The English language edition has been out of print for decades. One of Gorey's most beloved books, CATEGORY collects a series of fifty cat vignettes, originally created by the artist as accompaniments to a limited edition of his book Amphigorey.

    She discovers often at night, often in nature the pleasures of rescuing a fleeting thought. Deeply moving, Woolgathering calls up our own memories, as the child glimpses and gleans, piecing together a crazy quilt of truths. Smith introduces us to her tribe, a race of cloud dwellers, and to the fierce, vital pleasures of cloud watching and stargazing and wandering.A radiant new autobiographical piece, Two Worlds (which was not in the original 1992 Hanuman edition of Woolgathering), and the author's photographs and illustrations are also included. Woolgathering celebrates the sacred nature of creation with Smith's beautiful style, acclaimed as glorious (NPR), spellbinding (Booklist), rare and ferocious (Salon), and shockingly beautiful (New York Magazine).

    Heartbroken, Aimée tries to find him, but Henri doesn’t want to be found—and only one member of the family knows why.As Aimée seeks refuge in the art world, mentored by the Impressionist Édouard Manet, she unwittingly finds her way back to Henri. With so many years gone by and secrets buried, their eventual reunion unmasks the lies that once held the family together, but now threaten to tear them apart.A rich and opulent saga, Girl in the Afternoon brings the Impressionists to life in this portrait of scandal, fortune, and unrequited love.

    Their struggle for an independent Nagaland and their continuing search for identity provides the backdrop for the stories that make up this unusual collection. Describing how ordinary people cope with violence, how they negotiate power and force, how they seek and find safe spaces and enjoyment in the midst of terror, the author details a way of life under threat from the forces of modernization and war. No one the young, the old, the ordinary housewife, the willing partner, the militant who takes to the gun, and the young woman who sings even as she is being raped is untouched by the violence. Theirs are the stories that form the subtext of the struggles that lie at the internal faultlines of the Indian nation-state. These are stories that speak movingly of home, country, nation, nationality, identity, and direct the reader to the urgency of the issues that lie at their heart.

    In its pages you will find all kinds of horror fiction, from zombie stories and haunted house tales to visceral psychological horror.For our debut issue we will be bringing you four all-new, never before published horror stories: “Property Condemned” by Jonathan Maberry, “Frontier Death Song” by Laird Barron, “Good Fences” by Genevieve Valentine, and “Afterlife” by Sarah Langan.We'll also have author spotlights with each of our authors, a showcase on our cover artist Jeff Simpson, as well as an in-depth feature interview with horror legend Peter Straub. And finally we'll have the first installment of “The H Word,” a monthly column which will focus on exploring the many facets of the field of horror.

    In his earlier novels, he has written about conspiracy theory, the Cold War and global terrorism. Now, in Point Omega, he looks into the mind and heart of a "defense intellectual", one of the men involved in the management of the country's war machine. Richard Elster was a scholar—an outsider—when he was called to a meeting with government war planners, asked to apply "ideas and principles to such matters as troop deployment and counterinsurgency". We see Elster at the end of his service. He has retreated to the desert, "somewhere south of nowhere", in search of space and geologic time. There he is joined by a filmmaker, Jim Finley, intent on documenting his experience. Finley wants to persuade Elster to make a one-take film, Elster its single character—"Just a man and a wall."Weeks later, Elster's daughter Jessica visits—an "otherworldly" woman from New York, who dramatically alters the dynamic of the story. The three of them talk, train their binoculars on the landscape, and build an odd, tender intimacy, something like a family. Then a devastating event throws everything into question. In this compact and powerful novel, it is finally a lingering human mystery that haunts the landscape of desert and mind.

    Maud Heighton came to Lafond's famous Academie to paint, and to flee the constraints of her small English town. It took all her courage to escape, but Paris eats money. While her fellow students enjoy the dazzling joys of the Belle Époque, Maud slips into poverty. Quietly starving, and dreading another cold Paris winter, Maud takes a job as companion to young, beautiful Sylvie Morel. But Sylvie has a secret: an addiction to opium. As Maud is drawn into the Morels' world of elegant luxury, their secrets become hers. Before the New Year arrives, a greater deception will plunge her into the darkness that waits beneath this glittering city of light.

    But, when the storm clouds of WW2 gather, the family must flee, accompanied by Viktor's lover and her child. But the house's story is far from over, as it passes from hand to hand, from Czech to Russian.

    Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the ducal palace by painting his most ambitious portrait to date.Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi leader, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back. Two women, separated by 500 years, are swept up in the tide of history as one painting stands at the center of their quests for their own destinies.

    'Broadsword Calling Danny Boy' is Geoff Dyer's tribute to the film he has loved since childhood: an analysis taking us from its snowy, Teutonic opening credits to its vertigo-inducing climax. For those who have not even seen Where Eagles Dare, this book is a comic tour-de-force of criticism. But for the film's legions of fans, whose hearts will always belong to Ron Goodwin's theme tune, it will be the fulfilment of a dream.

    But what if, perhaps, "rib" was a mistranslation and the body part she was really created from was Adam's penis bone? This would explain why human males don't have such a bone, unlike other male mammals. That's only one of many surprising and fun biblical twists readers will encounter in The Uncensored Bible. Here readers will learn that King David swore like a sailor, mandrakes were the biblical equivalent of Viagra®, Cain was depressed, and Joseph's "coat of many colors" might have actually been a dress (which may explain why his brothers picked on him).Authors Kaltner, McKenzie, and Kilpatrick bring some of the most outrageous speculations about the scriptures to light—all based on legitimate scholarship—revealing a stranger, bawdier side of the Good Book. The Uncensored Bible is a shocking, hilarious, and thought-provoking collection of the most recent, compelling, and racy interpretations of the Bible from the newest voices of Bible scholarship.

    Siegfried Lederer's escape from Auschwitz, the Nazi death camp. The incredible tunnel escape by dozens of Allied prisoners from Stalag Luft III that became known as The Great Escape. Plus four more stories of people who displayed great courage and stamina to overcome the iron bars, armed guards, and barbed wire that held them.

    After success there, Caesar turned his loyal army back toward Rome. Crossing the Rubicon, he initiated a civil war, marched triumphally to the capital, besieged Pompey at Brundisium, and pacified Spain. With a tiny army he routed Pompey's far larger forces at Pharsalus, pursued him to his death in Egypt, and established Cleopatra on her throne.Though Caesar's Commentaries are among the most exact and picturesque of historical writings, it is only through knowledge of the geography and weaponry of his campaigns that one can properly understand them. In this history, T. A. Dodge, one of the only military historians to have visited every one of the great general's known battlefields, makes full use of other chroniclers and critics and supplements them with his clear, insightful descriptions of the battles. As a fully illustrated and complete military history of one of history's greatest generals, Caesar is unparalleled.

    Narrated by Alison Houtte, a former fashion model who runs the beloved Brooklyn, New York, boutique Hooti Couture -- a shop that Ginia Bellafante of the New York Times has toasted as a premier spot for vintage finds -- this book is not only the story of one woman's life in fashion, but also a vintage-shopper's guide that helps readers embrace the idea of seeking out fashion finds from past decades to accent their current wardrobe.Marrying two of women's favorite pastimes -- shopping and reading -- Alison Houtte uses the merchandise she has bought, worn, or sold as a prism through which she examines everything from the labels we wear to the labels we put on our surroundings. Whether talking about her grandmother's navy blue slip or a creamy white forties alligator purse, Houtte knows that every article of vintage clothing has a story behind it. She uses these items as a springboard to explore such universal topics as relationships, self-image, the bond between mothers and daughters, and that elusive thing called style.Whether you're a flea market veteran who savors the thrill of the hunt or a couture shopper with a Vogue budget, or are simply drawn to the de rigueur world of vintage, Alligators, Old Mink and New Money offers a shopping adventure -- through auctions, estate sales, flea markets, and clothing racks all over the world -- to be savored, and inspired by!

    It'll have news (actual news, tied to the day it comes out) and sports and arts coverage, and comics (sixteen pages of glorious, full-color comics, from Chris Ware and Dan Clowes and Art Spiegelman and many others besides) and a magazine and a weekend guide, and will basically be an attempt to demonstrate all the great things print journalism can (still) do, with as much first-rate writing and reportage and design (and posters and games and on-location Antarctic travelogues) as we can get in there. Expect journalism from Andrew Sean Greer, fiction from George Saunders and Roddy Doyle, dispatches from Afghanistan, and much, much more. We're going to try to sell this thing on the street in San Francisco, but it'll also go out to our subscribers and be in bookstores all over.