It never apologises. Sometimes it is a shadow, ever present, without regard for the sun. Sometimes it is a well of dark water with no bottom, or a levitation device to the stars.Madness, a memoir is an insight into what it's like to live with psychosis over a period of ten years, in which bouts of acute illness are interspersed with periods of sanity. The world is beautiful and terrifying and sometimes magical. The sanctity of life is at times precious and at times precarious and always fragile. It's a story of learning to manage illness with courage and creativity, of achieving balance and living well. It is for everyone now living within the world of madness, for everyone touched by this world, and for everyone seeking to further his or her understanding of it, whether you think of madness as a biological illness of the brain or an understandable part of the continuum of the human condition.

    Hard-drinking, foul-mouthed, and allergic to bullshit, Jean is not your usual grandma. She’s never been good at getting on with other humans, apart from her beloved granddaughter, Kimberly. Instead, she surrounds herself with animals, working as a guide in an outback wildlife park. And although Jean talks to all her charges, she has a particular soft spot for a young dingo called Sue.As disturbing news arrives of a pandemic sweeping the country, Jean realises this is no ordinary flu: its chief symptom is that its victims begin to understand the language of animals — first mammals, then birds and insects, too. As the flu progresses, the unstoppable voices become overwhelming, and many people begin to lose their minds, including Jean’s infected son, Lee. When he takes off with Kimberly, heading south, Jean feels the pull to follow her kin.Setting off on their trail, with Sue the dingo riding shotgun, they find themselves in a stark, strange world in which the animal apocalypse has only further isolated people from other species. Bold, exhilarating, and wholly original, The Animals in That Country asks what would happen if - for better or worse - we finally understood what animals were saying.

    It’s a place populated by those who are beholden to it, those who were born to it and those who took a wrong turn while trying to go somewhere else.City-born Carra married into Nowhere River, Lucie was brought to it by tragedy, Josie is root-bound and Florence knows nowhere else. All of them, though familiar with every inch of their tiny hometown, are as lost as the place itself.The town’s social cornerstone — St Margery’s Ladies’ Club — launches a rescue plan that turns everything around and upside down, then shakes it until all sorts of things come floating to the surface. And none of its inhabitants will ever be the same again.This is the highly original and heartfelt story of a place where everybody knows everything, but no one really knows anyone at all. Brimming with heart and humour, this is a delightful novel that celebrates the country people and towns of Australia.

    What monster would dare take financial advantage of the most treasured bond of love – between parent and child? Just weeks earlier, Graeme’s parents had won a fortune in the Opera House Lottery, and this had attracted the attention of the perpetrator, Stephen Bradley. Bradley was a most unlikely kidnapper, however his greed for the Thorne’s windfall saw him cast aside any sympathy for his victim or his victim’s family, and drove him to take brazen risks with the life of his young captive. Kidnapped tells the astounding true story of how this crime was planned and committed, and describes the extraordinary police investigation that was launched to track the criminal down. Mark Tedeschi explores the mind of the intriguing and seriously flawed Stephen Bradley, and also the points of view of the victim, his family – and the police, whose work pioneered the use of many techniques that are now considered commonplace, marking the beginning of modern-day forensic science in Australia. Using his powerful research and storytelling skills, Mark Tedeschi reveals one of Australia’s greatest true crime dramas, and what can only be described as the trial of the 20th Century. ‘Remarkably researched so as to explain one of Australia’s most extraordinary criminal cases.’ Chester Porter QC

    And without her, Audrey is thrown off balance: everything she thought she knew, everything she believed was true, is bent out of shape.Audrey’s family—her neurotic mother, her wayward teenage brother, her uptight suburban sister—are likely to fall apart. Her boyfriend, Nick, tries to hold their relationship together. And Audrey, caught in the middle, needs to find a reason to keep going when everything around her suddenly seems wrong.Evocative and exquisitely written, Our Magic Hour is a story of love, loss and discovery. Jennifer Down’s remarkable debut novel captures that moment when being young and invincible gives way to being open and vulnerable, when one terrible act changes a life forever.

    They've seen each other through first kisses, bad break-ups and everything in-between. It's almost 20 years since Libby moved to Sydney, but they've remained close, despite the distance and the different paths their lives have taken.So when Libby announces she's moving back to Melbourne, Kit is overjoyed. They're best friends - practically family - so it doesn't matter that she and Libby now have different ...well, different everything, actually, or so it seems when they're finally living in the same city again.Or does it?

    The children became unwitting foot soldiers in Australia's battle against Soviet infiltration in the Cold War. They attended political rallies, stood watch on houses owned by communist sympathisers, and insinuated themselves into the UFO Society. In 1956 the Doherty family went on a beach holiday with Vladimir and Evdokia Petrov, the famous Soviet defectors, who were hiding from Soviet assassins.Dudley and Joan Doherty swore their children to secrecy, and for decades, they didn't even discuss among themselves the work they did for ASIO. With My Little Eye is a poignant and very funny account of a peculiar childhood in 1950s suburban Australia.

