Provides an overview of the most significant issues and debates in Gothic studies. Explains the origins and development of the term Gothic. Explores the evolution of the Gothic in both literary and non-literary forms, including art, architecture and film. Features authoritative readings of key works, ranging from Horace Walpole's The Castle of Otranto to Bret Easton Ellis's American Psycho. Considers recurrent concerns of the Gothic such as persecution and paranoia, key motifs such as the haunted castle, and figures such as the vampire and the monster. Includes a chronology of key Gothic texts, including fiction and film from the 1760s to the present day, and a comprehensive bibliography.

    Advice on conflict resolution and genuine intimacy. The author doesnt forget to include treatments on couple crises, ruptures, and the mourning of heartbreak as a previous step to be prepared to fall in love again.

    The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire Dead series, it establishes the place of zombies in the Gothic tradition. Instructors considering this book for use in a course may request an examination copy here.

    Fully illustrated, this book includes an Indian song-and-dance version of Dracula; Turkish version of Star Trek and Superman; China's "hopping vampire" films, and much more.

    Not because of their reluctance to speak, but because of institutional imposition. The #Cu�ntalo movement (a clear echo of the #MeToo hashtag) builds a collective memory of aggressions. Three million women participated in just two weeks.

    There, something unlikely happened: he fell in love with a piece of classical music -- Bach's cello suites. Part biography, part music history, and part literary mystery, The Cello Suites weaves together three dramatic stories: The first features Johann Sebastian Bach and the missing manuscript of his suites from the eighteenth century; the second is that of Pablo Casals and his incredible discovery of the manuscript in Spain in the early twentieth century; and the third is Eric Siblin's own infatuation with the suites in the twenty-first century.This love affair leads Siblin to the back streets of Barcelona, a Belgian mansion, and a bombed out German palace; to interviews with cellists Mischa Maisky, Anner Bylsma, and Pieter Wispelwey; to archives, festivals, conferences, and cemeteries; and even to cello lessons -- all in pursuit of answers to the mysteries that continue to haunt this piece of music more than 250 years after its composer's death.The Cello Suites is an incomparable, beautifully written, true-life journey of passion, imagination, and discovery, fuelled by the transcendent power of a musical masterpiece.

    The primary purpose is to establish a canon of weird literature, and to distinguish the genuinely meritorious writers of the past fifty years from those who have obtained merely transient popular renown. Accordingly, the author regards the complex, subtle work of Shirley Jackson, Ramsey Campbell, Robert Aickman, T.E.D. Klein, and Thomas Ligotti as considerably superior to the best-sellers of Stephen King, Clive Barker, Peter Straub, and Anne Rice. Other writers such as William Peter Blatty, Thomas Tryon, Robert Bloch, and Thomas Harris are also discussed. Taken as a whole, the volume represents a pioneering attempt to chart the development of weird fiction over the past half-century.

    His earlier visits allow him to compare his "chosen homeland" to a past time and a fundamentally unchanged zone, neglected by Franco and Spain itself. At once, then, "Nijar Country" doubles time and space, the first of its many such doublings.Walls graffitied FRANCO, FRANCO, FRANCO preside over destitution, hopeless hopes, and labored lives ended before death, so inhabitants dream of escaping, some having returned only to recall cities regretfully. One boy, pointedly named Juan, implores the narrator (our Juan?) to take him away. The boy may embody a past Juan of whom the present man is avatar--and what about the other Juans in the book?Readers of Goytisolo's later books, such as "Juan the Landless," may be surprised by "Nijar Country"'s precociously complex counterpoint, so deftly manipulated as to possibly escape detection.Goytisolo has written other "travelogs," each accomplishing multiple purposes. Here his vocabulary and grammar sound Nijar's soulful culture. Peter Bush's flexible translation admirably hurdles such potential obstacles of diction and expression.

    Despite a near-zero knowledge of the language, he had three months to learn. No problem, or so Rich kept telling himself. Rich dives in at the deep end by moving in with an unintelligible Spanish landlady, and a German roommate, Nils, who insists on being called by his Spanish name, “Miguel”. Unsurprisingly, Miguel can only take Rich’s Spanish so far. Instead, he takes his chances on a journey across Spain. Follow Rich on a hilarious, life-changing trip through this fascinating and cultured country, as he travels through the vineyards of La Rioja, surfs in the Basque Country and frantically tries to speak Spanish at anyone he can find. In Granada, the last outpost of the Muslim Moors in Spain, Rich’s moment finally arrives. The microphone is on and the audience is ready, but is he?

