To me, he is unquestionably one of ‘the greats.'" —Chris WareSkibber Bee ByeRon Regé, Jr., creates his own visual poetry that sets him apart from other cartoonists as one of the most original artists to enter the medium in the past decade. His storytelling is neither linear nor altogether accessible; however, his recognizable thin line and cute characters draw you into a dreamlike, sensitive fantasy world that, as odd as it seems, is entirely realistic.

    The Complete Crumb Comics: The Early Years of Bitter Struggle is the first of a multivolume series, and includes previously unpublished strips created from 1958 to 1962. Crumb's earliest works, some written when he was as young as 15, range from an encounter with Dracula ("I didn't try to escape Dracula, my mind was consentrated [sic] on one thing . . . I was thirsty . . . very thirsty") to Nikita Khrushchev's 1958 visit to the U.S. ("Ever watchful guards stay with Khruschev during a refreshing hot bath."). Crumb aficionados and neophytes alike should rejoice in this classic collection of comic strips; sketchbooks; underground comics; dramatic and autobiographical strips; classic cartoon creations Fritz the Cat and Mr. Natural; and a pithy, biographical preface by Crumb's friend Marty Pahls.

    Widely considered to be some of his best work ever. Weirdo was a magazine-sized comics anthology created by Robert Crumb in 1981, which ran for 28 issues. It served as a "low art" counterpoint to its contemporary highbrow Raw. Early issues of Weirdo reflect Crumb's interests at the time: outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." The incredibly varied stories include TV Blues, Life of Boswell, People Make me Nervous, The Old Songs are the Best Songs, Uncle Bob's Mid-Life Crisis, Kraft Ebbing's' Psycopathia Sexualis, Goldilocks, The Life of Philip K Dick, and many more. Also within are several photo strip stories featuring Crumb himself and various of his trademark well-built women including his wife Aline Kominsky-Crumb in tales such as Get in Shape and Unfaithful Husband.

    That child is the passionate and free-spirited Flora, daughter of Marion. Flora’s early years are spent roaming around her father’s cattle farm, running wild and free with her brother and his friends. From early on she adores fair Neil MacEachen. But when her father dies suddenly, Flora and her mother are plunged into poverty and it seems beautiful Flora is destined to skivvy in the kitchen and dairy for her harsh aunt. Until one night dashing soldier, One-eyed Hugh, her mother’s former lover, kidnaps mother and daughter and takes them to Skye where he swiftly marries Marion.Back on the Outer Isles they settle into family life and Flora is taken under the wing of the lively Lady Clan, the chief’s wife, who teaches her the skills of a noblewoman. Flora still dreams of the day she might marry the handsome Neil, who has by now disappeared to France. But when the Clanranalds are invited to the grand wedding of the MacDonald chief of Sleat in Skye, Flora finds herself irresistibly drawn to dark-haired, teasing and passionate Allan of Kingsburgh, one of the mighty Skye MacDonalds, who makes no secret of his desire for her. Her heart is torn; she loves the mysterious and increasingly elusive Neil but struggles to control her attraction to Allan, who is meanwhile being groomed for a prestigious match with the chief of MacLeod’s daughter.Before affairs of the heart can be resolved, the exiled Prince Charles Stuart lands on the Outer Isles in his bid to win back the crown and his arrival ignites the Jacobite Rising of 1745. Scotland is plunged into bloody civil war; families and clans are torn apart in their loyalties and Flora’s fate is changed forever. She faces the biggest decision of her life – whether or not to help the now fugitive Prince to escape the islands and certain execution – knowing that to do so will not only put her own life in danger, but those of the people she loves most in the world.Deeply emotional and uplifting, The Jacobite Lass is set in the turbulent times of 18th century Scotland and is based on the true story of Scottish heroine, Flora MacDonald and Bonnie Prince Charlie.

    The gorgeous evolution continues in the second color volume, which includes the Sunday strips from all of 1937 and 1938. The color format opens the floodgates for a massive amount of spectacular rare color art from series editor Bill Blackbeard and designer Chris Ware's files. Krazy Kat is a love story, focusing on the relationships of its three main characters. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy Co.'s unique dialogue.Most of these strips in this volume have not seen print since originally running in Hearst newspapers over 70 years ago. With a full 104 Sunday pages this time around, this particular book is jam packed with little room for extras, but we did squeeze in a half-dozen or so pages' worth of never-before-seen Herriman memorabilia (all in color), including a spectacular full-color New Year's card illustration done for a friend.