    Any distraction is welcome, and the woman who has chained herself to the escalator, shouting about the perils of consumerism, is certainly that. She recognises Dot immediately - from their time campaigning for women's rights, and further back still, to the heyday of the Sydney Push when Margot married Laurence. Dot is in despair at the abandonment of the sisterhood, at the idea of pole dancing as empowerment and the sight of five year-olds with false eyelashes and padded bras. She's still a fierce campaigner, but these days she isn't sure where to direct her rage. Margot's despair is quieter; a haunting resentment that her youthful ambitions have always been shelved to attend to the needs of others. And as the two women turn to the past for solutions for the future, Margot's family is in crisis. Laurence sets off on a journey in a bid to repress his grief, daughter Lexie loses the job that has been her life for twenty years, and her younger sister Emma hides her pain with shopping binges that plunge her into debt. Liz Byrski assembles a fallible cast of characters who are asking the questions we ask ourselves. What does it mean to grow older? Are we brave enough to free ourselves from the pressure to stay young? And is there ever a stage in life when we can just be ourselves?

    One school. One year.Brendan James Murray has been a high school teacher for more than ten years. In that time he has seen hundreds of kids move through the same hallways and classrooms - boisterous, angry, shy, big-hearted, awkward - all of them on the journey to adulthood.In The School, he paints an astonishingly vivid portrait of a single school year, perfectly capturing the highs and lows of being a teenager, as well as the fire, passion and occasional heartbreak of being their teacher. Hilarious, heartfelt and true, it is a timeless story of a teacher and his classes, a must-read for any parent, and a tribute to the art of teaching.ck

    An Australian classic. Depicts the enduring hardships of life in the Australian outback and the battles against sexist and racial prejudices.

    WORSE THINGS HAPPEN AT SEA does the same for family life in 2000s; written by William and Sarah in a way that many Australians can relate to and enjoy. This book celebrates the wonderful, messy, haphazard things in life - bringing home babies from hospital, being a friend, a parent, son or daughter, and dog obedience classes. It's about living for twenty years in the family home, raising children there, chasing angry rabbits around the backyard, renovations that never end. It is also about understanding that sometimes you have to say goodbye; that is part of life too. Illustrated throughout with Sarah Watt's photographs of family life and beautiful but everyday objects.

    You know, again.

    But there was no 'big house' here - Toni did not grow up in a large homestead. She lived in a shack that had no electricity and no running water. The oppressive climate of the Territory - either wet or dry - tested everyone. Fish were known to rain from the sky and sometimes good men drank too much and drowned trying to cross swollen rivers.Toni grew up with the Aboriginal people who lived and worked on the station, and got into scrapes with her ever-increasing number of siblings. She loved where she grew up - she was happy on the land with her friends and family, observing the many characters who made up the community on Killarney. When she was sent to boarding school all she wanted to do was go back to the land she loved, despite the fact that her parents' marriage was struggling as Bill Tapp succumbed to drink and June Tapp refused to go under with him.Toni's love of the natural world and of people alike has resulted in a tender portrait of a life that many people would consider tough. She brings vividly to the page a story seldom seen: a Territory childhood, with all its colour, characters and contradictions.

    She has a brand-new sister, and her family has moved to a small town, leaving behind everything she knows. She is sure that she will be miserable – but a mysterious old lady, a curious boy and an amazing garden prove her wrong. A story about friendship, hope, and the healing power of nature and art.

    One of Australia's greatest mysteries - two whodunnits, twisted together.Larrimah: hot, barren, a speck of dust in the centre of the nothingness of outback Australia. Where you might find a death adder in the bar and a spider or ten in the toaster. Maybe it's stupid to write a love letter to a town that looks like this, especially when it's someone else's town. A town where there's nothing to see, nothing to buy and the closest thing to an attraction is a weird Pink Panther in a gyrocopter whose head falls off intermittently. A town steeped in ancient superstition and pockmarked with sinkholes. It's Kadaitja country. People go missing in the bush there, the traditional owners say.It's doubly stupid to write a love letter to a town where someone did go missing and one of the remaining residents might be a murderer. A town at the centre of one of the biggest mysteries outback Australia has ever seen - a weird, swirling whodunnit about camel pies and wild donkeys and drug deals and crocodiles, a case that's had police scratching their heads for years, while journalists and filmmakers and Hollywood turn up, from time to time, to ask what the hell happened here.And it makes no sense to fall for a place when the town is crumbling into the dust and it looks a lot like your love letter might end up being a eulogy. But whatever happened in Larrimah, it's strange and precious and surprisingly funny. Journalists Kylie Stevenson and Caroline Graham have spent years trying to pin it down - what happened to Paddy Moriarty and his dog, how they disappeared, how they might take the whole town and something even bigger with them.