L. Hunley sank the USS Housatonic and became the first submarine in world history to sink an enemy ship. Not until World War I--almost half a century later--would a submarine again accomplish such a feat. But also perishing that moonlit night, vanishing beneath the cold Atlantic waters off Charleston, South Carolina, was the Hunley and her entire crew of eight. For generations, searchers prowled Charleston's harbor, looking for the Hunley, And as they hunted, the legends surrounding the boat and its demise continued to grow. Even after the submarine was definitively located in 1995 and recovered five years later, those legends--those barnacles of misinformation--have only multiplied. Now, in a tour de force of document-sleuthing and insights gleaned from the excavation of this remarkable vessel, distinguished Civil War-era historian Tom Chaffin presents the most thorough telling of the Hunley's story possible. Of panoramic breadth, this Civil War saga begins long before the submarine was even assembled and follows the tale into the boat's final hours and through its recovery in 2000. Beyond his thorough survey of period documents relating to the submarine, Chaffin also conducted extensive interviews with Maria Jacobsen, senior archaeologist at Clemson University's Warren Lasch Conservation Center, where the Hunley is now being excavated, to complete his portrait of this technological wonder. What emerges is a narrative that casts compelling doubts on many long-held assumptions, particularly those concerning the boat's final hours. Thoroughly engaging and utterly new, The H. L. Hunley provides the definitive accountof a storied craft.

    Opposed to secession and a friend to Union and Confederate commanders alike, he did not want a war. After Union soldiers seized and murdered his sons, placing their decapitated heads on the gateposts of his estate, Hinson could remain indifferent no longer. He commissioned a special rifle for long-range accuracy, he took to the woods, and he set out for revenge. This remarkable biography presents the story of Jack Hinson, a lone Confederate sniper who, at the age of 57, waged a personal war on Grant's army and navy. The result of 15 years of scholarship, this meticulously researched and beautifully written work is the only account of Hinson's life ever recorded and involves an unbelievable cast of characters, including the Earp brothers, Jesse James, and Nathan Bedford Forrest.

    The three-days of maneuver, attack, and counterattack consisted of literally scores of encounters, from corps-size actions to small unit engagements. Despite all its coverage, Gettysburg remains one of the most complex and difficult to understand battles of the war. The Maps of Gettysburg: An Atlas of the Gettysburg Campaign, June 3 - July 13, 1863, by Bradley Gottfried offers a unique approach to the study of this multifaceted engagement. The Maps of Gettysburg plows new ground in the study of the campaign by breaking down the entire campaign in 140 detailed original maps. These cartographic originals bore down to the regimental level, and offer Civil Warriors a unique and fascinating approach to studying the always climactic battle of the war. The Maps of Gettysburg offers thirty "action-sections" comprising the entire campaign. These include the march to and from the battlefield, and virtually every significant event in between. Gottfrieds original maps (from two to as many as twenty) enrich each "action-section." Keyed to each piece of cartography is detailed text that includes hundreds of soldiers quotes that make the Gettysburg story come alive.This presentation allows readers to easily and quickly find a map and text on virtually any portion of the campaign, from the cavalry drama at Brandy Station on June 9, to the last Confederate withdrawal of troops across the Potomac River on July 15, 1863. Serious students of the battle will appreciate the extensive and authoritative endnotes. They will also want to bring the book along on their trips to the battlefield. Perfect for the easy chair or for stomping the hallowed ground of Gettysburg, The Maps of Gettysburg promises to be a seminal work that belongs on the bookshelf of every serious and casual student of the battle.

    Cast your eyes back to the noble and daring achievements of men who preferred death to dishonor, and showed the world how they valued the rights and liberties of their land...Set in Virginia during the volatile period of the Civil War, Shades of Gray chronicles the clash of a Confederatecavalry officer with a Union spy as they defend their beliefs, their country, and their honor.Though laced with historical detail, it is less about the clash of armies on the battlefield, as it is about the clash of loyaly and love with honor and conviction.

     • Brilliant characters: raised by their abolitionist father on martha’s Vineyard, eighteen-year-old Luke and sixteenyear- old Thomas Chandler volunteer for the union. They join the Army of the Potomac in Virginia and take part in the long march north in June, 1863, to intercept General Lee. Luke writes home to rose, their black Cape Verdean housekeeper, with whom he shares a secret that Thomas discovers on the eve of the Battle of Gettysburg. The truth enrages Thomas and causes a rift between the brothers. When the battle is over, only one will survive. • A classic in the making: Seen the Glory re-creates the Civil War experience as vividly as the classic novel The Killer Angels. The soldiers of the storied 20th massachusetts regiment, the sullen Southerners they march past, the hopeful freedmen and worried slaves, the terrified residents of Gettysburg, the battle-hardened Confederate soldiers are all rendered with brilliant realism and historical accuracy.

    . . . Certainly the most objective biography of Lincoln ever written.” —Pulitzer Prize-winner David Herbert Donald, New York Times Book ReviewFrom preeminent Civil War historian Stephen B. Oates comes the book the Washington Post hails as “the standard one-volume biography of Lincoln.” Oates’ With Malice Toward None is recognized as the seminal biography of the Sixteenth President, by one of America’s most prominent historians.

