ONE IMPOSSIBLE MISSION. A LEGEND IN THE MAKING.A warrior with nothing to fight for is paired with a thieving assassin with nothing to lose. Together they must steal a treasure that no one can reach. The Crown Tower is the impregnable remains of the grandest fortress ever built and home to the realm’s most valuable possessions. But it isn’t gold or jewels the old wizard is after, and this prize can only be obtained by the combined talents of two remarkable men. Now if Arcadius can just keep Hadrian and Royce from killing each other, they just might succeed.The Riyria Revelations and The Riyria Chronicles are two separate, but related series, and you can start reading with either Theft of Swords (publication order) or The Crown Tower (chronological order).

    Fiery 16-year-old Elaine of Ascolat, the daughter of one of King Arthur's supporters, lives with her father on Arthur's base camp, the sole girl in a militaristic world of men. Elaine's only girl companion is the mysterious Morgan, Arthur's older sister, but Elaine cannot tell Morgan her deepest secret: She is in love with Lancelot, Arthur's second-in-command. However, when yet another girl -- the lovely Gwynivere-- joins their world, Elaine is confronted with startling emotions of jealousy and rivalry. But can her love for Lancelot survive the birth of an empire?

    T. Anderson turns to Arthurian lore, with captivating art by Andrea Offermann bringing the classic legend to life.Eager for glory and heedless of others, Sir Yvain sets out from King Arthur’s court and defeats a local lord in battle, unknowingly intertwining his future with the lives of two compelling women: Lady Laudine, the beautiful widow of the fallen lord, and her sly maid Lunette. In a stunning visual interpretation of a 12th century epic poem by Chrétien de Troyes, readers are — at first glance — transported into a classic Arthurian romance complete with errant knights, plundering giants, and fire-breathing dragons. A closer look, however, reveals a world rich with unspoken emotion. Striking, evocative art by Andrea Offermann sheds light upon the inner lives of medieval women and the consequences Yvain’s oblivious actions have upon Laudine and Lunette. Renowned author M. T. Anderson embraces a new form with a sophisticated graphic novel that challenges Yvain’s role as hero, delves into the honesty and anguish of love, and asks just how fundamentally the true self can really change.

    Her body was a masterpiece all men desired, her face a monstrosity that must go masked. Warrior, witch, goddess and slave, she was doomed to travel through a world of barbaric splendour, helped and betrayed by her lovers, searching for escape from the taint of her forgotten race, and the malice of the demon that haunted her.

    Someone else though wants her dead! With the help of ex-SAS bodyguard Eddie Chase and beautiful heiress Kari Frost, Nina faces a breakneck race against time around the world, pursued at every step by agents of the mysterious - and murderous - Brotherhood of Selasphoros. From the jungles of Brazil to the mountains of Tibet, from the streets of Manhattan to the depths of the Atlantic Ocean, the hunt for Atlantis leads to a secret hidden for 11,000 years - which in the wrong hands could destroy civilization as we know it...

    This first installment of a trilogy describes Arthur's education by Merlynn, his gathering of followers to campaign against theocratic tyranny in his homeland of Keltia and his turbulent, jealous relationship with cousin Gweniver.

    Numbly, he makes his way back home. On the plane, he encounters the enigmatic Mr Wednesday, who claims to be a refugee from a distant war, a former god and the king of America. Together they embark on a profoundly strange journey across the heart of the USA, whilst all around them a storm of preternatural and epic proportions threatens to break.Scary, gripping and deeply unsettling, American Gods takes a long, hard look into the soul of America. You'll be surprised by what - and who - it finds there...

    Convinced that a new age of magic is about to begin in the wake of the nuclear holocaust, a young resurrected Merlin and two friends set out to bring King Arthur back to the land.

    Brimming with ballads, riddles, and magical transformations, here is the timeless tale of a charismatic bard whose talents earn him a two-edged otherworldly gift.A minstrel lives by his words, his tunes, and sometimes by his lies. But when the bold and gifted young Thomas the Rhymer awakens the desire of the powerful Queen of Elfland, he finds that words are not enough to keep him from his fate. As the Queen sweeps him far from the people he has known and loved into her realm of magic, opulence—and captivity—he learns at last what it is to be truly human. When he returns to his home with the Queen’s parting gift, his great task will be to seek out the girl he loved and wronged, and offer her at last the tongue that cannot lie.

    Journalist Edward Malone, rejected by the woman he loves because he is too prosaic, decides to go in search of adventure and fame to prove himself worthy of her. Soon after, he meets Professor George Challenger, a scientist who claims to have discovered a 'lost world' populated by pterodactyls and other prehistoric monsters.

    The stirring tales of these chivalrous knights awaken the reader's admiration for courage and gentleness and high sense of honor essential in all ages. Suitable for ages 9 and up.

    The bonfire is a part of history, but the princess is a part of legend."Tristan and Isot, Tristram and Isolde, Essyllt and Drust, Yseult and Drystan: the spellings have changed, but they have always been lovers - the greatest lovers the world has ever known. Most accounts of their story have begun with the man."This one begins with the woman."- From YSEULT For the price of a truce, Yseult is sent to a world where magic is dying - to marry the father of the man she loves. Marcus's son Drystan would have saved her from a loveless marriage, but with her relatives being held hostage, Yseult cannot endanger them and must go through with the wedding. The tragic love story of Yseult and Drystan plays out against the backdrop of a violent world threatening to descend into the Dark Ages - only Arthur's battles to push back the Saxon hordes can save what is left of civilization. With her background, Yseult could act as a bridge between the old age and the new - but will the price be too high?

    R. Martin’s magnificent cycle of novels that includes A Clash of Kings and A Storm of Swords. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R. R. Martin’s stunning series is destined to stand as one of the great achievements of imaginative fiction.A GAME OF THRONESLong ago, in a time forgotten, a preternatural event threw the seasons out of balance. In a land where summers can last decades and winters a lifetime, trouble is brewing. The cold is returning, and in the frozen wastes to the north of Winterfell, sinister and supernatural forces are massing beyond the kingdom’s protective Wall. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the land they were born to. Sweeping from a land of brutal cold to a distant summertime kingdom of epicurean plenty, here is a tale of lords and ladies, soldiers and sorcerers, assassins and bastards, who come together in a time of grim omens.Here an enigmatic band of warriors bear swords of no human metal; a tribe of fierce wildlings carry men off into madness; a cruel young dragon prince barters his sister to win back his throne; and a determined woman undertakes the most treacherous of journeys. Amid plots and counterplots, tragedy and betrayal, victory and terror, the fate of the Starks, their allies, and their enemies hangs perilously in the balance, as each endeavors to win that deadliest of conflicts: the game of thrones.source: georgerrmartin.com

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    Then there was Sinbad the porter, a man of humbler origins, with ambitions beyond his means and a yearning to be an accountant.But Sinbad the sailor had financial problems which explains why he had to keep putting out to sea even though each experience was worse than the last. And he was never completely honest in his accounts of his adventures, omitting embarrassing incidents and ever-so-slightly exaggerating the importance of others. All of which, of course, would return to haunt him in later years. Sinbad the porter's ambitions served him in good stead when he set out on an eight and final voyage, attempting to correct the errors his namesake had caused in earlier journeys, not to mention restoring the sailor to his original size. He would have thought twice if he had known he would encounter the dangerously greedy two-headed cyclops, the lecherous pirate queen of the apes, the valley of the talking figs, Sam Ifrit and his All-Genie Orchestra, not to mention the dread Izzat, the fabled form from which even the giant Rukh flies in fear, and the perplexing problem of He-Who-Must-Be-Ignored...