Wassily Kandisnsky’s Sounds (Klänge), a volume of poems written and illustrated by the Russian artist and pioneer of abstract painting, was originally published in a limited edition in Munich in 1912.  Although it was highly regarded by such artists as Hugo Ball and Jean Arp and acclaimed by the Zurich Dadaists, it remains one of the least known of Kandinsky’s major writings.  This is the first complete English translation of Kandinsky’s text.  Sounds is one of the earliest, most beautiful examples of a twentieth-century livre d’artiste and a rare instance of a book in which text and illustrations are the work of a single artist.  The poems, alternately narrative and expressive in quality, are witty, simple in structure and vocabulary, and often startling in content.  They repeatedly treat questions of space, color, physical design, and the act of seeing in a world that offers multiple and often contradictory possibilities to the viewer.  The woodcuts range from early Jugendstil-inspired, representational designs to vignettes that are purely abstract in form.  Published in the same year as his Concerning the Spiritual in Art, Sounds sheds a different but equally significant light on Kandinsky’s movement toward abstraction—a movement that was to exercise a profound influence on future directions in art.  In addition to the 38 poems and 56 woodcuts, which are arranged as in the original edition, the volume includes an introduction, the German text of the poems, and the artist’s chronology.

    Surveys the origins, development, techniques, approaches, principles, motifs, and major paintings of the nineteenth-century British school, relating the painters and their works to their society.

    Having spent her first full year away at college, she has gained a new appreciation for her peaceful home and new friend, Walter. Walter jumps at the chance to work at Quail Crossings when the opportunity presents itself. Not only does Walter want to learn his chosen trade of agriculture, but he also wants to be closer to Alice who has resisted his romantic advances. The peaceful summer Alice has envisioned with her family and friend quickly dissolves as a stranger arrives proclaiming Quail Crossings as his own. Between the stranger and a natural disaster, the only home Alice has ever known could be destroyed forever. Alice and the whole clan must put their lives in danger to save the very thing that has brought them together … Quail Crossings ... or say goodbye to it forever.

    Holt convincingly offers a disturbingly contemporary answer: partisan politics. In this brilliant and succinct book, Holt distills a lifetime of scholarship to demonstrate that secession and war did not arise from two irreconcilable economies any more than from moral objections to slavery. Short-sighted politicians were to blame. Rarely looking beyond the next election, the two dominant political parties used the emotionally charged and largely chimerical issue of slavery's extension westward to pursue reelection and settle political scores, all the while inexorably dragging the nation towards disunion.Despite the majority opinion (held in both the North and South) that slavery could never flourish in the areas that sparked the most contention from 1845 to 1861-the Mexican Cession, Oregon, and Kansas-politicians in Washington, especially members of Congress, realized the partisan value of the issue and acted on short-term political calculations with minimal regard for sectional comity. War was the result.Including select speeches by Lincoln and others, The Fate of Their Country openly challenges us to rethink a seminal moment in America's history.

    Follows the development of a rural Illinois community from its origins near the beginning of the nineteenth century, looks at community activity, and tells the stories of ordinary pioneers.

    51 pages of summaries and analysis on Year of Wonders by Geraldine Brooks.This study guide includes the following sections: Plot Summary, Chapter Summaries & Analysis, Characters, Objects/Places, Themes, Style, Quotes, and Topics for Discussion.

    But had this bold and spirited beauty really descended into prostitution, drunkenness, and early death--or did her life, hidden from history, take a different course altogether? Eunice Lipton's search for the answer combines the suspense of a detective story with the revelatory power of art, peeling off layers of lies to reveal startling truths about Victorine Meurent--and about Lipton herself.

