His outraged friends -- —mostly poor cotton farmers -- form a secret society, Hell-at-the-Breech, to punish the townspeople they believe responsible. The hooded members wage a bloody year-long campaign of terror that culminates in a massacre where the innocent suffer alongside the guilty. Caught in the maelstrom of the Mitcham war are four people: the aging sheriff sympathetic to both sides; the widowed midwife who delivered nearly every member of Hell-at-the-Breech; a ruthless detective who wages his own war against the gang; and a young store clerk who harbors a terrible secret. Based on incidents that occurred a few miles from the author's childhood home, Hell at the Breech chronicles the events of dark days that led the people involved to discover their capacity for good, evil, or for both.

    Fannie’s New Orleans house is like no place Ibby has ever been—and Fannie, who has a tendency to end up in the local asylum—is like no one she has ever met. Fortunately, Fannie’s black cook, Queenie, and her smart-mouthed daughter, Dollbaby, take it upon themselves to initiate Ibby into the ways of the South, both its grand traditions and its darkest secrets. For Fannie’s own family history is fraught with tragedy, hidden behind the closed rooms in her ornate Uptown mansion. It will take Ibby’s arrival to begin to unlock the mysteries there. And it will take Queenie and Dollbaby’s hard-won wisdom to show Ibby that family can sometimes be found in the least expected places. For fans of Saving CeeCee Honeycutt and The Help, Dollbaby brings to life the charm and unrest of 1960s New Orleans through the eyes of a young girl learning to understand race for the first time. By turns uplifting and funny, poignant and full of verve, Dollbaby is a novel readers will take to their hearts.A Top Ten Finalist for Best Historical Novel, Goodreads Choice Awards, and a LibraryReads and Okra PickA big-hearted coming-of-age debut set in civil rights-era New Orleans—a novel of Southern eccentricity and secrets

    But it’s here that Eve, her three siblings, and their parents will settle in July, 1875. Within a few years, Eve’s father, Hap, has made good on his assurances. They have a large, weathered clapboard house and a comfortable life, thanks to Hap’s job on a steamboat. Eve and her twin sister, Ivy, are blossoming into young women. Yet as Ivy grows more involved in medicine making under the tutelage of a neighboring black woman, her path leads away from the family.Eve, an aspiring writer, loves her home though she longs to see the wider world beyond its swamps and shores. But when she discovers a secret Ivy’s been keeping, Eve must decide between protecting the family name or saving her sister. With the help of a half-Creek Indian tracker, Max Harjo, Eve sets out to find Ivy, beginning a journey that will dare her to follow her ambitions and her passion wherever they lead.

    Set in Appalachia in the years before World War II, Velva Jean Learns to Drive is a poignant story of a spirited young girl growing up in the gold-mining and moonshining South. Before she dies, Velva Jean's mother urges her to "live out there in the great wide world". Velva Jean dreams of becoming a big-time singer in Nashville until she falls in love with Harley Bright, a handsome juvenile delinquent turned revival preacher. As their tumultuous love story unfolds, Velva Jean must choose between keeping her hard-won home and pursuing her dream of singing in the Grand Ole Opry.

    Sent on a mission to New York by Grady Fring, the Kredit King, Norwood has visions of "speeding across the country in a late model car, seeing all the sights." Instead, he gets involved in a wild journey that takes him in and out of stolen cars, freight trains, and buses. By the time he returns home to Ralph, Texas, Norwood has met his true love, Rita Lee, on a Trailways bus; befriended Edmund B. Ratner, the second shortest midget in show business and "the world's smallest perfect fat man"; and helped Joann, "the chicken with a college education, " realize her true potential in life.

    . .Generations of Sassers have made moonshine in the Brushy Mountains of Wilkes County, North Carolina. Their history is recorded in a leather-bound journal that belongs to Jessie Sasser's daddy, but Jessie wants no part of it. As far as she's concerned, moonshine caused her mother's death a dozen years ago.Her father refuses to speak about her mama, or about the day she died. But Jessie has a gnawing hunger for the truth--one that compels her to seek comfort in food. Yet all her self-destructive behavior seems to do is feed what her school's gruff but compassionate nurse describes as the "monster" inside Jessie.Resenting her father's insistence that moonshining runs in her veins, Jessie makes a plan to destroy the stills, using their neighbors as scapegoats. Instead, her scheme escalates an old rivalry and reveals long-held grudges. As she endeavors to right wrongs old and new, Jessie's loyalties will bring her to unexpected revelations about her family, her strengths--and a legacy that may provide her with the answers she has been longing for.

