In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out of hair, with unsettling results. In “Wild,” a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good," three generations of women are haunted by the ghosts of war, while in "Light," a father struggles to protect and empower the daughter he loves. And in the title story, in a world ravaged by flood and riven by class, experts have discovered how to "fix the equation of a person" - with rippling, unforeseen repercussions. Evocative, playful, subversive, and incredibly human, What It Means When a Man Falls from the Sky heralds the arrival of a prodigious talent with a remarkable career ahead of her.

    The table of contents has been slightly modified: "Phalaenopsis" has been replaced by "Her Mother's Ghosts," which first appeared in 2004 in The Rose and Twelve Petals and Other Stories, released by Small Beer Press."The Rose in Twelve Petals""Professor Berkowitz Stands on the Threshold""The Rapid Advance of Sorrow""Lily, With Clouds""Miss Emily Gray""In the Forest of Forgetting""Sleeping with Bears""Letters from Budapest""The Wings of Meister Wilhelm""Conrad""A Statement in the Case""Death Comes for Ervina""The Belt""Her Mother's Ghosts""Pip and the Fairies""Lessons with Miss Gray"

    These two stories are perhaps even better known as films (The Birds by Alfred Hitchcock and Don't Look Now by Nic Roeg), but here we bring you the full terrifying texts, superbly read by Peter Capaldi, who brings the true dimension of these works to the imagination.

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    Howard's Conan the Cimmerian stories published during his lifetime, contextualized with biographical details of their author. The hardcover, a Multimedia Bundle Edition, includes the e-book and audiobook editions as downloadable bonus content.Excerpt from Introduction:"When the first Conan of Cimmeria story appeared in the pages of Weird Tales magazine in December 1932, nothing quite like it had ever before appeared in print.Author Robert E. Howard had been writing stories broadly similar to it for half a decade; but it was with Conan, and the Hyborian Age storyworld in which he was placed, that Howard finally fully doped out the sub-genre that would become known as “sword and sorcery,” of which Howard is today considered the founding father."Conan’s origins date back to an experiment in 1926 titled “The Shadow Kingdom,” featuring the character Kull, exile of Atlantis. The idea — Howard’s great innovation — was, at its core, historical fiction set in a pre-historical period. That pre-historical period — being, of course, lost in the mists of time — could contain anything Howard might like to include: evil races of sentient snake-things, sorcerers, undead creatures, demons walking upon the earth, anything."In other words, Howard was creating a secular mythology."And as with any mythology, secular or no, there would be a hero, a Ulysses or a Theseus, an exceptional man of legend striding through that myth-world, sword in hand, righting wrongs and slaying supernatural monsters and, along the way, providing metaphorical insight onto his world and ours."At the same time, he was finding success with another historical-fiction-fusion innovation: The grim, savage English Puritan Solomon Kane. Kane’s world was the skull-strewn chaos of Europe and north Africa during the Thirty Years War, in the early 1600s. Little enough is known about specific events during that dark time that it was possible to take historical liberties with it as a storyworld, so that it could accommodate dark magic, walking skeletons, vampires, magic staffs, and, of course, N’Longa the witch-doctor."Howard quickly realized he was onto something with Solomon Kane. The first Solomon Kane story, “Red Shadows,” appeared in August 1928 in Weird Tales, and readers loved it. Here was a dark, brooding world of menace and witchcraft connected pseudo-genealogically to their own. It was easy for readers to “take the ride” — to suspend their disbelief and envision Kane’s adventures as a part of the real world."But, perhaps the connection with the real world was too close. The countries of 1630s Europe are well known; the causes of the conflict fully understood. There was only so much Howard could do in Solomon Kane’s world. Moreover, Solomon Kane is just a hard character to root for. Unlike Kull, he is, not to put too fine a point on it, really not a sane man."So it makes perfect sense that after the shadowy, prehistoric world of Kull and the dark, necromantic world of Solomon Kane, Howard would combine these two precursors to develop a world that was far enough into the distant past to be free of actual historical constraints — like Kull’s — yet close enough to the present to still exist as echoes and legends in the world’s mythologies."And so Howard created The Hyborian Age, circa 10,000 B.C. And to play the role of our avatar as we explore this shadowy, almost-historical  world, he gave us Conan the Cimmerian - to tread the jeweled thrones of the Earth under his sandalled feet."