    It was to be an age of post-Impressionistic color, form and wonderment that the art world discovered only after the master's death. Bouts of anxiety, mental illness and epilepsy may have tormented him and brought about his suicide at the age of 37. But they may also have been catalysts for emotionality and vibrance in his art that reveal a turbulent search for grace.The compilation of Vincent Van Gogh's 500 finest color paintings in this online volume comes to you in a digitally restored state: the eye-popping brilliance and vitality are just as on the day Van Gogh finished them. Unless noted otherwise, all of them were originally oil paintings on canvas or wood (the few exceptions are watercolors). The arrangement is by genre (see the list below) and is chronological within each genre section. There are a few duplicates, that is, some paintings from one genre are also shown within the scope of another genre in order to emphasize their "dual nature." This is especially true for the images in "Skyscapes," many of which are reprised from "Landscapes" or other relevant genres to afford you, the viewer, with a fresh perspective on a different aspect of the composition.Technical Note: All 500 images are in color -- they render beautifully in optimized gray-scale tones for black-and-white e-book readers, but exhibit even more stunningly in full color with color readers and inside Kindle apps for color-enabled computers and portable or hand-held devices.The masterpieces are organized into the following genres (with the tally of images in each):PORTRAITS (24)SELF-PORTRAITS (18)CHARACTER AND ACTION STUDIES (31)LABORERS (37)TOWNSCAPES: FROM A DISTANCE (17)TOWNSCAPES: FROM INSIDE THE TOWN (30)BUILDINGS: FROM AN EXTERIOR PERSPECTIVE (35)BUILDINGS: INTERIOR DESIGN (17)BIRDS (2)ANIMALS (7)FLOWERS AND GARDENS: LIVING AND GROWING (20)FLOWERS: FLORAL ARRANGEMENTS (29)STILL LIFE (45)TREES (50)LANDSCAPES (50)WATERSCAPES: THE SEA (6)WATERSCAPES: RIVERS, CANALS AND BRIDGES (23)SKYSCAPES (38)NIGHTSCAPES: AT SUNSET (14)NIGHTSCAPES: BY MOONLIGHT (3)NIGHTSCAPES: STARRY NIGHTS (5)NIGHTSCAPES: AT SUNRISE (1)

    LUCIFER HIMSELF IS THE STAR OF THIS BOOK, WHICH CONTAINS IMAGES OF HIM THROUGHOUT THE HISTORY OF ART. ETCHINGS, WOODCUTS, PAINTINGS, ILLUSTRATIONS, DRAWINGS, PHOTOGRAPHS, AND ADVERTISEMENTS FEATURING OF THE DEVIL, BY THE LIKES OF DA VINCI, BOSCH, PIERRE ET GILLES, GIGER, AND MANY MORE, POPULATE THE PAGES OF THIS SUPREMELY "EVIL" BOOK.

    No city was more fervently attached to slavery, and no city was seen by the North as a greater threat to the bonds barely holding together the Union. And so, with Abraham Lincoln's election looming, Charleston's leaders faced a climactic decision: they could submit to abolition--or they could drive South Carolina out of the Union and hope that the rest of the South would follow.In Madness Rules the Hour, Paul Starobin tells the story of how Charleston succumbed to a fever for war and charts the contagion's relentless progress and bizarre turns. In doing so, he examines the wily propagandists, the ambitious politicians, the gentlemen merchants and their wives and daughters, the compliant pastors, and the white workingmen who waged a violent and exuberant revolution in the name of slavery and Southern independence. They devoured the Mercury, the incendiary newspaper run by a fanatical father and son; made holy the deceased John C. Calhoun; and adopted "Le Marseillaise" as a rebellious anthem. Madness Rules the Hour is a portrait of a culture in crisis and an insightful investigation into the folly that fractured the Union and started the Civil War.

    This beautiful book contains 200 exquisite motifs to re-create, from flowers and fruits to wildlife and scenery.Each motif includes an explanation of its symbolic meaning, a palette of colors, and step-by-step instruction in the order, direction, and type of brushstrokes.An introductory section explains all the tools, materials, and techniques required, from choosing brushes and paper to achieving perfect color mixtures and the correct consistency of ink.Includes advice on composing and combining images to create perfectly balanced, harmonious paintings, and ideas for using and displaying your finished art.

