The dead are walking! Humanity's fragile thread may be reaching its bitter end. Individuals and groups struggle to survive...some at any cost. Will there be anybody left? Or, is this just...The Ugly Beginning?

    For many people, this means an end to their ordinary lives. But for some, it is a chance to begin living again. For one young woman, brought up without her mother and shunned by the community, the invasion brings an opportunity to, at long last, share her side of the story. To an invading soldier, it becomes a search for his one true love, lost years ago. And for a man far from the action, it brings memories of the past flooding into his mind – a woman, a child and a secret never told. A Watermelon, A Fish and a Bible is a breathtaking novel about love, loss, identity and what family really means.

    But the real roots of the enmity between the two nations mystify Washington policymakers, and no promising pathways to peace have emerged. This book traces the shifting relations among Israel, Iran, and the United States from 1948 to the present, uncovering for the first time the details of secret alliances, treacherous acts, and unsavory political maneuverings that have undermined Middle Eastern stability and disrupted U.S. foreign policy initiatives in the region.Trita Parsi, a U.S. foreign policy expert with more than a decade of experience, is the only writer who has had access to senior American, Iranian, and Israeli decision makers. He dissects the complicated triangular relations of their countries, arguing that America’s hope for stability in Iraq and for peace in Israel is futile without a correct understanding of the Israeli-Iranian rivalry.Parsi’s behind-the-scenes revelations about Middle East events will surprise even the most knowledgeable readers: Iran’s prime minister asks Israel to assassinate Khomeini, Israel reaches out to Saddam Hussein after the Gulf War, the United States foils Iran’s plan to withdraw support from Hamas and Hezbollah, and more. This book not only revises our understanding of the Middle East’s recent past, it also spells out a course for the future. In today’s belligerent world, few topics, if any, could be more important.

    Drawn from the first-hand accounts of eyewitnesses, Roy Mottahedeh's account of Islam and politics in revolutionary Iran is widely regarded as one the best records of that turbulent time ever written.

    An incongruous ice-cream van lurches up into the Welsh hills through the hail, pursued by a boy and girl who chase it into their own dark make-believe world, and unfurl in their compelling voices a tale which ultimately breaks out of childhood and echoes across the years.Pigeon is the tragic, occasionally hilarious and ultimately intense story of a childhood friendship and how it's torn apart, a story of guilt, silence and the loss of innocence, and a story about the kind of love which may survive it all.

    Elaine Sciolino updates Persian Mirrors to include coverage of the 2005 presidential election in Iran. As a correspondent for Newsweek and The New York Times, Sciolino has had more experience covering revolutionary Iran than any other American reporter. She was aboard the airplane that took Ayatollah Ruhollah Khomeini to Tehran in 1979 and was there for the revolution, the hostage crisis, the Iran-Iraq war, the rise of President Khatami, the riots of 1999, and the crisis over Iran's nuclear program. In Persian Mirrors, Sciolino takes us into the public and private spaces of Iran, uncovering an alluring and seductive nation where a great battle is raging -- not for control over territory, but for the soul of its people.

    Frenchwomen--particularly those 40 and over--are role models for stylish and gracious living, what the French call l'art de vivre.American-born fashion journalist Tish Jett, who has studied these women for years, shared their beauty secrets in her first book, Forever Chic. Now she explores why Frenchwomen of a certain age are master hostesses and homemakers, expert practioners of les bonnes mani�res as well as everyday elegance, savoir-faire, and as a result, la joie de vivre. Jett explains how to entertain like a Frenchwoman, including a glimpse into the typical French larder from which a delicious meal can be thrown together with ease, to detailed instruction on laying a beautiful table and crafting a perfect cheese plate (did you know that when cutting from a wedge of cheese, slice from the back to the point, which is the heart of the cheese, and as such considered the best part and not to be lopped off so others cannot enjoy it). She explores everyday style and elegance, disclosing how to create that special bien dans sa peau (to feel good about oneself) sensation so coveted by Frenchwomen. Jett also shares the importance of discipline, which goes hand in hand with beauty--a well-ordered closet, be it for clothes or linens, translates to easy everyday elegance. With tips on adjusting your beauty and style regimes seasonally, charmingly packaged with color illustrations, Living Forever Chic is a delightful gift for the Francophile in your life.

    Roberts, who plies him for stories about his exotic origins and culture to feed her own imagination. But like many immigrants, he’s living only half a life. He dreams of the day his beloved wife, Farak, will be able to join him in New York and complete his vision of the American dream. But when she tells him that she is leaving him for another man, Ushman is shattered. He begins to wander aimlessly through the terminals of JFK Airport, imagining a now-impossible reunion with Farak. Unexpectedly, he meets Stella, a Barnard College student who has just bade farewell to her parents en route for an Italian vacation. After Stella, isolated in her own way, finds herself at Ushman’s Manhattan store, they embark on an improbable and powerful romance. Together this American girl from the Deep South and the Iranian aesthete form a tender bond that awakens them both to the possibility of joy in a world full of tragedy.

