Although she is sixteen, she weighs as much as an eight-year-old. We have tried everything the medical system has to offer – psychologists, psychiatrists, family therapists, dieticians, drugs … but nothing has worked. And now here we are, she and I, flying to the other side of the world in a last ditch effort to save her. Anorexia is a difficult thing to get people to understand. Usually they will look at me incredulously. Sometimes they will come right out and say what I know they are thinking: Why can’t you just get her to eat?Anne Tonner is a high achieving human rights lawyer and used to facing battles and winning. But when her 13-year-old daughter Chloe stops eating and is diagnosed with anorexia, she is confronted with the mother of all enemies, one that is completely unfathomable and seemingly incurable. Anne and her family throw everything they have at facing the ‘demon' they name 'Cold Vein'. But some three years later Chloe is still desperately ill and the family is in tatters. In a last ditch effort they travel across the world to attend a ground breaking- clinic in Stockholm, knowing that this might be the only chance Chloe has to survive.Beautifully and engagingly written, Anne’s depiction of the devastating effects of anorexia is honest, tough and compelling. Ultimately uplifting, this story will shed light on one of the most insidious and dangerous mental conditions afflicting modern society today.

    Her distinguished career ended under a cloud over a decade earlier, following an unspecified scandal involving a much younger male teacher. After losing her savings in the financial crash, she is forced to sell the dream house she had built for her old age and live on in her dilapidated cottage opposite. Initially extremely resentful and hostile towards Frank and Evelyn, the young couple who buy the new house, she develops a flirtatious friendship with Frank, and then a grudging affinity for his 12-year-old niece, Kim, who lives with them. Thea has never liked children, but she discovers an unexpected bond with  the solitary, half-Vietnamese Kim, an awkward, bookish child from a very deprived background. As Thea and Kim become close, Thea begins to find  Frank's behavior increasingly irresponsible, and to harbor worries that all is not well in the house. Her growing suspicions, which may or may not be irrational, start to dominate her life, and build to a catastrophic climax.

    But the neighbours are becoming concerned. Eileen Jameson and the boys haven't been seen for quite some time...When a gruesome discovery points the finger, quite literally, at the Professor's house, Inspector Max Carruthers and Detective Sergeant Lucas Matthews come knocking at the door. It's a day they will never forget ...

    With illustrations from Archibald Prize winner Ben Quilty.In January 2016 Richard Flanagan and Ben Quilty travelled to Lebanon, Greece, and Serbia to follow the river that is the exodus of our age: that of refugees from Syria.Flanagan's 'notes' and Quilty's sketches bear witness to the remarkable people they met on that journey and their stories. These individual portraits from the Man Booker Prize-winning author and Archibald Prize-winning artist combine to form a powerful testament to human dignity and courage in the face of war, death, and suffering.Refugees are not like you and me. They are you and me. That terrible river of the wretched and the damned flowing through Europe is my family.

    But when her sister Poppy needs a wedding dress, old passions are reignited ... along with threats from her past.As Apple finds herself falling for someone she shouldn't, her quest to re-emerge becomes entangled in a time she wants forgotten, and life unravels as quickly as it began to mend.From the cool heart of Melbourne to Paris and New York, in an effervescent world of croquet, Campari and cocoon coats, can Apple prevail over demons past to become the woman she was born to be?

    

    Annie Cossins pieces together the fascinating story of the most infamous legal trial in Australia to reveal an underworld of struggling mothers, unwanted babies, and a society that preferred to turn a blind eye.In October 1892, a one-month-old baby boy was found buried in the backyard of Sarah and John Makin, two wretchedly poor baby farmers in inner Sydney. In the weeks that followed, 12 more babies were found buried in the backyards of other houses in which the Makins had lived. This resulted in the most infamous trial in Australian legal history, and exposed a shocking underworld of desperate mothers, drugged and starving babies, and a black market in the sale and murder of children.Annie Cossins pieces together a dramatic and tragic tale with larger than life characters: theatrical Sarah Makin; her smooth-talking husband, John; her disloyal daughter, Clarice; diligent Constable James Joyce, with curious domestic arrangements of his own; and a network of baby farmers stretching across the city. It's a glimpse into a society that preferred to turn a blind eye to the fate of its most vulnerable members, only a century ago.