    On the eve of his fortieth birthday, Gabe takes his own history in hand in an attempt to reconcile a family shattered by his betrayal of his older brother, Michael. As Gabe contends with a host of personal demons, he recounts his lifelong love for his brother's wife, Myra--whose own demons threaten to overwhelm all three of them.

    This portrait of a beguiling Southern city was a best-seller (though a flop as a movie). ~ Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this city of moss-hung oaks and shaded squares. John Berendt's narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt interweaves a first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.The story is peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproarious black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.

    The opening chapter outlines initial reactions to the novel from English and Caribbean critics, charting the differences between them. Chapter Two explores Wide Sargasso Sea 's dialogue with Jane Eyre and the theoretical questions it has raised. Succeeding chapters examine how critics have assessed the racial politics of Rhys's text, discuss the novel's African Caribbean cultural legacy, and explore how critics read the work both in terms of its moment of production and the early Victorian period in which it is set.

    AS they pass sweet yet hazardous hours in a china tree, The Grass Harp manages to convey all the pleasures and responsibilities of freedom. But most of all it teaches us about the sacredness of love, "that love is a chain of love, as nature is a chain of life."This volume also includes Capote's A Tree of Night and Other Stories, which the Washington Post called "unobstrusively beautiful...a superlative book."

    In 1960s South Carolina, new industry is encroaching on old country, and Genny fears her grandmother may have gotten in the way of so-called progress. Even Daduh, Nannie's dearest friend and longtime housekeeper, doesn't know what to make of Nannie's death. Was it an accident, or did the drunkard son of a local businessman play a role? What's more, ever since Nannie passed, Genny has been hearing and seeing things she's not sure she can share with anyone except her mother, whose own grief is making it harder and harder to get through to her. Seeking answers, longing for guidance, and unsure if Mama will ever be the same again, Genny gingerly forges a path out of childhood and into adolescence. As Genny struggles to understand justice, healing, and a world in which Nannie is gone but still present, The Truthful Story traces a family's difficult journey through the pain of loss and the survival of love.

    The novel is told in a kaleidoscope of seamlessly woven voices and centers around an incendiary romance that consumes everyone in its path: Myra Lamb, a wild young girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain; her grandmother Byrdie Lamb, who protects Myra fiercely and passes down “the touch” that bewitches people and animals alike; the neighbor boy who longs for Myra yet is destined never to have her; the twin children Myra is forced to abandon but who never forget their mother’s deep love; and John Odom, the man who tries to tame Myra and meets with shocking, violent disaster. Against the backdrop of a beautiful but often unforgiving country, these lives come together—only to be torn apart—as a dark, riveting mystery unfolds. With grace and unflinching verisimilitude, Amy Greene brings her native Appalachia—and the faith and fury of its people—to rich and vivid life. Here is a spellbinding tour de force that announces a dazzlingly fresh, natural-born storyteller in our midst.

    Olivia assumed that bigotry was the product of her mother's loyalty to long-dead relatives, an allegiance to maintain the family's white blood line. After Emma's death though, Olivia finds a letter and an old journal among her belongings. Soon she discovers the secret that prompted Emma to irrationally blame an entire race -- a secret that had nothing to do with family history, although it strongly paralleled another tragic event from the past. 1846, Marianne Witherell's journal: Before Lincoln and the American Civil War, slavery is at its peak in South Carolina. A young slave girl named Willa suddenly arrives at Heavenly Plantation with her mother Heddie, destined to serve the wealthy plantation family as house servants. Right away, two of the Master's children-Marianne and Seth-forge a bond with Willa, in spite of their older brother Foster's warnings about the evils of mixing with the "darkies." Although she grows up in the "big house" treated like family by her pair of white friends, Willa cannot forget that she is still a slave. Never is that fact made clearer than when Foster cruelly taunts and threatens her in secret. As it threads through the lives of its diverse characters, this novel captures the complicated and often violent nature of life in the antebellum South. As Willa's story is told, a dramatic tapestry is woven, binding the Witherell family to a web of secrets that include forbidden love and faithful friendships alongside dangerous obsessions, mental instability, and even murder.

    Her fears are confirmed when a youth fires a gun at the administrator, but that isn't the only shooting!

    Across a slip of ocean lies South Carolina. But for the handful of families on Yamacraw Island, America is a world away. For years the people here lived proudly from the sea, but now its waters are not safe. Waste from industry threatens their very existence–unless, somehow, they can learn a new life. But they will learn nothing without someone to teach them, and their school has no teacher.Here is PAT CONROY’S extraordinary drama based on his own experience–the true story of a man who gave a year of his life to an island and the new life its people gave him.