These encounters and many more make up a tale of comic and cosmic proportions that has Difool fighting for not only his very survival, but also the survival of the entire universe.

    they love each other.19th-century London. She is the lovely daughter of renowned Egyptologist Porfessor Bowell, he the dashing mummy Imhotep IV, owned by the professor and awake for the first time in thirty centuries. They stroll through London arm-in-arm and find their way into an abiding love, but everything seems to be getting in the way of it. Murder, adventure, mystery kidnapping, Queen Victoria tossed into the Thames—what more could you ask for? And yes, love conquers all in this rare gem from two of the most inspired graphic creators of our time.

    Mother, Come Home is Hornschemeier's graphic novel debut—the quietly stunning tale of a father and son struggling, by varying degrees of escapism and fantasy, to come to terms with the death of the family's mother. The story seamlessly weaves through the surreal and the painfully factual, guided by the careful, somber colors and inventive pacing unique to Hornschmeier's storytelling. Mother, Come Home extracts almost tangible drama from the most tranquil of moments, making that which is unspoken in each panel easily audible, and almost uncomfortably experienced.

    Her only outlet is the ancient martial art of hapkido, and she's on the verge of winning a championship--until she falls for surfer boy Adam. Older teens.

    With masterful economy worthy of Charles Schultz, Lat recounts the life of Mat, a Muslim boy growing up in rural Malaysia in the 1950s: his adventures and mischief-making, fishing trips, religious study, and work on his family's rubber plantation. Meanwhile, the traditional way of life in his village (or kampung) is steadily disappearing, with tin mines and factory jobs gradually replacing family farms and rubber small-holders. When Mat himself leaves for boarding school, he can only hope that his familiar kampung will still be there when he returns. Kampung Boy is hilarious and affectionate, with brilliant, super-expressive artwork that opens a window into a world that has now nearly vanished.

    She is friendless--an outcast--because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. Through her work on an art project, she is finally able to face what really happened that night: She was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her.

    She lost her job. And her apartment. In the same day. But it's okay, her friend has a cozy storage unit she can crash in. And there's bound to be career opportunities at the neighborhood laundromat— just look how fast that 12-year-old who runs the place made it to management! Plus, there's this sweet guy at the community center, and maybe Penny can even have a conversation with him without being a total dork. Surely Penny is a capable of becoming an actual responsible adult, and if she can do that her luck’s bound to change! Right?

    People keep dying mysteriously, local band The Crotchmen rock the nights away, teenage palm readers have lines out the door, and Ben Schiller is doing her best to get through all the weirdness until... what?

    Rebelling against her abusive father and teachers who routinely beat her, 16-year-old Pearl smokes, slacks off at school, and runs with the bad-girls crowd. Yet her situation is well-adjusted compared to her fellow delinquents, especially her best friend, Jeong-Ae, who survives in chaotic poverty and is already dabbling in sex work. Pearl and Jeong-Ae run away together, try to get work in a hostess bar, and share a seedy motel room. When they’re finally forced to give up, only Pearl has a home, however unhappy, left to go back to. Reflecting as a comfortable, mostly happy adult, she can barely believe she escaped her hometown: “Even now I feel relieved when I realize I don’t have to get a beating,” Pearl marvels. Yet for all its bleak moments, the book has a tender warmth. Ancco evokes the confused excitement of adolescence: realizing adults can’t be relied on, standing up for yourself, trusting in friendship. In sharp, kinetic charcoal lines that seem in constant danger of toppling off the page, she renders a hostile world of monotone classrooms shadowy alleys, Oppa lovers, and the defiant girls who stand out from the crowd. Stunning in its stark look at child abuse, and empathy for its characters, Ancco’s artfully told story grabs the reader’s attention and never lets go.

    Join princess Aurora and her friends as they journey to civilization's heart of darkness in a bleak allegory about surviving the human experience.  The sweet faces and bright leaves of Kerascoët’s delicate watercolors serve to highlight the evil that dwells beneath Vehlmann's story as pettiness, greed, and jealousy take over. Beautiful Darkness is a harrowing look behind the routine politeness and meaningless kindness of civilized society.

    When the parents announce their divorce, the family comes together at their beach house for a week. Dennis, the eldest son, is having marriage troubles of his own, and searches for clues, trap doors, and secret tunnels. Claire, the middle child, is a single mother with a troubled 16-year-old daughter, Jill. The youngest child, Peter, is a hack filmmaker suffering from paralyzing insecurities who establishes an unorthodox romance with a mysterious day care counselor at the beach.

    Tina M., sophomore, is a wry observer of the cliques and mores of Yarborough Academy, and of the foibles of her Southern California intellectual Indian family. She's on a first-name basis with Jean-Paul Sartre, the result of an English honors class assignment to keep an “existential diary.” Keshni Kashyap’s compulsively readable graphic novel packs in existential high school drama—from Tina getting dumped by her smart-girl ally to a kiss on the mouth (Tina’s mouth, but not technically her first kiss) from a cute skateboarder, Neil Strumminger. And it memorably answers the pressing question: Can an English honors assignment be one fifteen-year-old girl’s path to enlightenment?

    The story about a group of young people navigating adulthood and personal relationships is told with such sympathy and perception that the book was immediately hailed as an important new work.Seven years later, it's clear that Same Difference has won a place among the great literature of the last decade. It stands not only with Fun Home, Persepolis, and American Born Chinese as a lasting graphic novel, but with much of the best fiction of this young century. Derek's distinctive voice as an author, coupled with his clear, crisp, expressive art has made this story a classic. And this classic is now back in print, in a deluxe edition from First Second.

    For the new 2002 definitive softcover edition Brown has designed new layouts for the entire book, using "white" panel backgrounds instead of the black pages of the first edition.

    Lenore: Noogies is a romp into the dark, surreal world of a little dead girl. Featuring stories about limbless cannibals, clock monsters, cursed vampire dolls, taxidermied friends and obssesed would be lover and more fuzzy animal mutilations than should be legal. Lenore is one of the funniest, darkest comic books on the marketplace today.