    

    A book put together with the sole purpose of reminding readers what the horror genre is really about. Each author was told they could write about any subject matter they wanted so long as it was set in a world of horror. The only rule they had: No Paranormal Romance. Vampires do not sparkle, werewolves do not date, Witches do not scour Tinder for Virgins and ghosts do not declare their undying love whilst tidying the apartment... This is horror... Featuring work from: Brian Lumley, Adam Nevill, Guy N. Smith Ramsey Campbell, Gary McMahon, Shaun Hutson, J. R Park, Peter McKeirnon, Jim Goforth, Wrath James White, Craig Saunders, Matt Hickman, Sam West, Kit Power, Daniel Marc Chant, Matt Shaw, Adam Millard, Anton Palmer, Clare Riley Whitfield, Jaime Johnesee, Jeff Strand, Andrew Freudenberg, Michael Bray Shane McKenzie.

    Volume 1 features all new and original stories from authors Joe R. Lansdale, John Skipp, Cody Goodfellow, Jeff Strand, J. F. Gonzalez, Stephen Mark Rainey, Nate Southard, Shane McKenzie and (in deluxe hardcover retail editions only) William Meikle. Each story is preceded by a full page/full bleed color illustration by artist Zach McCain. Table of Contents “Santa Explains” by Joe R. Lansdale “The Endless Black of Friday” by Nate Southard “Red Rage” by Stephen Mark Rainey “Pointy Canes” by Jeff Strand “Naughty” by Shane McKenzie “Krampusnacht in Cell Block J” by Cody Goodfellow “The Shittiest Guy in the World (A Christmas Fable)” by John Skipp “Belsnickel” by J. F. Gonzalez “The Color That Stole Christmas” by William Meikle (Deluxe Hardcover Editions Only)

    Gathered together by Ross E. Lockhart, the editor who brought you The Book of Cthulhu, The Children of Old Leech, and Giallo Fantastique, Cthulhu Fhtagn! features nineteen weird tales inspired by H. P. Lovecraft.

    Lovecraft's Cthulhu Mythos. Ranging from Lovecraft's own tales (including classics such as the novel At the Mountains of Madness, The Shadow Over Innsmouth, and The Colour Out of Space) to works by his friends and contemporaries (Clark Ashton Smith, Robert E. Howard, Frank Belknap Long, and Robert Bloch), to later followers (Henry Kuttner, Lin Carter, Brian McNaughton), and contemporary afficianados (Brian Stableford, Mark McLaughlin, Adrian Cole) -- and many more. This is one collection no Lovecraft fan can afford to miss! Included are: At the Mountains of Madness, by H. P. Lovecraft The Events at Poroth Farm, by T.E.D. Klein The Return of the Sorcerer, by Clark Ashton Smith Worms of the Earth, by Robert E. Howard Envy, the Gardens of Ynath, and the Sin of Cain, by Darrell Schweitzer Drawn from Life, by John Glasby In the Haunted Darkness, by Michael R. Collings The Innsmouth Heritage, by Brian Stableford The Doom That Came to Innsmouth, by Brian McNaughton The Shadow Over Innsmouth, by H. P. Lovecraft The Nameless Offspring, by Clark Ashton Smith The Hounds of Tindalos, by Frank Belknap Long The Faceless God, by Robert Bloch The Children of Burma, by Stephen Mark Rainey The Call of Cthulhu, by H.P. Lovecraft The Old One, by John Glasby The Holiness of Azedarac, by Clark Ashton Smith Those of the Air, by Darrell Schweitzer and Jason Van Hollander The Graveyard Rats, by Henry Kuttner Toadface, by Mark McLaughlin The Whisperer in Darkness, by H. P. Lovecraft The Eater of Hours, by Darrell Schweitzer Ubbo-Sathla, by Clark Ashton Smith The Space-Eaters, by Frank Belknap Long The Fire of Asshurbanipal, by Robert E. Howard Beyond the Wall of Sleep, by H.P. Lovecraft Something in the Moonlight, by Lin Carter The Salem Horror, by Henry Kuttner Down in Limbo, by Robert M. Price The Dweller in the Gulf, by Clark Ashton Smith Azathoth, by H.P. Lovecraft Pickmans Modem, by Lawrence Watt-Evans The Hunters from Beyond, by Clark Ashton Smith Ghoulmaster, by Brian McNaughton The Spawn of Dagon, by Henry Kuttner Dark Destroyer, by Adrian Cole The Dunwich Horror, by H. P. Lovecraft The Dark Boatman, by John Glasby Dagon and Jill, by John P. McCannAnd don't forget to search this ebook store for more entries in the Megapack series -- collections covering Fantasy, Horror, Science Fiction, Mystery, Adventure ... and many more!"