    But we were drawn to the rolling water. And our heart stayed behind when we left.Heather and Dave have found the perfect place to raise their first child. The house has character, but it's the garden that really makes it: red-faced impatiens, pockmarked gums, six upright pittosporums to keep the neighbours out. It's a jungle. A hiding place. A refuge.And then, without warning, that life is over.Heartbreaking, fearless, and ablaze with a coruscating beauty all its own, The Paper House tells the story of a woman sinking into the depths of grief, and the desperate efforts of her loved ones to bring her up for air. A sharp-eyed, bittersweet depiction of the love between parents and children, and the havoc that love can wreak.

    These are the memoirs of 29 year old John Birmingham, who has shared houses and apartments with 89 people and kept notes on all of them.

    They are part of the team at the Victorian Institute of Forensic Medicine (VIFM), a state-of-the-art facility in Melbourne. VIFM is a world-renowned centre of forensic science, and its team members have led major recovery operations over the years, from the 2004 Boxing Day tsunami to the 2009 Black Saturday bushfires to the shooting down of flight MH17 over Ukraine in 2014. VIFM forensics experts have also played pivotal roles in some of Australia’s highest-profile homicide cases, including the Frankston Serial Killer, the murders of Eurydice Dixon and Aya Maasarwe, and the arrest of convicted serial killer Peter Dupas.Join Meshel Laurie as she goes ‘behind the curtain’ at VIFM, interviewing the Institute’s talented roster of forensic experts about their daily work. Her subjects also include others touched by Australia’s major crime and disaster investigations, including homicide detectives, defence barristers and families of victims as they confront their darkest moments.After reading CSI Told You Lies you’ll never read another homicide headline without wondering about the forensic pathologist who happened to be on call, the evidence they found and the truth they uncovered.

    Then one summer's afternoon tragedy strikes ... and those who are closest to him struggle to come to terms with their loss. Friendships are strained, marriages falter and loyalties are tested in a gripping and brilliantly crafted novel of loss, grief and desire.Told from the points of view of nine of the people who are mourning Rory, this riveting novel presents a vivid snapshot of contemporary suburban Australia and how we live now. Marriage, friendship, family-all are dissected with great psychological insight as they start to unravel under the pressure of grief. The characters live on the page; their lives are unfolded and their dilemmas are as real as our own.Last Summer is a stunning novel about loss-the terrible pain of losing a husband, brother or friend-but also all those smaller losses that everyone must face: the loss of youth, the shattering of dreams, the fading of convictions and the change in our notions of who we thought we were. It is also about what comes after the loss: how we pick up the pieces and the way we remake our lives.

    Having covered the war in Iraq and moved to Mexico City with two babies in nappies, he and his wife Diana thought they understood something about the subject.But when they arrived in Sydney so that Cave could establish The New York Times's Australia Bureau, life near the ocean confronted them with new ideas and questions, at odds with their American mindset that risk was a matter of individual choices. Surf-lifesaving and Nippers showed that perhaps it could be managed together, by communities. And instead of being either eliminated or romanticised, it might instead be respected and even embraced.And so Cave set out to understand how our current attitude to risk developed - and why it's not necessarily good for us.Into the Rip is partly the story of this New York family learning to live better by living with the sea and it is partly the story of how humans manage the idea of risk. Interviewing experts and everyday heroes, Cave asks critical questions like: Is safety overrated? Why do we miscalculate risk so often and how can we improve? Is it selfish to take risks or can more exposure make for stronger families, citizens and nations? And how do we factor in legitimate fears and major disasters like Cave has covered in his time here: the Black Summer fires; the Christchurch massacre; and, of course, Covid?The result is Grit meets Phosphorescence and Any Ordinary Day - a book that will change the way you and your family think about facing the world's hazards.

    Seduced by north Queensland's sultry beauty and unique strangeness, he is as fascinated by the invading hordes of misfits from the south as by the old established Queenslanders.Leverson's ironical yet compassionate view makes every story, every incident, a pointed example of human weakness - or strength.

    The only person she sees regularly is Henry, who comes after school for drawing lessons.When a girl in Henry's class goes missing, Jen is pulled back into the depths of her own past. When she was Henry's age she lost her father and her best friend Michael - both within a week. The whole town talked about it then, and now, nearly forty years later, they're talking about it again.Everyone is waiting - for the girl to be found and the summer rain to arrive. At last, when the answers do come, like the wet, it is in a drenching, revitalising downpour.