    For fans of Nadine Dorries, Maeve Binchy, Freda Lightfoot and Dilly Court. Lives are on the line as the workers fight back in the Welsh countryside… 1829, Wales For centuries. generations of the Jenkins family have eked out a living from their Carmarthenshire hill farm. But when a fire destroys virtually all of their possessions the children witness their lives crumbling around them. Mary and William find they have barely enough land left to provide for their basic needs. Their only option is to take on more work, but William longs for action, and Mary begins to suspect that he has become embroiled with the Rebecca-ites, a shadowy group of nationalists pitted against the English landowners whose tolls have bankrupted so many Welshman. As tensions mount, Mary becomes ever more torn between her mistrust of the rebels’ violence and her growing attraction to Jac Tŷ Isha, one of their leaders. And when the British government decides to put a stop to the revolt, the danger to the men she loves increases a hundredfold… REBECCA’S CHILDREN is a poignant, beautifully crafted saga of love and betrayal, set against the background of Wales in mid-1800s – a country aflame with political and social unrest. "An accomplished first novel." - The Times "A well-handled tale of passion, social injustice and nationalist fervour in nineteenth century Wales." - The Liverpool Post “Kate Dunn is a fine storyteller.” - Ben Elton

    He died broke and alone at the age of forty, but not before he had written some of the greatest works in the English language, from the chilling “The Tell-Tale Heart” to “The Murders in the Rue Morgue”—the first modern detective story—to the iconic poem “The Raven.”Poe’s life was one of unremitting hardship. His father abandoned the family, and his mother died when he was three. Poe was thrown out of West Point, and married his beloved thirteen-year-old cousin, who died of tuberculosis at twenty-four. He was so poor that he burned furniture to stay warm. He was a scourge to other poets, but more so to himself.In the hands of Paul Collins, one of our liveliest historians, this mysteriously conflicted figure emerges as a genius both driven and undone by his artistic ambitions. Collins illuminates Poe’s huge successes and greatest flop (a 143-page prose poem titled Eureka), and even tracks down what may be Poe’s first published fiction, long hidden under an enigmatic byline. Clear-eyed and sympathetic, Edgar Allan Poe is a spellbinding story about the man once hailed as “the Shakespeare of America.”

    But as engineer Gustave Eiffel built the now-famous landmark to be the spectacular centerpiece of the 1889 World's Fair, he stirred up a storm of vitriol from Parisian tastemakers, lawsuits, and predictions of certain structural calamity. In Eiffel's Tower, Jill Jonnes, critically acclaimed author of Conquering Gotham, presents a compelling account of the tower's creation and a superb portrait of Belle Epoque France. As Eiffel held court that summer atop his one-thousand-foot tower, a remarkable host of artists and personalities-Buffalo Bill, Annie Oakley, Gauguin, Whistler, and Edison-traveled to Paris and the Exposition Universelle to mingle and make their mark. Like The Devil in the White City, Brunelleschi's Dome, and David McCullough's accounts of the building of the Panama Canal and the Brooklyn Bridge, Eiffel's Tower combines technological and social history and biography to create a richly textured portrayal of an age of aspiration, dreams, and progress.

    A life altering event led Catrina Davies to hide from her family and society. Alone in The Highlands she exists in a lonely world cared for only by her savior, a kind old gentleman. When she receives a surprise visitor, Travis Millard, the man she used to love, her head and heart are thrown into turmoil. Travis is determined to save her from this poor life and return her to her family where she belongs. No one is more surprised than he when she agrees to marry him. When Catrina arrives back at her family estate, Davmoor Court in Yorkshire, she is stunned to see the changes. While her father clings to life, Davmoor is nearly ruined by her brother's gambling obsession, and there is something strange about his new wife. As Catrina adjusts to her regained position in society and being with Travis, her marriage comes under attack from Travis's grandmother, who has her own secrets and reason for loathing the Davies family. When one of her brother's adversaries comes to stake his claim on the estate, the resulting chaos threatens not only Catrina's home, but the very lives of those she loves the most. Can she find the strength to fight once more for the right to be happy?​