     Whether we are following WB through a grim future where human meat is on the market, or trailing slowly behind while she introduces us to Marie Laveua's daughter, you can be certain of one thing: you will be surprised. The best and the most brutal of WB's works has been brought together in this all-too-believable collection. Includes a total of eighteen tales. Stories include: - Her - Undo - Slipping - Siren - Alone in the House - Antics - House Arrest - Mall Food - Meat Aisle - The Water Stain - Heart Problems - Laveau - The Birth - The Look - Love/Death - Beneath the Surface - Nighttime Terror - Girl in the Pink Coat

     Finding Elizabeth Abducted from her home just before her third birthday, Elizabeth is taken in by the Bennets. It is only with the arrival of a new tenant at Netherfield that her true identity is discovered. According to Mr Bennet, Elizabeth was found wandering in the gardens of Longbourn but will the truth of the matter ever be known? Her Grandmother’s Wisdom Elizabeth and Mary Bennet on holiday with their Aunt and Uncle Gardiner in Derbyshire. It is there that they first meet Fitzwilliam Darcy a year after his father’s passing. Four years later, Darcy is pleased to discover the young lady he had thought of often resides on the neighbouring estate to the one his friend Bingley has recently leased. Miss Bennet’s Adventure Following the marriage of Elizabeth and Darcy, Mary is invited to join her sister and new brother at Pemberley. There she meets again a certain colonel in His Majesty’s Army. Sequel to Her Grandmother’s Wisdom. Hurst Knows All What if Hurst was more aware of what was going on around him at Netherfield and shared his wife’s and sister’s liking for gossip. Storms over Hunsford The morning after the ill-fated proposal at Hunsford, Elizabeth is walking aimlessly in the grounds of Rosings Park as she reads Darcy’s letter. So caught up in reading and re-reading the missive, while chastising herself, she does not notice the approaching storm until it is too late.

    Lovecraft, the early twentieth-century master of "weird fiction", left behind descriptions of 221 unwritten stories. Some were only a few ambiguous words long, others were complete plot outlines, and all of them died with their author. Now, 70 years later, writers from all over the country have come together to bring these untold stories to life. The only requirement for the writers: to create a piece that fulfilled every part of Lovecraft's original vision. The results are as varied as the artists behind them. Inside this book waits horror, science fiction, comedy, memoir, experimental text art, and one extremely short novel. Some of these stories will take away your worries. Others will take away your sleep. And a few will take you to another world, a world where weird fiction still lives, and the way home may prove difficult to find indeed.

    Containing many "lost" pieces, it is a compendium of suspense from the pulp magazines of the '20s to his last efforts in the '70s. Fine.

    Or how about when you got stood up on that tinder date and go home disappointed, only to realize it was all a trick so he'd know where you live? Then there's those letters your dead wife keeps writing you... There can be no light without darkness, pleasure without pain, or love without loss. 17 authors have teamed up to collect all our favorite supernatural and psychological horror stories about love.Jealous murders, monstrous doppelgangers, heart-rending romances, devils and angels, cannibals and virtual worlds - over 350 pages of your most desperate longings and worst nightmares all rolled into one. Shocking twists and absolute mind-fuckery will thrill and terrify you to the last page!