    Thus began the Iran Hostage Crisis, an affair that captivated the American public for 444 days and marked America's first confrontation with the forces of radical Islam. Using hundreds of recently declassified government documents, historian David Farber takes the first in-depth look at the hostage crisis, examining its lessons for America's contemporary War on Terrorism.Unlike other histories of the subject, Farber's vivid and fast-paced narrative looks beyond the day-to-day circumstances of the crisis, using the events leading up to the ordeal as a means for understanding it. The book paints a portrait of the 1970s in the United States as an era of failed expectations in a nation plagued by uncertainty and anxiety. It reveals an American government ill prepared for the fall of the Shah of Iran and unable to reckon with the Ayatollah Khomeini and his militant Islamic followers.Farber's account is filled with fresh insights regarding the central players in the crisis: Khomeini emerges as an astute strategist, single-mindedly dedicated to creating an Islamic state. The Americans' student-captors appear as less-than-organized youths, having prepared for only a symbolic sit-in with just a three-day supply of food. ABC news chief Roone Arledge, newly installed and eager for ratings, is cited as a critical catalyst in elevating the hostages to cause c�l�bre status.Throughout the book there emerge eerie parallels to the current terrorism crisis. Then as now, Farber demonstrates, politicians failed to grasp the depth of anger that Islamic fundamentalists harbored toward the United States, and Americans dismissed threats from terrorist groups as the crusades of ineffectual madmen. Taken Hostage is a timely and revealing history of America's first engagement with terrorism and Islamic fundamentalism, one that provides a chilling reminder that the past is only prologue.

    Five hundred years after Columbus set off on his remarkable journey, debates about his legacy still rage. Once revered, he’s now frequently held to have been destructive, reckless, and responsible for everything that went wrong in the New World. But scholar Carol Delaney offers a profoundly new evaluation of Columbus and the motivation for his famous voyages.Putting the man back into the context of his times, Delaney shows that it was his abiding religious passion that drove him to petition the Spanish monarchy to support his journey. He and much of society believed that the end of the world was imminent and believed that Jerusalem needed to be back under Christian control before the end of days. Delaney asserts that—contrary to the belief that he sought personal wealth and advancement—Columbus’s mission was to obtain enough gold for the Spanish crown to finance a new crusade to Jerusalem that could regain control of the holy city from the Muslims. Delaney recounts the drama of the four voyages, bringing the challenges vividly to life. She depicts Columbus as a thoughtful interpreter of the native cultures that he and his men encountered, explaining the tragic story of how his initial attempts to establish good relations turned badly sour.Filled with illuminating research (informed by a fascinating stint Delaney spent as a sailor on a tall ship), Columbus and the Quest for Jerusalem offers not an apologist’s take, but a clear-eyed, thought-provoking, and timely reappraisal of the man and his mission.

    Replete with potent symbolism and terrifying surrealistic imagery, Sadegh Hedayat's masterpice details a young man's despair after losing a mysterious lover. And as the author gradually drifts into frenzy and madness, the reader becomes caught in the sandstorm of Hedayat's bleak vision of the human condition. The Blind Owl, which has been translated into many foreign languages, has often been compared to the writing of Edgar Allan Poe.

    Rescued by a behavioral analyst, Zal awakens in New York to the possibility of a future. A stunted and unfit adolescent, he strives to become human as he stumbles toward adulthood. As New York survives one potential disaster, Y2K, and begins hurtling toward another, 9/11, Zal finds himself in a cast of fellow outsiders. A friendship with a famous illusionist who claims—to the Bird Boy's delight—that he can fly and an affair with a disturbed artist who believes she is clairvoyant send Zal's life spiraling into chaos. Like the rest of New York, he is on a collision course with devastation.

    A loving marriage, the raising of four children, and a devotion to social and cultural causes marked her early years as queen, although there were already signs of grave national diversions on the horizon.Twenty years later the dream had turned into a nightmare: demonstrations and riots shook the country, and Farah and the Shah decided to leave in order to avoid bloodshed. With the hardcover publication of An Enduring Love, a New York Times bestseller (extended list) in 2004, Farah Diba, wife of the last emperor of Iran, broke her silence and told the wrenching story of her love for a man and his country. Her compelling memoir offers an intimate view of a time of upheaval, but stands above all as a powerful human document from one whose life was caught up in an epic and tragic national struggle.

    . . absorbing. This finely written book gives us a whole new sense of Iran."--The Washington Post Book WorldWhile doing research in the Iranian village of Deh Koh, Erika Friedl was able to quietly observe and record the cloistered lives of women in one of the strictest of all Muslim societies. In this fascinating book, Friedl recounts these women's personal stories as they relate the strain of their daily activities, their intricate relationships with men, and their hopes, dreams, and fears. Women of Deh Koh is a rare and vivid look at what life is really like for the women of Iran."Her intimate understanding of the life and customs of the village has made her confident about conveying her view from the inside. To share this view with us, and to comment quietly and wisely on the scene, is the striking and illuminating achievement of Women of Deh Koh."--The New York Times Book Review

    This therapeutic theory is founded on the idea that people have many interacting narratives that go into making up their sense of who they are, and that the issues they bring to therapy are not restricted to (or sited within) the clients themselves, but rather are influenced and shaped by cultural discourses about identity and power.