Social protest and poetry; reality and myth; nostalgia for an uncorrupted, golden past; sensual human enjoyment of the present; 'magic' rather than lineal time, and, above all, a tender, compassionate love for the living, fertile, wondrous land and the struggling, hopeful people of Guatemala.—Saturday Review • Winner of the 1967 Nobel Prize for Literature

    Ángel Santiago, a youth determined to avenge abuse he received in jail, seeks out the notorious bank robber Nicolás Vergara Grey, whose front-page exploits won him a reputation he would rather leave behind. Their plan for an ambitious and daring robbery is complicated by the galvanizing presence of Victoria Ponce, a virtuosic dancer and high-school dropout whose father was a victim of the regime. Praised for his “ability to place a personal story in the context of a national upheaval and make it warm, funny and universal” (San Francisco Chronicle), Antonio Skármeta sets this exuberant love story against the backdrop of the new Chile, free from the Pinochet dictatorship but beholden to the perils of globalization. The Dancer and the Thief, which won Spain’s prestigious Planeta Prize, is a remarkable new novel from one of South America’s finest storytellers.

    He doesn't exist, but nobody's perfect.Only Amanda can see her imaginary friend – until the sinister Mr Bunting arrives at Amanda's door. Mr Bunting hunts imaginaries. Rumour says that he eats them. And he's sniffed out Rudger. Soon Rudger is alone, and running for his imaginary life. But can a boy who isn’t there survive without a friend to dream him up?A brilliantly funny, scary and moving read from the unique imagination of A.F. Harrold, this beautiful book is astoundingly illustrated with integrated art and colour spreads by the award-winning Emily Gravett.

    --Choice

    They arrive to find the city in chaos but they hope to save the spirit of the empire by rescuing the young son of the last Emperor, Romulus Augustus.

    Garton has a way with teenage boredom, atmospheric small town isolation, incest, drug abuse, and over the top violence and he has managed to create a modern remake of the story of the Pied Piper with a sinister character, Mace (who wears a crucifax around his neck a crucifix with an axlike blade on it) appearing on the scene, seducing mixed up kids with his siren song of pleasure, power, and indulgence, all leading to a horrifically unsettling climax of death and destruction. And then there are the ratlike things that do the piper s bidding . . .

    Tony, a nine-year-old horror story addict is delighted when a little vampire called Rudolph lands on his windowsill one evening and, together, the two have a series of hilarious adventures involving visits to Rudolph’s home – The Vampire Family Vault – where Tony narrowly escapes the clutches of Great-Aunt Dorothy.

    Her family tries at all costs to marry her off to her cousin to keep the inheritance. Nevertheless, she is in love with a Christian slave to whom she writes letters describing her personal experiences.

    A clay giant miraculously brought to life by a saintly rabbi saves a Jewish banker who has been falsely accused in the Prague of Emperor Rudolf II.

    Jacobs, H.G. Wells, Arthur Machen, Horacio Quiroga and H.P. Lovecraft.

    Barnabe vespers were over; the clergy left the altar; the little choir-boys flocked across the chancel and settled in the stalls. A Suisse in rich uniform marched down the south aisle, sounding his staff at every fourth step on the stone pavement; behind him came that eloquent preacher and good man, Monseigneur C--.

    He is "just a man" who, with common sense, achieves what other superheroes can't. This story is a good excuse for young readers to reflect on the qualities that a real superhero should have. An excellent title to awake the critical thinker.

    His highly regarded Sonatas tetralogy, which appeared from 1902 to 1905, was hailed as the pinnacle of Spanish modernist prose and the beginning of modern Spanish literature.The Sonatas, named for the four seasons, represent the memoirs of the Marquis of Bradomín, a Galician Don Juan. The Spring Sonata takes place in his youth, when he is consumed with passion for a beautiful young aristocratic woman--a paragon of purity whose chief desire in life is to join a convent. The story of their romance, a tale of ardor and innocence, is lively, moving, and surprising.In addition to its detailed background information, the introduction features summaries of the other three Sonatas. This new translation is the first and only annotated edition of Spring Sonata and the only available dual-language edition.

    One of them never left, still farming the family's land that's been tilled for generations. Others did leave, went farther afield to make good, with varying degrees of success; as a rock star, commodities trader, rodeo stud. And seamlessly woven into their patchwork is Beth, whose presence among them—both then and now—fuels the kind of passion one comes to expect of love songs and rivalries.Now all four are home, in hopes of finding what could be real purchase in the world. The result is a shared memory only half-recreated, riddled with culture clashes between people who desperately wish to see themselves as the unified tribe they remember, but are confronted with how things have, in fact, changed.There is conflict here between longtime buddies, between husbands and wives — told with writing that is, frankly, gut-wrenching, and even heartbreaking. But there is also hope, healing, and at times, even heroism. It is strong, American stuff, not at all afraid of showing that we can be good, too — not just fallible and compromising. Shotgun Lovesongs is a remarkable and uncompromising saga that explores the age-old question of whether or not you can ever truly come home again — and the kind of steely faith and love returning requires.

    Young aristocrat Antoni de Montpalau, a passionate scientist, progressive and liberal, having deduced scientifically that a vampire has committed a mysterious series of murders, is drawn into pursuit of the creature, which has assumed the aspect of a Carlist guerrilla leader known as the Owl. Montpalau is soon captured, however, by the Carlist General Cabrera who turns out to be one of the Owl's victims; despite their political differences, the two become fast friends. Fully aware that only if the vampire is destroyed before his victim, can he himself avoid becoming a vampire, Cabrera's involvement in the hunt becomes increasingly urgent, while the vampire metamorphoses always in startling guises. Unfortunately, Perucho's novel, for all its invention and playful mock erudition, disappoints in its failure to draw the reader into its conceits with an impelling narrative flow or to point outside itself to larger meaning.