Henry had been killed and left 51% of his businesses to his daughter, Jessica, and 49% to his manager, Jake Weston. Jessica lived in Boston and Jake thought she would remain there and let him run the business. But Jessica had other ideas. In their telegrams after Henry's death, Jessica and Jake antagonized each other and didn't like one another before they even met. Jake knew that Jessica was under the impression that the Tin Angel was a restaurant and didn't tell her otherwise. When she arrived and found it was a gambling and bawdy house, she almost died. Jessica thought that her 51% entitled her to run the businesses, including the Tin Angel and was angry when Jake didn't agree. So it started--two strong people trying to gain the advantage over the other, all the while fighting an attraction that grew stronger despite their efforts.

    Beautiful, fearless, tormented, at forty-five she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth, and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians. On the way, she discovers a story that stretches from East to West, from the Civil War to Wounded Knee and Vietnam -- and finds the balm to heal her wild and wounded soul.

    At a ceremonial dance, the young, earnest silversmith Laughing Boy falls in love with Slim Girl, a beautiful but elusive "American"-educated Navajo. As they experience all of the joys and uncertainties of first love, the couple must face a changing way of life and its tragic consequences.

    The experiment proved successful both in this country and in America. Two of the characters which appear in these pages -- "Rosamond," and "Uncle Joseph" -- had the good fortune to find friends everywhere who took a hearty liking to them. A more elaborately drawn personage in the story -- "Sarah Leeson" -- was, I think, less generally understood. The idea of tracing, in this character, the influence of a heavy responsibility on a naturally timid woman, whose mind was neither strong enough to bear it, nor bold enough to drop it altogether, was a favorite idea with me, at the time, and is so much a favorite still, that I privately give "Sarah Leeson" the place of honor in the little portrait-gallery which my story contains. Perhaps, in saying this, I am only acknowledging, in other words, that the parents of literary families share the well-known inconsistencies of parents in general, and are sometimes unreasonably fond of the child who has always given them the most trouble. -- Wilkie Collins, _January, 1861_

    He must, however, work a deal with her. She needs money to save her ranch and he needs access to the spring on her property. Seems simple, right? But nothing’s ever easy with Pearl. The woman is steely and stubborn, but she’s lovely too, with a carefully concealed, vulnerable side. As much as he tries not to notice, thoughts of Pearl distract him plenty. She stirs all sorts of protective notions. He yearns to shield her from the dangerous outlaws that lurk in the nearby canyons. When whispered rumors turn into deadly threats, Levi vows to do whatever it takes to keep Pearl safe.

    It is 1824, and Indiana is the Western frontier of a new nation where Seneca warriors stand ready to fall on fledgling settlements should white men's justice fail. In a powerful American saga fashioned from the sparse historical record, Jessamyn West creates characters - an appealing heroine, her lover, the attorney for the defense, an extraordinary Indian seer - who stand at the center of a maelstrom of human emotions: hate, devotion, revenge, compassion, and, above all, love. As the narrative sweeps from the crimes to the tension-packed trial and its strangely moving aftermath, the novel carries the reader to an awareness of undeniably modern implications of our historical past.

    Well, what if you don’t have no people? Or any you know of? What then? Are you doomed?” This is the nagging question of fifteen-year-old Nell’s life. Born with a cleft palate and left a foundling on the doorstep of a convent, she yearns to know her mother, whose name, she knows, was Jane.When the Mother Superior tries to pawn her off to a mean looking farmer and his beaten down wife, Nell opts for the only alternative she can see: she runs away. A chance encounter with a dime novel exhorting the exploits of Calamity Jane, heroine of the west, gives Nell the purpose of her life: to find Calamity Jane, who Nell is convinced is her mother.Her quest takes her down rivers, up rivers and across the Badlands to Deadwood, South Dakota and introduces her to Soot, a big, lovable black dog, and Jeremy Chatterfield, a handsome young Englishman who isn’t particular about how he makes his way, as long as he doesn't have to work for it. Together they trek across the country meeting characters as wonderful and bizarre as the adventure they seek, learning about themselves and the world along the way.

    Though it goes against his better judgment, Navajo Tribal Police Lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer. There is palpable evil in the air, and Leaphorn's pursuit of a Wolf-Witch is leading him where even the bravest men fear, on a chilling trail that winds perilously between mysticism and murder.

    Morton's first two unforgettable novels in one volume: The House at Riverton plus The Forgotten Garden.