of hope and pride. But it also became dangerous, because some people didn't agree with him. In 1965, one of these people shot and killed him. Even though his life was cut short by hatred, Malcolm X's ideas still affect people of all races. Here is his amazing story.An ALA Notable Children's Book

    Thanks to an inheritance, she can start her own interior design business. It's not quite the life Susan hoped for, but she's determined to chart a new course...and shake things up.When architect Lucas Hamilton accepts Susan's dinner invitation, the result is a night of seduction neither can forget--yet neither intends to repeat. While Susan focuses on her new life, Lucas focuses on becoming wealthier than the absent father he resents. But when his father resurfaces, Lucas finds himself turning to Susan for counsel. And as their paths cross repeatedly, their feelings for each other strengthen. Yet the secret Susan is hiding may destroy any future they share..."A love-conquers-all story with a few twists and turns to keep readers turning the pages. I enjoyed it from cover to cover. Getting Some of Her Own is classic Gwynne Forster." --The RAWSISTAZ Reviewers