This autobiography is the story of his descent into madness and his attempts to find his way out again.

    By the author of 'The Deal'.

    The embarrassment is palatable, but perseverance is the most touching part of these stories. These awful things that happened don't interrupt the dream. The dream of performing and stardom. The dream of connecting with an audience. No Encore! is a glimpse into the analog past; a trip to a distant world when artists made albums and suites of songs you listened in order." —Bret Easton Ellis   “They hated us and started throwing cups, bottles, change, chairs, and anything that wasn’t nailed down.” —Dean Ween This hilarious, sometimes horrifying, collection spans four decades and chronicles the craziest, druggiest, and most embarrassing concert moments in music history—direct from the artists who survived them.  “In the midst of my insanity, I thought it would be a very romantic gesture to go into Fiona Apple’s dressing room and write a message on her wall in my own blood.” —Dave Navarro From wardrobe malfunctions to equipment failures, from bad decisions to even worse choices, this is a riveting look into what happens when things go wrong onstage and off. “Ozzy had a sixty-inch teleprompter with the song lyrics, and that got stolen, along with microphones, snare drums and cymbals. Our drummer at the time was stabbing people in the neck with his drumstick.” —Zakk Wylde No Encore! is an unflinchingly honest account of the shows that tested the dedication to a dream—from Alice Cooper’s python having a violent, gastric malfunction on stage to Lou Barlow’s disastrous attempt to sober up at Glastonbury, from Shirley Manson’s desperate search for a bathroom to the extraordinary effort made to awaken Al Jourgenson as Ministry was taking the stage. As Hunter S. Thompson famously wrote, “Buy the ticket, take the ride.”  “I go to exit the venue, and there’s 25 people marching towards us. It’s about 3:00 AM, and they weren’t there to be nice. They were carrying bats, boards, chains, hammers, and they were coming for us.” —Dee Snider

    They include a special reader's letter from Karen explaining how the darkness in these stories became more than she could bear and prompted a dramatic career change to write Life-Changing Fiction.Final Vows: When Carol Montecalvo began writing to a man in prison through a program at her church, she considered it her Christian duty. But these letters soon became her lifeline as she fell in love with Dan, the man behind the letters. In Final Vows, Karen Kingsbury chronicles a couple’s unlikely romance and marriage, and what led to Carol's bloody death on her kitchen floor. It seems her husband has obvious motives for murder. But is this former felon really guilty? Or could he actually be a grieving widower, in the wrong place at the wrong time, showing the wrong type of emotions when faced with his wife's lifeless body?Deadly Pretender: CIA Agent. Business Owner. Lobbyist. Bigamist. David Miller was the envy of both friend and foe, with a dream job and perfect family. He seemed to have it all. But he wanted more. One family wasn't enough: he wanted two. Two careers weren't enough; he invented a third. He juggled it all quite well . . . until the day his two wives found out about each other. David Miller groped for ways to hold on to his finances and reputation. His solution? Murder. But it had to be done right, leaving him off the list of suspects.The Snake and the Spider: Florida. Spring Break. Words that evoke excited anticipation for young adults . . . and extreme angst for their parents. But the parents of best friends Daryl Barber and James Boucher were confident their sons could be trusted to spend a week in the sun without them. As they all waved goodbye, no one imagined it would be the last time they'd see each other alive. When the boys missed their agreed-upon daily check-ins, both sets of parents were disappointed. When the boys failed to come home on their planned return date, both sets of parents were furious. And when it was clear the boys had vanished without a trace, both sets of parents were terrified.Missy’s Murder: On an October day, teenager Missy Avila was lured into the woods, beaten, tortured, and drowned. Missy's best friend, Karen, publicly vows to find the killer and even moves in with Missy's family to help. No one could have guessed what would happen next. Missy's Murder is a shocking tale of how jealousy can drive people to acts of great evil.

    Her parents have died, her food is dwindling and the rent is due. When a stranger arrives bearing a note from an uncle, inviting Katka to join him and his wife in America, she leaves all that she has held dear to rebuild her life across the ocean. On the voyage to New York, she becomes friends with the stranger and begins to fall in love. But at Ellis Island, they are separated when he is detained by authorities as a suspected anarchist. Alone, Katka continues her journey to her uncle’s house on the rough and tumble Iron Range in northern Minnesota. Soon she is immersed in a lively community of iron miners and begins publishing an underground newspaper about their struggles and the heroism of the women on the Iron Range, as they are swept into a tumultuous strike that will change their lives forever. “Under Ground” is a work of fiction inspired by true events.

    Dr. Harry Bennett, a physician practicing near Chicago, sees the first two cases of smallpox, a mother and daughter, and he watches helplessly as they become seriously ill and die. A few days later, Dr. Vicky Anderson, an emergency room physician in New York City, diagnoses the third case. The outbreak is recognized as a terrorist attack, but even with a massive public health response, smallpox explodes across America, engulfing the country in fear and panic. Many Americans believe that the threat of a biological terrorist attack is genuine, and Pox describes a disturbingly real possibility. In Pox, the reader witnesses the destructiveness of self-righteous, intolerant fanatics who devise a grim plan to wreak pain and havoc on America. Pox offers an intense look at how contradictory ideologies and philosophies realistically play out, and causes us to realize our vulnerabilities.