She is distrustful of marriage, prefers freedom above all else, and walks alone at night on the moors above the isolated rural village of Haworth. But Emily’s life is turned upside down by the arrival of an idealistic clergyman named William Weightman. A heart-wrenching love story, Emily’s Ghost plumbs the depths of faith, longing, and romantic solitude.

    Bella Ford, aged 19 and a girl of generous and determined character, having been seduced by an older and married man, Arch Wilson, goes in search of him and eventually finds him with tragic circumstances. In the meantime she is befriended and given a home by a family of shoemakers, the Wainwrights, who help her restore her faith in living. Through them, and especially the three Wainwright sons, she rediscovers beauty, fulfillment, love and great happiness...until a crisis of extreme tragedy puts her to the highest test. One critic wrote: “The story is reminiscent of Thomas Hardy…the naive girl made pregnant by the slick villain, the rural setting and seasonal rhythms, the inevitable violence, the flight with the lover and his eventual capture--all are variations on Tess of the d'Urbervilles." The title, The Feast of July, derives from the July 'Sunday of Fifty Feasts', celebrated all over the Midlands. These feasts were once religious in character, but they became annual pleasure fairs, and up to the end of the 19th century they were robust and very colourful.

    Warwickshire in the 1580s. Agnes is a woman as feared as she is sought after for her unusual gifts. She settles with her husband in Henley street, Stratford, and has three children: a daughter, Susanna, and then twins, Hamnet and Judith. The boy, Hamnet, dies in 1596, aged eleven. Four years or so later, the husband writes a play called Hamlet. Award-winning author Maggie O'Farrell's new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes, and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history.A New York Times Notable Book (2020), Best Book of 2020: Guardian, Financial Times, Literary Hub, and NPR.

    Exact Change launched a program of reprinting her fiction with what is perhaps her best loved book.The Hearing Trumpet is the story of 92-year-old Marian Leatherby, who is given the gift of a hearing trumpet only to discover that what her family is saying is that she is to be committed to an institution. But this is an institution where the buildings are shaped like birthday cakes and igloos, where the Winking Abbess and the Queen Bee reign, and where the gateway to the underworld is open. It is also the scene of a mysterious murder.Occult twin to Alice in Wonderland, The Hearing Trumpet is a classic of fantastic literature that has been translated and celebrated throughout the world.

    The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.

    When Lemon, an old friend of her mother's, turns up on her doorstep Jinx is forced to confront her past, and with the pain of remembrance comes the possibility of redemption. But Lemon has his own secrets to share, and together they unravel an unforgettable family drama, stoked with violence and passion. Rich with voices from East London and the West Indies, Edwards' narrative is delivered with a unique and uncompromising bite that announces a new talent in British fiction.Longlisted for the 2011 Man Booker Prize.

    The Ghost Road won the 1995 Booker Prize.

    That is, until her oldest daughter Norah mysteriously drops out of college to become a panhandler on a Toronto street corner -- silent, with a sign around her neck bearing the word "Goodness."--back cover

    His goal was to claim what is now the Gulf Coast of the United States for the Spanish crown and, in the process, become as wealthy and famous as Hernán Cortés.But from the moment the Narváez expedition landed in Florida, it faced peril—navigational errors, disease, starvation, as well as resistance from indigenous tribes. Within a year there were only four survivors: the expedition’s treasurer, Álvar Núñez Cabeza de Vaca; a Spanish nobleman named Alonso del Castillo Maldonado; a young explorer named Andrés Dorantes de Carranza; and Dorantes’s Moroccan slave, Mustafa al-Zamori, whom the three Spaniards called Estebanico. These four survivors would go on to make a journey across America that would transform them from proud conquistadores to humble servants, from fearful outcasts to faith healers.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called ‘The Improbability of Love’. Delving into the painting’s past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history – and in doing so she might just learn to open up to the possibility of falling in love again.