These are familiar ingredients for a Gothic novel, but something far more strange and disconcerting is taking place within the walls of Malpertuis as the relatives gather for the impending death of Uncle Cassave. The techniques of H. P. Lovecraft, when transplanted into the suffocating Catholic context of a Belgium scarred by the inquisition, produce in Jean Ray's masterpiece a story of monumental intensity from which events of startling ferocity break the surface - without ever lessening the suspense of the tale's approaching apocalyptic denouement.

    In To Walk the Night, Bark Jones and his college buddy Jerry Lister, a science whiz, head back to their alma mater to visit a cherished professor of astronomy. They discover his body, consumed by fire, in his laboratory, and an uncannily beautiful young widow in his house—but nothing compares to the revelation that Jerry and Bark encounter in the deserts of Arizona at the end of the book. In The Edge of Running Water, Julian Blair, a brilliant electrophysicist, has retired to a small town in remotest Maine after the death of his wife. His latest experiments threaten to shake up the town, not to mention the universe itself.

    A man searches for his missing sister, while taking part in brutal modern-day gladiator fights and encountering cosmic horror on a grand scale.

    Called Makt Myrkranna (literally, “Powers of Darkness”), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker’s preface to the book. However, no one looked beyond the preface and deeper into Ásmundsson’s story.In 2014, literary researcher Hans de Roos dove into the full text of Makt Myrkranna, only to discover that Ásmundsson hadn’t merely translated Dracula but had penned an entirely new version of the story, with all new characters and a totally re-worked plot. The resulting narrative is one that is shorter, punchier, more erotic, and perhaps even more suspenseful than Stoker’s Dracula. Incredibly, Makt Myrkranna has never been translated or even read outside of Iceland until now.Powers of Darkness presents the first ever translation into English of Stoker and Ásmundsson’s Makt Myrkranna. With marginal annotations by de Roos providing readers with fascinating historical, cultural, and literary context; a foreword by Dacre Stoker, Bram Stoker’s great-grandnephew and bestselling author; and an afterword by Dracula scholar John Edgar Browning, Powers of Darkness will amaze and entertain legions of fans of Gothic literature, horror, and vampire fiction.

    The entire decade of the 1970s loops ad infinitum. In Scarfolk children must not be seen OR heard, and everyone has to be in bed by 8 p.m. because they are perpetually running a slight fever..."Part-comedy, part-horror, part-satire, Discovering Scarfolk is the surreal account of a family trapped in the town. Through public information posters, news reports, books, tourist brochures and other ephermera, we learn about the darker side of childhood, school and society in Scarfolk. A massive cult hit online, Scarfolk re-creates with shiver-inducing accuracy and humour our most nightmarish childhood memories. FOR MORE INFORMATION PLEASE RE-READ.

    There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again.Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?

    Charbuque tells the story of portraitist Piero Piambo, who is offered a commission unlike any other. The client is Mrs. Charbuque, a wealthy and elusive woman who asks Piambo to paint her portrait, though with one bizarre twist: he may question her at length on any topic, but he may not, under any circumstances, see her. So begins an astonishing journey into Mrs. Charbuque's world and the world of 1893 New York society in this hypnotically compelling literary thriller.

    From acclaimed director Guillermo del Toro.

    In this spellbinding novel of idyllic childhoods torn apart by the blossoming terror of child pitted against child, Tryon spins a tale of the hidden horrors that lurk behind children's innocence, and an inevitable explosion of evil.

    As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared.An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever.Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.

    A little girl called Mirror and her shape-shifting guardian Goliath Honeyflower are washed up on the shores of Victorian England. Something has been wrong with Mirror since the day her grandfather locked her inside a mysterious clock that was painted all over with ladybirds. Mirror does not know what she is, but she knows she is no longer human. John Loveheart, meanwhile, was not born wicked. But after the sinister death of his parents, he was taken by Mr. Fingers, the demon lord of the underworld. Some say he is mad. John would be inclined to agree. Now Mr Fingers is determined to find the little girl called Mirror, whose flesh he intends to eat, and whose soul is the key to his eternal reign. And John Loveheart has been called by his otherworldly father to help him track Mirror down...

    300 copies. (Out of print).Reality is a thin translucent membrane that separates this world from the one beyond, and that membrane bends and buckles as we thrust ourselves against it. Through the barrier we see distorted visions, the merest glimpse of which is enough to infect our minds. . . . Thirteen tales of strangeness and surrealism await the reader of this book; stories of loss, despair, and what happens when those without hope meet that which they cannot understand. Two women vacationing far away encounter the mysteries of island life. . . . A trip north of the city to woods and a lake and a sky hungry for more. . . . Snow is falling, reminding the dying of all they've lost, or the young of all they have yet to lose. . . . The other world, it awaits you in the dark, cold to the touch. Contents: 'Under the Overpass', 'The Other Village', 'The Uninvited Guest', 'A Seed on Barren Ground', 'Writing on the Wall', 'A Chorus of Yesterdays', 'The Sweetest Song', 'Pinholes in Black Muslin', 'Fading Light', 'Poor Stephanie', 'Like Falling Snow', 'Here’s to the Good Life', 'Cold to the Touch, and 'Afterword'.

    The tiny village of Ulewic teeters between survival and destruction, faith and doubt, God and demons. For shadowing the villagers’ lives are men cloaked in masks and secrecy, ruling with violence, intimidation, and terrifying fiery rites: the Owl Masters. But another force is touching Ulewic—a newly formed community built and served only by women. Called a beguinage, it is a safe harbor of service and faith in defiance of the all-powerful Church. Behind the walls of this sanctuary, women have gathered from all walks of life: a skilled physician, a towering former prostitute, a cook, a local convert. But life in Ulewic is growing more dangerous with each passing day. The women are the subject of rumors, envy, scorn, and fury…until the daughter of Ulewic’s most powerful man is cast out of her home and accepted into the beguinage—and battle lines are drawn.Into this drama are swept innocents and conspirators: a parish priest trying to save himself from his own sins…a village teenager, pregnant and terrified…a woman once on the verge of sainthood, now cast out of the Church.…With Ulewic ravaged by flood and disease, and with villagers driven by fear, a secret inside the beguinage will draw the desperate and the depraved—until masks are dropped, faith is tested…and every lie is exposed.*New York Times Book Review**Marie Claire

    Make way for Charlie Smithers.The time is the nineteenth century. The place, the Serengeti Plain, where one Charlie Smithers – faithful manservant to the arrogant bone-head, Lord Brampton (with five lines in Debrett, and a hopeless shot to boot) – becomes separated from his master during an unfortunate episode with an angry rhinoceros, thereby launching Charlie on an odyssey into Deepest Darkest Africa, and subsequently into the arms of the beautiful Loiyan…and that’s where the trouble really begins.Maasai warriors, xenophobic locals, or evil Arab slavers, the two forbidden lovers encounter everything that the unforgiving jungle can throw at them."A truly engaging read that will keep anyone’s attention from the hilarious beginning until the last word. I highly recommend this 5 star novel." ~ Chapters & Chats

    Opening the flaps on this unique little book, readers will find themselves immersed in the strange world of best-selling Haruki Murakami's wild imagination.The story of a lonely boy, a mysterious girl, and a tormented sheep man plotting their escape from a nightmarish library, the book is like nothing else Murakami has written. Designed by Chip Kidd and fully illustrated in full color throughout, this small format, 96-page volume is a treat for book lovers of all ages.