Each one proves to be beyond his ability to control either other people or his sexual desire and finally the last island conquers him. The story can even be seen as a metaphor of man's inexorable march to death when we are all finally alone.The story is said to have been inspired by the life of Compton Mackenzie.

    Fascinating, with some stories weighted entirely differently, the original texts reveal Carver to be a more humane writer than he is usually credited with being.

    Starting with the CWA awarding winning Raven Black, this special ebook also contains the second and third novels in the Shetland series, White Nights and Red Bones.Raven Black: It is a cold January morning and Shetland lies buried beneath a deep layer of snow. Trudging home, Fran Hunter’s eye is drawn to a vivid splash of colour on the white ground, ravens circling above. It is the strangled body of her teenage neighbour Catherine Ross. As Fran opens her mouth to scream, the ravens continue their deadly dance . . . The locals on the quiet island stubbornly focus their gaze on one man – loner and simpleton Magnus Tait. But when police insist on opening out the investigation a veil of suspicion and fear is thrown over the entire community. For the first time in years, Catherine’s neighbours nervously lock their doors, whilst a killer lives on in their midst.

    ‘Massimo Montaldo’ is the nickname of hacker living on the fringe of society. What can happen when these two very different people meet each other?Massimo has discovered something, something that could shift the balance of power among the superpowers of the world. A Black Swan. What is a Black Swan? “A black swan, when it arrives, cannot even be recognized as a black swan. When the black swan assaults us, with the wingbeats of some rapist Jupiter, then we must rewrite history.”As a journalist, Luca must investigate, learn the truth – or should he? What if this is all beyond him, beyond his ability to fully grasp? Memristors? Euro-Liras? Spies and the possibility of an Alternate Italy?What if the risk is too high, the danger too great?Warring between what is safe and what is right, Luca had to decide if reporting the truth is worth the risk…

    Though all are different ages, and leading different lives, each is haunted by the difficulty of living on her own terms, and by her capacity to harm and be harmed.Claire is a teenaged babysitter left alone with a strange little girl and her imaginary friend. She is a woman trying to escape her elderly mother by employing an android carer. Claire is a young TV journalist wrecking her first big interview. Claire’s boyfriend discovers more than he bargains for when he begins to read her diary.And no matter her age or background, Claire is living in the shadow of a monstrous mother.With startling insight and understanding, Frances Leviston offers a frighteningly perceptive slice of contemporary womanhood. In forensic, indelible prose that is often bleakly funny, The Voice in My Ear reveals a brilliant new voice in fiction – and invites us to consider our own place in the relationships that define us.

    He writes with equal force about the blithe energies of youth ("Boys") and the rueful onset of middle age ("Hawaiian Night"), about Midwestern optimists ("Double Zero") and West coast strategists ("Baggage Carousel"), about visionary exhilaration ("Forecast from the Retail Desk") and delusional catharsis ("Surplus Value Books: Catalog Number 13.") The astounding title story, which has already been reprinted in four different anthologies, is a masterpiece of remembrance and thwarted love.Full of deep feeling and stunningly beautiful language, the stories in Demonology offer the deepest pleasures that fiction can afford.

    Her editor and her legions of readers count on full disclosure from her, but what no one—least of all Charlie—anticipates, only a week after the couple decide to end their marriage, is the speed and inventiveness with which she begins to try him in the court of public opinion. On Monday morning, it’s a smirk by a forgettable former lover that first clues him in that something’s wrong. Then, before he’s settled in at his desk, another co-worker salutes Charlie with the title of Elaine’s new column: “Bastard!” A quick check online leads him to the column, the subtitle leaving little doubt as to what he’s in for: “Life with an Ex. He’s Gone but Not Forgotten.” Charlie’s only hope is that Elaine will get bored and abandon the weekly column—a colorful litany of his failures as a partner, father, breadwinner, and lover—or that it won’t catch on. But soon enough it’s a multimedia feeding frenzy, and everyone’s reading Bastard!
And for Charlie, that’s a bitch.

    On the verge of adolescence, young Richie Stowe grapples to make sense of these events and their consequences, and seeks solace in the church. As the family attempts to mend itself and move forward, its members are forced to reconcile their feelings of betrayal with their enduring love for one another. Masterfully related from the alternating perspectives of its six main characters, Dubus's richly drawn novella recounts a family's failure to abide by those laws divined and decreed, and its path to redemption via understanding and forgiveness.

    The dreams and disappointments of the children of the author's magnificent imagination foreshadow the themes of Miss Smilla's Feeling for Snow and Borderliners

    No Art is an exhilarating argument both with America and with poetry itself, in which online slang is juxtaposed with academic idiom, philosophy collides with advertising, and the language of medicine and the military is overlaid with echoes of Whitman and Keats. Here, clichés are cracked open and made new, made strange, and formal experiments disclose new possibilities of thought and feeling. No Art confirms Ben Lerner as one of the most searching and ambitious poets working today.

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    But his insensitivity to this love is in direct contrast to the tenderness with which he attempts to make his aunt's slow death in a hospital tolerable. Everywhere in this rich novel is the drama of opposites, but above all, sex and death are never far from each other.

    Included here are such classics as REMEMBERING NEEDLEMAN, THE KUGELMASS EPISODE, a new story called CONFESSIONS OF A BUGLAR, and more.

    His vision, with its absurdity and twisted humour, has lost none of its force or relevance today. This essential collection, newly selected and translated by Alexander Starritt, casts fresh light on Kafka's genius.Alongside brutal depictions of violence and justice are jokes and deceptively slight, mysterious fables. These unforgettable pieces reflect the brilliance at the core of Franz Kafka, arguably most fully expressed within his short stories. Together they showcase a writer of unmatched imaginative depth, capable of expressing the most profound reality with a wry smile.