The Pillars of the Community (1877) depicts a corrupt shipowner’s struggle to hide the sins of his past at the expense of another man’s reputation, while in The Wild Duck (1884) an idealist, believing he must tell the truth at any cost, destroys a family by exposing the lie behind his friend’s marriage. And Hedda Gabler (1890) portrays an unhappily married woman who is unable to break free from the conventional life she has created for herself, with tragic results for the entire family.

    Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language.Includes: One Flea SpareIn the Heart of AmericaSlaughter CityThe War BoysThe Trestle at Pope's Creek

    This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.

    At just the tender age of fifteen, she's experienced a life filled with agony. After being viciously raped and abused by her mother and step-father for years, Novel becomes withdrawn from life. She didn't think life could get more cruel until she becomes pregnant with her rapist's child. After being placed in foster care, Novel thought she was safe until she discovers the foster care's deepest, darkest secret. Jaded and wanting to be delivered out of the dark life she's been given, Novel started to give up until she then meets a man by the name of Lance, who becomes the real father-figure that she's never had. After being a victim for so many years, will Novel finally break free of the shackles of pain or will she let it torment her for the rest of her life?

    Despite the worst of humanity every day – her madrassa running father selling her mother's body and beating her sister – Rania remains the 'Troublemaker', unable to give up on her dreams.When an Indian filmmaker encourages her to enrol in a music contest that can take her to New York, her dreams take flight. But even as she wins the hearts of her listeners, a family secret threatens to bring her life in Heera Mandi back in sharp relief, upending the new life she has built for herself.From the oppressive walls of religious hypocrisy to the orange jumpsuits of American prisons, Skyfall is a tender, piercing debut that teaches us the strength of human endeavour and our desire for love in a time of hate.

    This Pulitzer Prize-winning drama of life in the small village of Grover's Corners, an allegorical representation of all life, has become a classic. It is Thornton Wilder's most renowned and most frequently performed play.

    . . . . . well, actually, God knows what you are holding in your hand, you are after all adults, and what you hold in your own right hand is entirely up to you . . . . . . you may, after all, have this in your left hand and something else in your right hand and you will probably have held far worse things in both your hands than this . . . and hey! . . . No! . . . Stop that! Miss Johansson, I said, "Please hold my calls . . ." Honestly. Hollywood! Anyway, what you are about to read--or have read to you--is a new book that is the first active collaboration of the Monty Python chaps for many, many years. In fact, the first book written and produced by the Pythons, themselves, since 1979. No, they are not all dead. Okay, some of them have been a bit quiet recently, and one or two have DNR notes by their bedsides, but the point is five of them are still technically alive and that, if not exactly cause for rejoicing, may well be cause for a new book. And this is it! So hold whatever you like in your right hand while you read this book. Because laughter is jolly good for you. Even if it can make you blind. --The Pythons

    The scene is Mrs. Orcutt's boarding house, where the hopes and ambitions of sixteen young women are revealed in scenes of entertaining comedy. Contrasted with this are the cases of the girl without talent and the elderly actress whose days are over. The central plot has to do with courageous Terry Randall, who fights against discouragement to a position in the theater where we are sure she will conquer. One of her fellow aspirants gives up in despair, one gets married, and one goes into pictures, but Terry, with the help of idealistic David Kingsley, sticks to her guns.

    Her plays have been produced in many theatres across the U.S. including Second Stage (NY), South Coast Rep (Costa Mesa), Yale Repertory Theatre (New Haven), Alliance Theatre (Atlanta) and Steppenwolf (Chicago). She has won the Heideman and the White Bird awards and was a runner-up for the Susan Blackburn award.

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    Meanwhile, his daughter has a lesbian affair with one of his prostitutes downstairs. This translation debuted at Show World in Times Square in 1999 and "set Show World aflame" according to the Village Voice.

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    Marcus Hubbard, rich, despotic and despised, made a fortune during the Civil War by running the blockade and worse. In his family life he is equally injurious: one son he bulldozes while the other he holds in contempt for his frailty. By Marcus's side stands his mentally deranged wife and, finally, Regina, the adored daughter amoral, conniving, and beautiful as an evil flower. Marcus, it would seem, has been on the top of the heap long enough and someone must depose him. Turning the tables on a tyrant has always made for high drama, and when Hellman puts her brilliant talents to work on such a theme the result is a play of great theatrical intensity.

    He is also an accomplished screenwriter who has in the past few years turned his hand to writing plays. The results, collected here, hilariously explore serious questions of love, happiness and the meaning of life; they are rich with equal parts of pain and slapstick humour, torment and wit.

    Rowling's screenwriting debut is captured in this exciting hardcover edition of the Fantastic Beasts and Where to Find Them screenplay.When Magizoologist Newt Scamander arrives in New York, he intends his stay to be just a brief stopover. However, when his magical case is misplaced and some of Newt's fantastic beasts escape, it spells trouble for everyone…Fantastic Beasts and Where to Find Them marks the screenwriting debut of J.K. Rowling, author of the beloved and internationally bestselling Harry Potter books. Featuring a cast of remarkable characters, this is epic, adventure-packed storytelling at its very best.Whether an existing fan or new to the wizarding world, this is a perfect addition to any reader's bookshelf.