Stewart's captivating missives from her homestead in Wyoming bring to full life the beauty, isolation, and joys of working the prairie.

    Days later, a young, highly decorated Marine corporal named Frank Kidd learns of Geronimo’s death. Kidd’s real name is Chaco, and he is Geronimo’s nephew. Orphaned at birth, Chaco was toughened by the cruelties of the white man’s Indian school, battle-hardened by guerrilla warfare, and severely wounded in the 1906 Cuban Pacification Campaign. Chaco returns to Fort Sill’s Apache POW camp to find his adoptive mother dying and his sister trapped in a brothel. Long-held secrets are soon revealed: Chaco is the old warrior’s last son, and his father’s final wish was to be buried “in the country that knows my name.” To honor that request, Chaco must rescue his sister and liberate Geronimo’s bones from the Apache Cemetery. During the escape, two white men end up dead. Once an honored hero, now a hunted outlaw, Chaco races west with his sister in a stolen motorcar. As the last Apache warrior, he must pay the price with blood in one of the largest manhunts of the 20th century.

    Caleb Bender and his neighbors are arrested for neglect, with the state ordering the children be placed in an institution. Among them are Caleb's teenage daughter, Rachel, and the boy she has her eye on, Jake Weaver. Romance blooms between the two when Rachel helps Jake escape the children's home.Searching for a place to relocate his family where no such laws apply, Caleb learns there's inexpensive land for sale in Mexico, a place called Paradise Valley. Despite rumors of instability in the wake of the Mexican revolution, the Amish community decides this is their answer. Since it was Caleb's idea, he and his family will be the pioneers. They will send for the others once he's established a foothold and assessed the situation. Caleb's daughters are thrown into turmoil. Rachel doesn't want to leave Jake. Her sister, Emma, who has been courting Levi Mullet, fears her dreams of marriage will be dashed. Miriam has never had a beau and is acutely aware there will be no prospects in Mexico. Once there, they meet Domingo, a young man and guide who takes a liking to Miriam, something her father would never approve. While Paradise Valley is everything they'd hoped it would be, it isn't long before the bandits start giving them trouble, threatening to upset the fledgling Amish settlement, even putting their lives in danger. Thankfully no one has been harmed so far, anyway.

    Working as a supervisor on a production line for planes, Hildy believes she is doing her part to help with the war effort. But troubles at home, with her dependent and overly-protective mother, make it harder for her to findhappiness as she hides her relationship with an American GI.Meanwhile, Cora has lost both her parents in the Blitz and is still reeling from the devastating loss. Along with her friend, Belle, the two young women turn to the dark streets of Southampton to work on the game, wishing to raise enough money for a new beginning elsewhere and put their pasts behind them.For all three women, the war provides challenges and hardships that they will only emerge from by maintaining courage, strength and, above all, hope.

    Or the "Phantom of Fine Hall," a figure many students had seen shuffling around the corridors of the math and physics building wearing purple sneakers and writing numerology treatises on the blackboards. The Phantom was John Nash, one of the most brilliant mathematicians of his generation, who had spiraled into schizophrenia in the 1950s. His most important work had been in game theory, which by the 1980s was underpinning a large part of economics. When the Nobel Prize committee began debating a prize for game theory, Nash's name inevitably came up—only to be dismissed, since the prize clearly could not go to a madman. But in 1994 Nash, in remission from schizophrenia, shared the Nobel Prize in economics for work done some 45 years previously.Economist and journalist Sylvia Nasar has written a biography of Nash that looks at all sides of his life. She gives an intelligent, understandable exposition of his mathematical ideas and a picture of schizophrenia that is evocative but decidedly unromantic. Her story of the machinations behind Nash's Nobel is fascinating and one of very few such accounts available in print (the CIA could learn a thing or two from the Nobel committees).

    Taken in by an aunt bent on ridding herself of this unexpected burden, "Baby" Teegarten plots her escape using the only means at her disposal: a voice that makes church ladies cry and angels take notice. "I'm gonna sing jazz up to New York City," she brags to anybody who'll listen. 'Cept that Big Apple--well, it's an awful long way from that dry patch of earth she used to call home. So when the smoky stages of New Orleans speakeasies give a whistle, offering all kinda shortcuts, Emily soon learns it's the whorehouses and drug joints promising to tickle more than just a young girl's fancy that can dim a spotlight . . . and knowing the wrong people can snuff it out. Jazz Baby just wants to sing--not fight to stay alive.