He and his best friend Walt (aka Swing) have been cut from the high school baseball team for the third year in a row, and it looks like Noah’s love interest since third grade, Sam, will never take it past the “best friend” zone. Noah would love to retire his bat and accept the status quo, but Walt has big plans for them both, which include making the best baseball comeback ever, getting the girl, and finally finding cool.To go from lovelorn to ladies’ men, Walt introduces Noah to a relationship guru—his Dairy Queen-employed cousin, Floyd—and the always informative Woohoo Woman Podcast. Noah is reluctant, but decides fate may be intervening when he discovers more than just his mom’s birthday gift at the thrift shop. Inside the vintage Keepall is a gold mine of love letters from the 1960s. Walt is sure these letters and the podcasts are just what Noah needs to communicate his true feelings to Sam. To Noah, the letters are more: an initiation to the curious rhythms of love and jazz, as well as a way for him and Walt to embrace their own kind of cool. While Walt is hitting balls out of the park and catching the eye of the baseball coach, Noah composes anonymous love letters to Sam in an attempt to write his way into her heart. But as things are looking up for Noah and Walt, a chain of events alters everything Noah knows to be true about love, friendship, sacrifice, and fate. In Swing, bestselling authors Kwame Alexander and Mary Rand Hess (Solo) present a free-verse poetic story that will speak to anyone who’s struggled to find their voice and take a swing at life.

    And by grounded, she means working as an indentured servant in her family’s struggling grocery store to pay off her debts. With each order of deli meat she slices, Margot can feel her carefully cultivated prep school reputation slipping through her fingers, and she’s willing to do anything to get out of this punishment. Lie, cheat, and maybe even steal…Margot’s invitation to the ultimate beach party is within reach and she has no intention of letting her family’s drama or Moisés—the admittedly good looking but outspoken boy from the neighborhood—keep her from her goal.

    When a new case finds the private eye caught up in a centuries-old battle of evil genies and ancient curses, Scarlett discovers that her own family secrets may have more to do with the situation than she thinks -- and that cracking the case could lead to solving her father's murder.Jennifer Latham delivers a compelling story and a character to remember in this one-of-a-kind debut novel.

    One problem: Wells's father is Jack Henderson, America's most famous conservative shock jock...and Allie hasn't told Wells that her family is Muslim. It's not like Allie's religion is a secret, exactly. It's just that her parents don't practice and raised her to keep her Islamic heritage to herself. But as Allie witnesses ever-growing Islamophobia in her small town and across the nation, she begins to embrace her faith—studying it, practicing it, and facing hatred and misunderstanding for it. Who is Allie, if she sheds the façade of the "perfect" all-American girl? What does it mean to be a "Good Muslim?" And can a Muslim girl in America ever truly fit in? ALL-AMERICAN MUSLIM GIRL is a relevant, relatable story of being caught between two worlds, and the struggles and hard-won joys of finding your place.

    He also wants to let his best friend, Danetta, know how he really feels about her. But as he is buying his first suit, an off-duty police officer mistakes a clothes hanger for a gun, and he shoots Alfonso.When Alfonso wakes up in the afterlife, he’s on a ghost train guided by well-known victims of police shootings, who teach him what he needs to know about this subterranean spiritual world. Meanwhile, Alfonso’s family and friends struggle with their grief and seek justice for Alfonso in the streets. As they confront their new realities, both Alfonso and those he loves realize the work that lies ahead in the fight for justice.In the first graphic novel for young readers to focus on police brutality and the Black Lives Matter movement, as in Hamlet, the dead shall speak—and the living yield even more surprises.Foreword by Bryan Stevenson, Executive Director of the Equal Justice Initiative and author of Just Mercy.

    Another one could end it.Sebastian Cody did something horrible, something no one—not even Sebastian himself—can forgive. At the age of four, he accidentally shot and killed his infant sister with his father’s gun.Now, ten years later, Sebastian has lived with the guilt and horror for his entire life. With his best friend away for the summer, Sebastian has only a new friend—Aneesa—to distract him from his darkest thoughts. But even this relationship cannot blunt the pain of his past. Because Sebastian knows exactly how to rectify his childhood crime and sanctify his past. It took a gun to get him into this.Now he needs a gun to get out.

    . .Instead, Nora is on a desperate journey far away from home. When her father leaves their beloved Mexico in search of work, Nora stays behind. She fights to make sense of her loss while living in poverty—waiting for her father's return and a better day. When the letters and money stop coming, Nora decides that she and her mother must look for him in Texas. After a frightening experience crossing the border, the two are all alone in a strange place. Now, Nora must find the strength to survive while aching for small comforts: friends, a new school, and her precious quinceañera.Bettina Restrepo's gripping, deeply hopeful debut novel captures the challenges of one girl's unique yet universal immigrant experience.

