The book is a prelude to the Rwandan genocide and unfolds behind the closed doors of the school, in the interminable rainy season. Friendships, desires, hatred, political fights, incitation to racial violence, persecutions... The school soon becomes a fascinating existential microcosm of the true 1970s Rwanda.

    Elimane, the bookworm, is as street-smart as he is wise. Clever Khoudiemata maneuvers to keep the younger kids—athletic, pragmatic Ndevui; thoughtful Kpindi; and especially their newest member, Namsa—safe and fed. When Elimane makes himself of service to the shadowy William Handkerchief, it seems as if the little family may be able to keep the world at bay and their household intact. But when Khoudi comes under the spell of the “beautiful people”—the fortunate sons and daughters of the powerful—the desire to resume an interrupted coming of age and follow her own destiny proves impossible to resist.A profound and tender portrayal of the connections we forge to survive the fate we’re dealt, Little Family marks the further blossoming of a unique global voice.

    A rising homeowner set to banish all the old ways for the promise of the new, Francis was having none of it. He and his wife worked hard to secure that house, to move up from Arkansas to Detroit, to make this life possible. He would not be haunted by the past.And so a myth was born, where any one of the Turners might later repeat that phrase and be telling about so much more than haints.The Turners live on Yarrow Street for over fifty years. Their house sees thirteen children get grown and gone—and some return; it sees the arrival of grandchildren, the fall of Detroit's East Side, and the loss of a father. Despite abandoned lots, an embattled city, and the inevitable shift outward to the suburbs, the house still stands. But now, as their powerful mother falls ill and loses her independence, the Turners might lose their family home. Beset by time and a national crisis, the house is worth just a tenth of its mortgage. The Turner children are called back to decide its fate and to reckon with how each of their pasts might haunt—and shape—their family's future.A major contribution to the literature on American families, The Turner House brings us a colorful brood full of love, pride, and unlikely inheritances. It's a striking examination of the American dream and a celebration of the ways in which our families bring us home.

    At the center: a woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life; but which caused her light-skinned mother to deny her even the simplest forms of love until she told a lie that ruined the life of an innocent woman, a lie whose reverberations refuse to diminish ... Booker, the man Bride loves and loses, whose core of anger was born in the wake of the childhood murder of his beloved brother ... Rain, the mysterious white child, who finds in Bride the only person she can talk to about the abuse she's suffered at the hands of her prostitute mother ... and Sweetness, Bride's mother, who takes a lifetime to understand that "what you do to children matters. And they might never forget."

    Society's retribution for her act of defiance - death - she welcomes as the only way she can finally be free.

    The Swarts are gathering for Ma's funeral. The younger generation, Anton and Amor, detest everything the family stand for -- not least the failed promise to the Black woman who has worked for them her whole life. After years of service, Salome was promised her own house, her own land... yet somehow, as each decade passes, that promise remains unfulfilled.The narrator's eye shifts and blinks: moving fluidly between characters, flying into their dreams; deliciously lethal in its observation. And as the country moves from old deep divisions to its new so-called fairer society, the lost promise of more than just one family hovers behind the novel's title.In this story of a diminished family, sharp and tender emotional truths hit home. Confident, deft and quietly powerful, The Promise is literary fiction at its finest.

    They have only one desire: to make a fortune by exploiting the mineral wealths of the country. They work during the day in mining concession and, as soon as night falls, they go out to get drunk, dance, eat and abandon themselves in Tram 83, the only night-club of the city, the den of all the outlaws: ex children-soldiers, prostitutes, blank students, unmarried mothers, sorcerers' apprentices …Lucien, a professional writer, fleeing the exactions and the censorship, finds refuge in the city thanks to Requiem, a youth friend. Requiem lives mainly on theft and on swindle while Lucien only thinks of writing and living honestly. Around them gravitate gangsters and young girls, retired or runaway men, profit-seeking tourists and federal agents of a non-existent State.Tram 83 plunges the reader into the atmosphere of a gold rush as cynical as, sometimes, comic and colorfully exotic. It's an observation of human relationships in a world that has become a global village. It could be described as an African-rap or rhapsody novel or puzzle-novel hammered by rhythms of jazz.