    This novel tells the story of a mysterious tribal figure named Kokomo, who falls asleep to dream a wild picaresque interlude starring Jimbo and Bob War.

    Like Girls and Boys, Big Ideas features many of her greatest cartoons, including her menacing "Poodle with a Mohawk". Line drawings throughout.

    It functions as both a great fantasy story and a social allegory about an artist's struggle with money, gentrification, and city politics. Nearly every massive comics page is drawn in a different elaborate style somewhere between Darger, Panter and illuminated manuscript. In between each chapter of the story is a related section of fine art: from bright, exuberant paintings to visionary drawings to the posters for which Chippendale is internationally recognized.

    Brandon Graham (born 1976) was widely acclaimed for his book "King City," with "Publishers Weekly" calling Graham "one of the most inventive action cartoonists working." "Walrus," his first art book, serves as a handbook to his visual and verbal world, a punning, humorous and sexy metropolis comprised of machines, logos, women and bumbling men, all cast in an alternate sci-fi universe.

    For this collection, Munoz has painstakingly reviewed every page -- every panel -- making clarifications, adding invaluable insight to this provacative story. Sinner is a hard-boiled private detective whose adventures are played out to a jazz soundtrack in a noir New York from 1975 through the 2000s. The stories are imbued with a deep political conscience and present a scathing critique of corruption in society, juxtaposed with meditations on the nature of violence and exile. The authhors have also rearranged the stories in chronological order of the characters and events, rather than dates of first publication, providing a novel reading experience for both new fans and old. The Age of Innocence collects eleven stories, including "Talkin' with Joe," "The Webster Case," "The Fillmore Case," "Viet Blues," "Life Ain't a Comic Book, Baby," "Twinkle, Twinkle," and "Dark City." Alack Sinner is an international bestseller and between them Munoz and Sampayo are winners of Europe's top comics awards.

    Brilliantly drawn and bitterly funny, these cartoons thoroughly demonstrate better living through plywood, reaffirm that what's good for business is good for America-even if Your Government in Action has taken to the streets-the Madonna is out of order and Yoga has been made silly. 122,000 copies in print.

    Skin Deep is the third (following El Borbah and Big Baby) of a hardcover series of four volumes reprinting his acclaimed oeuvre up to his current project, the ongoing Black Hole comic book series.Skin Deep includes Burns' popular character, Dog Boy, a red-blooded All-American boy with the transplanted heart of a dog, which was turned into a live action segment on MTV's Liquid Television series; new covers and endpapers; as well as several pages of new illustrations from his sketchbooks, as well as covers and other drawings from foreign editions of his work.

    The 31 stories collected here combine Dragnet with The Twilight Zone with Tales from the Crypt in a world filled with aliens, good-time girls, and cocktail-bar nihilism. The stories are hip and funny, with a good dose of wacky 1950s paranoia and the kind of tongue-in-cheek morality that characterized the old E.C. horror comics. The Lloyd Llewellyn stories also trace the development of Clowes's style as a comic artist, from the angular early pieces that show the influence of 1950s advertising style to the grotesque Robert Crumb-inspired style of the more recent work in Eightball. Clowes is one of the most gifted comic-book artists around, and the retro-chic world of Lloyd Llewellyn deserves to be seen by a new generation of readers.

    Introducing art in its international context, this accessible book explores core issues about how art is made, interpreted, and displayed, without any of the unnecessary terminology. Divided into themes, A Short Book About Art presents new ways of thinking about the relationship between artists and their work, as well as fresh comparisons between works of art from different periods and places. Thought-provoking and stimulating, it is the ideal companion for anyone who wants to learn about art without a dictionary in their hands.

    While trying to understand his dissatisfaction with the present, Seth discovers the life and work of Kalo, a forgotten New Yorker cartoonist from the 1940s. But his obsession blinds him to the needs of his lover and the quiet desperation of his family. Wry self-reflection and moody colours characterize Seth's style in this tale about learning lessons from nostalgia. His playful and sophisticated experiment with memoir provoked a furious debate among cartoon historians and archivists about the existence of Kalo, and prompted a Details feature about Seth's "hoax".