     Casey Barrow and a group of co-workers were looking forward to a few days of rest and camaraderie at a Catskill Mountains retreat away from their demanding careers. Reunited with a man she turned down years ago when working in Chicago, she hopes to make up for lost time during this getaway. However, rather than unwinding, the group becomes stranded in the dreary mountain mansion. By morning, four people have disappeared without a trace. Someone carrying a grudge has lured them there and cut off every means of escape. Running out of time, the captives face a new danger at every turn to liberate themselves. With the men injured from their efforts, Casey realizes it is up to her to find help before the killer returns to finish the rest of them off one by one. ** If you haven't read the first two books in the series and plan to, be warned of Major Spoilers in the Epilogue.**

    Comprising of twelve titles on Physics, Chemistry and Mathematics, this series caters to students of classes VII to X. The core objective of the series is to help aspiring students understand the basic concepts with more clarity, in turn, developing a problem-solving approach. It also encourages students to attempt various competitive examinations from an early age. Introduces the IIT-JEE syllabus and approach in a simple manner making it easy to integrate along with the regular curriculum Uses graded approach to generate, build and retain interest in concepts and their applications Comprehensive pedagogy:  Illustrative examples solved in a logical and step-wise manner  "Test Your Concepts" at the end of every chapter for classroom preparations  "Concept Application" section with problems divided as per complexity-basic to moderate to difficult  Hints and explanations for key questions along with highlights on the common mistakes that students usually make in the examinations Students aspiring admission in IIT's and other top engineering colleges.

    But the countless movies and books inspired by this child of the night who has a predilection for human blood are based on incidents recorded as fact in newspapers and judicial archives in the centuries preceding the works of Bram Stoker and other writers. Digging through these forgotten records, Claude Lecouteux unearths a very different figure of the vampire in the many accounts of individuals who reportedly would return from their graves to attack the living. These ancestors of the modern vampire were not all blood suckers; they included shroud eaters, appesarts, nightmares, and the curious figure of the stafia, whose origin is a result of masons secretly interring the shadow of a living human being in the wall of a building under construction. As Lecouteux shows, the belief in vampires predates ancient Roman times, which abounded with lamia, stirges, and ghouls. Discarding the tacked together explanations of modern science for these inexplicable phenomena, the author looks back to another folk belief that has come down through the centuries like that of the undead: the existence of multiple souls in every individual, not all of which are able to move on to the next world after death.

    Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth’s many dimensions—including its melancholy, androgyny, spirituality, and perversity—and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney. A number of the contributors are or have been participants in the subculture, and several draw on their own experiences.The volume’s editors provide a rich history of goth, describing its play of resistance and consumerism; its impact on class, race, and gender; and its distinctive features as an “undead” subculture in light of post-subculture studies and other critical approaches. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Brite, and Nick Cave; discussions of goths on the Internet; and readings of iconic goth texts from Bram Stoker’s Dracula to James O’Barr’s graphic novel The Crow. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson. Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the 1980s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism.Contributors: Heather Arnet, Michael Bibby, Jessica Burstein, Angel M. Butts, Michael du Plessis, Jason Friedman, Nancy Gagnier, Ken Gelder, Lauren M. E. Goodlad, Joshua Gunn, Trevor Holmes, Paul Hodkinson, David Lenson, Robert Markley, Mark Nowak, Anna Powell, Kristen Schilt, Rebecca Schraffenberger, David Shumway, Carol Siegel, Catherine Spooner, Lauren Stasiak, Jeffrey Andrew Weinstock

    This revelatory history ranges through art, architecture, gardening, literature, photography, filmmaking, music, and clothing design, and takes in artists and creations as various as Byron, Horace Walpole, Goya, Frankenstein's monster, Edgar Allan Poe, Jackson Pollock, David Lynch, The Terminator, and The Cure.

    What Michael doesn’t expect, is to be put in charge of a group of offenders and sent to a remote location in the Sierra Nevada Mountains in Spain to teach them survival skills as part of their rehabilitation programme. But Michael knows nothing at all about survival skills. He was sort of in the SAS, yes, but his shining record on the “Escape and Evasion” courses was more a testament to his computer skills than his ability to catch wildlife and barbecue it over an impromptu fire. Basically, he was the SAS’s techy nerd and only achieved that position as a result of a bet with a fellow hacker. Facing a stark choice between starvation or returning home to serve out their sentences, the group of offenders under Michael’s supervision soon realise that the only way to survive is to use their own unique set of skills – the kind of skills that got them arrested in the first place.