    Though he barely escaped expulsion from West Point, John Bell Hood quickly rose through the ranks of the Confederate army. With bold leadership in the battles of Gaines’ Mill and Antietam, Hood won favor with Confederate president Jefferson Davis. But his fortunes in war took a tragic turn when he assumed command of the Confederate Army of Tennessee.   After the fall of Atlanta, Hood marched his troops north in an attempt to draw Union army general William T. Sherman from his devastating “March to the Sea.” But the ploy proved ruinous for the South. While Sherman was undeterred from his scorched-earth campaign, Hood and his troops charged headlong into catastrophe.   In this compelling account, Wiley Sword illustrates the poor command decisions and reckless pride that made a disaster of the Army of Tennessee’s final campaign. From Spring Hill, where they squandered an early advantage, Hood and his troops launched an ill-fated attack on the neighboring town of Franklin. The disastrous battle came to be known as the “Gettysburg of the West.” But worse was to come as Hood pressed on to Nashville, where his battered troops suffered the worst defeat of the entire war.   Winner of the Fletcher Pratt Award for best work of nonfiction about the Civil War, The Confederacy’s Last Hurrah chronicles the destruction of the South’s second largest army. “Narrated with brisk attention to the nuances of strategy—and with measured solemnity over the waste of life in war,” it is a groundbreaking work of scholarship told with authority and compassion (Kirkus Reviews).

    Fearless spy for the Confederacy, glittering Washington hostess, legendary beauty and lover, Rose Greenhow risked everything for the cause she valued more than life itself. In this superb portrait, biographer Ann Blackman tells the surprising true story of a unique woman in history. “I am a Southern woman, born with revolutionary blood in my veins,” Rose once declared–and that fiery spirit would plunge her into the center of power and the thick of adventure. Born into a slave-holding family, Rose moved to Washington, D.C., as a young woman and soon established herself as one of the capital’s most charming and influential socialites, an intimate of John C. Calhoun, James Buchanan, and Dolley Madison. She married well, bore eight children and buried five, and, at the height of the Gold Rush, accompanied her husband Robert Greenhow to San Francisco. Widowed after Robert died in a tragic accident, Rose became notorious in Washington for her daring–and numerous–love affairs.But with the outbreak of the Civil War, everything changed. Overnight, Rose Greenhow, fashionable hostess, become Rose Greenhow, intrepid spy. As Blackman reveals, deadly accurate intelligence that Rose supplied to General Pierre G. T. Beauregard written in a fascinating code (the code duplicated in the background on the jacket of this book). Her message to Beauregard turned the tide in the first Battle of Bull Run, and was a brilliant piece of spycraft that eventually led to her arrest by Allan Pinkerton and imprisonment with her young daughter. Indomitable, Rose regained her freedom and, as the war reached a crisis, journeyed to Europe to plead the Confederate cause at the royal courts of England and France. Drawing on newly discovered diaries and a rich trove of contemporary accounts, Blackman has fashioned a thrilling, intimate narrative that reads like a novel. Wild Rose is an unforgettable rendering of an astonishing woman, a book that will stand with the finest Civil War biographies.

    The charismatic daughter of Salmon P. Chase, Lincoln’s treasury secretary, Kate Chase enjoyed unprecedented political power for a woman. As her widowed father’s hostess, she set up a rival “court” against Mary Lincoln in hopes of making her father president and herself his First Lady. To facilitate that goal, she married one of the richest men in the country, the handsome “boy governor” of Rhode Island, in the social event of the Civil War. She moved easily between the worlds of high fashion, adorning herself in the most regal Parisian gowns, and politics, managing her father's presidential campaigns. "No Queen has ever reigned under the Stars and Stripes," one newspaper would write, "but this remarkable woman came closer to being a Queen than any American woman has."But when William Sprague turned out to be less of a prince as a husband, Kate found comfort in the arms of a powerful married senator. The ensuing sex scandal ended her virtual royalty; after the marriage crumbled and the money disappeared, she was left only with her children and her ever-proud bearing. She became a social outcast and died in poverty, yet in her final years she would find both greater authenticity and the inner peace that had always eluded her.Kate Chase’s dramatic story is one of ambition and tragedy, set against the seductive allure of the Civil War and Gilded Age, involving some of the most famous personalities in American history. In this beautifully written and meticulously researched biography, drawing on much unpublished material, John Oller captures the extraordinary life of a woman who was a century ahead of her time.

    Lee’s triumph over Union leader John Pope in the summer of 1862. . . . Lee’s strategic skills, and the capabilities of his principal subordinates James Longstreet and Stonewall Jackson, brought the Confederates onto the field of Second Manassas at the right places and times against a Union army that knew how to fight, but not yet how to win."–Publishers Weekly

    Gen. Thomas J. "Stonewall" Jackson has long fascinated those interested in the American Civil War as well as general students of military history, all of whom still question exactly what Jackson did in the Shenandoah in 1862 and how he did it. Since Robert G. Tanner answered many questions in the first edition of Stonewall in the Valley in 1976, he has continued to research the campaign. This edition offers new insights on the most significant moments of Stonewall's Shenandoah triumph.