    Just as Clarisse’s husband and daughter know nothing of Ladivine, Clarisse herself has hidden nearly every aspect of her adult life from this woman, whom she dreads and despises but also pities. Long ago abandoned by Clarisse’s father, Ladivine works as a housecleaner and has no one but her daughter, whom she knows as Malinka. After more than twenty-five years of this deception, the idyllic middle-class existence Clarisse has built from scratch can no longer survive inside the walls she’s put up to protect it. Her untold anguish leaves her cold and guarded, her loved ones forever trapped outside, looking in. When her husband, Richard, finally leaves her, Clarisse finds comfort in the embrace of a volatile local man, Freddy Moliger. With Freddy, she finally feels reconciled to, or at least at ease with, her true self. But this peace comes at a terrible price. Clarisse will be brutally murdered, and it will be left to her now-grown daughter, who also bears the name Ladivine without knowing why, to work out who her mother was and what happened to her.A mesmerizing and heart-stopping psychological tale of a trauma that ensnares three generations of women, Ladivine proves Marie NDiaye to be one of Europe’s great storytellers.

    The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues at work, where she never quite feels at ease, she has girl friends, guy friends, and "him," a shadow who both consoles and unsettles her. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change. This is the first novel she has written in Italian and translated into English. It brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement.

    When a political refugee from South Africa joins forces with an English agricultural expert, the time-honoured subsistence-farming method and old ways of life are challenged.

    Khumalo’s salon, and she is secure in her status until the handsome, smooth-talking Dumisani shows up one day for work. Despite her resistance, the two become friends, and eventually, Vimbai becomes Dumisani’s landlady. He is as charming as he is deft with the scissors, and Vimbai finds that he means more and more to her. Yet, by novel’s end, the pair’s deepening friendship—used or embraced by Dumisani and Vimbai with different futures in mind—collapses in unexpected brutality.The novel is an acute portrayal of a rapidly changing Zimbabwe. In addition to Vimbai and Dumisani’s personal development, the book shows us how social concerns shape the lives of everyday people.

    PT Sir is an opportunistic gym teacher who hitches his aspirations to a right-wing political party, and finds that his own ascent becomes linked to Jivan's fall. Lovely--an irresistible outcast whose exuberant voice and dreams of glory fill the novel with warmth and hope and humor--has the alibi that can set Jivan free, but it will cost her everything she holds dear.Taut, symphonic, propulsive, and riveting from its opening lines, A Burning has the force of an epic while being so masterfully compressed it can be read in a single sitting. Majumdar writes with dazzling assurance at a breakneck pace on complex themes that read here as the components of a thriller: class, fate, corruption, justice, and what it feels like to face profound obstacles and yet nurture big dreams in a country spinning toward extremism. An extraordinary debut.

    And it’s about to change the lives of everyone around him. Stanford Solomon is actually Abel Paisley, a man who faked his own death and stole the identity of his best friend. And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead. These Ghosts Are Family revolves around the consequences of Abel’s decision and tells the story of the Paisley family from colonial Jamaica to present day Harlem. There is Vera, whose widowhood forced her into the role of single mother. There are two daughters and a granddaughter who have never known they are related. And there are others, like the house boy who loved Vera, whose lives might have taken different courses if not for Abel Paisley’s actions. These Ghosts Are Family explores the ways each character wrestles with their ghosts and struggles to forge independent identities outside of the family and their trauma. The result is an engrossing portrait of a family and individuals caught in the sweep of history, slavery, migration, and the more personal dramas of infidelity, lost love, and regret. This electric and luminous family saga announces the arrival of a new American talent.

    Drawing on the West African (Nigeria) Yoruba oral folktale tradition, Tutuola described the odyssey of a devoted palm-wine drinker through a nightmare of fantastic adventure. Since then, The Palm-Wine Drinkard has been translated into more than 15 languages and has come to be regarded as a masterwork of one of Africa's most influential writers.

    She lives in a small town in Ghana with her widowed mother, spending much of her time in her uncle Pious’s house with his many wives and children. Then one day she is offered a life-changing opportunity—a proposal of marriage from the wealthy family of Elikem Ganyo, a man she doesn’t truly know. She acquiesces, but soon realizes that Elikem is not quite the catch he seemed. He sends a stand-in to his own wedding, and only weeks after Afi is married and installed in a plush apartment in the capital city of Accra does she meet her new husband. It turns out that he is in love with another woman, whom his family disapproves of; Afi is supposed to win him back on their behalf. But it is Accra that eventually wins Afi’s heart and gives her a life of independence that she never could have imagined for herself.A brilliant scholar and a fierce advocate for women’s rights, author Peace Adzo Medie infuses her debut novel with intelligence and humor. For readers of Chimamanda Ngozi Adichie and Candice Carty-Williams, His Only Wife is the story of an indomitable and relatable heroine that illuminates what it means to be a woman in a rapidly changing world.