    But when he discovers that his Filipino cousin Jun was murdered as part of President Duterte's war on drugs, and no one in the family wants to talk about what happened, Jay travels to the Philippines to find out the real story.Hoping to uncover more about Jun and the events that led to his death, Jay is forced to reckon with the many sides of his cousin before he can face the whole horrible truth -- and the part he played in it.

    Her mother says she has to take every opportunity. She has. She accepted a scholarship to a mostly-white private school and even Saturday morning test prep opportunities. But some opportunities feel more demeaning than helpful. Like an invitation to join Women to Women, a mentorship program for “at-risk” girls. Except really, it’s for black girls. From “bad” neighborhoods.But Jade doesn’t need support. And just because her mentor is black doesn’t mean she understands Jade. And maybe there are some things Jade could show these successful women about the real world and finding ways to make a real difference.Friendships, race, privilege, identity—this compelling and thoughtful story explores the issues young women face.

    Faustino is one such trying to escape from the gang he's been working for. He's dipped into a pile of dollars he was supposed to be hiding and now he's on the run. He and his friend, Arturo, have only 36 hours to replace the missing money, or they're as good as dead.Watching over them is Saint Death. Saint Death (or Santissima Muerte) - she of pure bone and charcoal-black eye, she of absolute loyalty and neutral morality, holy patron to rich and poor, to prostitute and narco-lord, criminal and police-chief. A folk saint, a rebel angel, a sinister guardian.

    Ellie is wrestling with family demons, and Miah is one of the few African American students. The two of them find each other, and fall in love -- but they are hesitant to share their newfound happiness with their friends and families, who will not understand. At the end, life makes the brutal choice for them.

    She’s the top-ranked senior at her ultra-competitive Silicon Valley high school, with a spotless academic record and a long roster of extracurriculars. But there are plenty of perfect students in the country, and if Reshma wants to get into Stanford, and into med school after that, she needs the hook to beat them all.What's a habitual over-achiever to do? Land herself a literary agent, of course. Which is exactly what Reshma does after agent Linda Montrose spots an article she wrote for Huffington Post. Linda wants to represent Reshma, and, with her new agent's help scoring a book deal, Reshma knows she’ll finally have the key to Stanford.But she’s convinced no one would want to read a novel about a study machine like her. To make herself a more relatable protagonist, she must start doing all the regular American girl stuff she normally ignores. For starters, she has to make a friend, then get a boyfriend. And she's already planned the perfect ending: after struggling for three hundred pages with her own perfectionism, Reshma will learn that meaningful relationships can be more important than success—a character arc librarians and critics alike will enjoy.Of course, even with a mastermind like Reshma in charge, things can’t always go as planned. And when the valedictorian spot begins to slip from her grasp, she’ll have to decide just how far she’ll go for that satisfying ending. (Note: It’s pretty far.)

    When she meets John, a mysterious new boy in her rural Iowan town, those secrets start to come out.

    Or from his boys, who aren’t exactly the “hug it out” type. Marcos yearns for love, a working cell phone, and maybe a pair of sneakers that aren’t falling apart. But more than anything, Marcos wants to get out of Maesta, his hood—which seems impossible.When Marcos is placed in a new after-school program for troubled teens with potential, he meets Zach, a theater geek whose life seems great on the surface, and Amy, a punk girl who doesn’t care what anyone thinks of her. These new friendships inspire Marcos to open up to his Maesta crew, too, and along the way, Marcos starts to think more about his future and what he has to fight for. Marcos ultimately learns that bravery isn’t about acting tough and being macho; it’s about being true to yourself.

    But who is that looking out at her through her mirror's eye? And why does the apparition call her "friend?" Her real friends are back home in Brooklyn, not in the old colonial house in Colchester, Connecticut, where none of this would have happened if Daddy were still alive. But now all Pemba has is Mom and that strange old man, Abraham. Maybe he's the crazy one.Thank goodness for Pemba's Playlist and the journal she keeps. There are so many answers deep inside that music. And so much is revealed in Pemba's poetry — the hops she writes and those coming through her iPod. Phyllys, an eighteenth-century slave girl, has answers, too. They billow out from her ghostly visits to Pemba, visits that transform both girls in ways neither expected.In this supernatural tale, the voices of these two characters entwine to put a new spin on a paranormal story of friendship.