J. Caruso, and starring Alex Pettyfer, Timothy Olyphant, Teresa Palmer, Dianna Agron, Kevin Durand and Callan McAuliffe. The film is based on the novel I Am Number Four, the first book in a planned six-book series written by authors Jobie Hughes and James Frey and published by HarperCollins. The screenplay was adapted by Al Gough and Miles Millar, and Michael Bay and Steven Spielberg are producing the film through DreamWorks Studios. The Hollywood Reporter projected the budget to be between $50 and $60 million for the film; a February 18, 2011 release date is scheduled.

    But when her fiancé, James Donato, vanishes in a boating accident, her well-baked future is swept out to sea. Instead of walking down the aisle on their wedding day, Aimee is at James’s funeral—a funeral that leaves her more unsettled than at peace.As Aimee struggles to reconstruct her life, she delves deeper into James’s disappearance. What she uncovers is an ocean of secrets that make her question everything about the life they built together. And just below the surface is a truth that may set Aimee free…or shatter her forever.

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    They share walks, meals, wine, and dangerous memories. Includes 11 page reader's guide for literature teachers and students.

    

    

    Her desperate measures to create a 'normal' life can only wreak terrible consequences. How will Lucy's story ultimately play out? A psychological suspense novel for readers of books like 'I Let You Go' and 'Gone Girl.'

    The waters rose, submerging New York City. But the residents adapted and it remained the bustling, vibrant metropolis it had always been. Though changed forever.Every street became a canal. Every skyscraper an island.Through the eyes of the varied inhabitants of one building, Kim Stanley Robinson shows us how one of our great cities will change with the rising tides.And how we too will change.

    She is due to get married to a man she doesn't love, her job is dragging her down, and her interfering mother is getting on her nerves. So she escapes to the one place she know her mother won't follow her—to her aunt's house in rural Ireland. Once there, she uncovers a dark family secret—and a future she never knew she might have. Meanwhile, Caitlin Macausland is mourning the future she can never have. She died tragically in what the village thinks is suspicious circumstances, and now she is stuck in a limbo, unable to move on.And between the two of them is an old lighthouse—the scene of so much tragedy. Can each woman find the peace she so desperately longs for? And can they find the way to live again?

    Now the award-winning author delivers a heartrending story about mothers and daughters doing their best to negotiate the distance between freedom and love. Jennifer's mother, Rose, belongs in a home. At least that's what everyone else thinks. But Jennifer has walked away from her mother too many times already, and this is one duty she intends to fulfill herself. So she takes a leave of absence from her job and invites Rose to live with her and her family. Jennifer's teenage daughter and new husband can hardly tolerate Rose and her short temper, but Jennifer is desperate to know about the memories drifting in and out of her mother's reach, sometimes comforting her, sometimes tormenting her. Jennifer longs to use these memories to help rebuild her mother's life--to remind herself, and her mother, what went wrong, so she can ask for forgiveness--or is it the other way around?

    She is promised a nicely furnished apartment inside the Unit, where she will make new friends, enjoy the state of the art recreation facilities, and live the few remaining days of her life in comfort with people who are just like her. Here, women over the age of fifty and men over sixty-single, childless, and without jobs in progressive industries--are sequestered for their final few years; they are considered outsiders.In the Unit they are expected to contribute themselves for drug and psychological testing, and ultimately donate their organs, little by little, until the final donation. Despite the ruthless nature of this practice, the ethos of this near-future society and the Unit is to take care of others, and Dorrit finds herself living under very pleasant conditions: well-housed, well-fed, and well-attended. She is resigned to her fate and discovers her days there to be rather consoling and peaceful.But when she meets a man inside the Unit and falls in love, the extraordinary becomes a reality and life suddenly turns unbearable. Dorrit is faced with compliance or escape, and...well, then what?

    She visited China for the first time in 1987 and found it just as her mother had said: "As soon as my feet touched China, I became Chinese".

    

     Alone, desperate, with only three days to live, Ray is a man with not one, but several missions: to save the life of his girlfriend who has been kidnapped by the security services; to prevent a terrorist cyber attack destroying London; to save the Middle East peace process; and to bring one of the most powerful men in the world to justice for the savage killing of an apparently innocent woman, a murder certain powerful people in the British Government are determined to cover up at all costs. Only Ray can stop them all. But as the clock starts to tick, he discovers that nothing is as it seems. Who is the real enemy? And who can he trust? Unless he finds out soon, will Ray’s luck finally run out? Please note: This is BOOK TWO of a Two Part Series.

     She has the soft, rosy cheeks. She even has that adorable smile. DO NOT BE FOOLED. Underneath is something else. Something evil. Something that does not belong in this world. And Oscar has no idea...