    Henry Clay, Daniel Webster, Dolley Madison, Henry James as a boy with his father, Horace Greeley, Edgar Allan Poe, the Prince of Wales, and Jenny Lind were among the dignitaries photographed in Mathew Brady's studio. But it was during the Civil War that he became the founding father of what is now called photojournalism and his photography became an enduring part of American history.The Civil War was the first war in history to leave a detailed photographic record, and Mathew Brady was the war's chief visual historian. Previously, the general public had never seen in such detail the bloody particulars of war--the strewn bodies of the dead, the bloated carcasses of horses, the splintered remains of trees and fortifications, the chaos and suffering on the battlefield. Brady knew better than anyone of his era the dual power of the camera to record and to excite, to stop a moment in time and to draw the viewer vividly into that moment.He was not, in the strictest sense, a Civil War photographer. As the director of a photographic service, he assigned Alexander Gardner, James F. Gibson, and others to take photographs, often under his personal supervision; he also distributed Civil War photographs taken by others not employed by him. Ironically, Brady had accompanied the Union army to the first major battle at Bull Run, but was so shaken by the experience that throughout the rest of the war he rarely visited battlefields, except well before or after a major battle. The famous Brady photographs at Antietam were shot by Gardner and Gibson.Few books about Brady have gone beyond being collections of the photographs attributed to him, accompanied by a biographical sketch. MATHEW BRADY will be the biography of an American legend--a businessman, an accomplished and innovative technician, a suave promoter, a celebrated portrait artist, and, perhaps most important, a historian who chronicled America during its finest and gravest moments of the 19th century.

    C. Adams, tend to think of the Civil War as more glorious, less awful, than the reality. Millions of tourists flock to battlefields each year as vacation destinations, their perceptions of the war often shaped by reenactors who work hard for verisimilitude but who cannot ultimately simulate mutilation, madness, chronic disease, advanced physical decay. In Living Hell, Adams tries a different tack, clustering the voices of myriad actual participants on the firing line or in the hospital ward to create a virtual historical reenactment.Perhaps because the United States has not seen conventional war on its own soil since 1865, the collective memory of its horror has faded, so that we have sanitized and romanticized even the experience of the Civil War. Neither film nor reenactment can fully capture the hard truth of the four-year conflict. Living Hell presents a stark portrait of the human costs of the Civil War and gives readers a more accurate appreciation of its profound and lasting consequences.Adams examines the sharp contrast between the expectations of recruits versus the realities of communal living, the enormous problems of dirt and exposure, poor diet, malnutrition, and disease. He describes the slaughter produced by close-order combat, the difficulties of cleaning up the battlefields—where tens of thousands of dead and wounded often lay in an area of only a few square miles—and the resulting psychological damage survivors experienced.Drawing extensively on letters and memoirs of individual soldiers, Adams assembles vivid accounts of the distress Confederate and Union soldiers faced daily: sickness, exhaustion, hunger, devastating injuries, and makeshift hospitals where saws were often the medical instrument of choice.Inverting Robert E. Lee’s famous line about war, Adams suggests that too many Americans become fond of war out of ignorance of its terrors. Providing a powerful counterpoint to Civil War glorification, Living Hell echoes William Tecumseh Sherman’s comment that war is cruelty and cannot be refined.Praise for Our Masters the Rebels: A Speculation on Union Military Failure in the East, 1861–1865"This excellent and provocative work concludes with a chapter suggesting how the image of Southern military superiority endured in spite of defeat."— Civil War History"Adams's imaginative connections between culture and combat provide a forceful reminder that Civil War military history belongs not in an encapsulated realm, with its own categories and arcane language, but at the center of the study of the intellectual, social, and psychological currents that prevailed in the mid-nineteenth century."— Journal of American HistoryPraise for The Best War Ever: America and World War II"Adams has a real gift for efficiently explaining complex historical problems."— Reviews in American History"Not only is this mythologizing bad history, says Adams, it is dangerous as well. Surrounding the war with an aura of nostalgia both fosters the delusion that war can cure our social ills and makes us strong again, and weakens confidence in our ability to act effectively in our own time."— Journal of Military History

    They began their unique collaboration ten months into the war, at the Battle of Shiloh, each carefully taking the other's measure. They shared the demands of family life and the heartache of personal tragedy. They shared similar philosophies of battle, employed similar strategies and tactics, and remained in close, virtually daily communication throughout the conflict. They were incontestably two of the Civil War's most important figures, and the deep, abiding friendship they shared made the Union's ultimate victory possible.Poignant, riveting, and elegantly written, Grant and Sherman is a remarkable portrait of two extraordinary men and a singular friendship, forged on the battlefield, that would change the course of history.

    This work fills that order admirably ... [Thomas] sensibly and deftly integrates the course of Southern military fortunes with the concerns that shaped them and were shaped by them. In doing so he also manages to convey a sense of how the war itself deteriorated from something spirited and gallant to something base and mean and modern on both sides.