In her third novel, Riley charts the peculiar final reckoning of a highly charged romance, exploring the possibility of human connection as two young people try to reconcile themselves to all of life’s bad endings, and give some meaning to their mayfly existences.

    Robin Ellacott's long-term boyfriend, Matthew, proposes on her first day to work for Strike as temp secretary.

    It was waiting for him, just as he had left it. But where? He only knew he was in the center of a galaxy in a universe of galaxies. Within them lay endless varieties of the planet Earth. And there was only one way to find his Earth again: he would have to visit each one. And he would have to hurry--because his search for home had turned into a race with death.

    It was taken over, some say stolen, from the Pioneers. Everyone's an employee and you're born into your pay grade. What happens when a young man is thrust into a position of power by an accident of birth? What secrets are hidden by the Corporation?Can one boy create a new way to live?

    John Darnielle hears [Black Sabbath's Master of Reality] through the ears of Roger Painter, a young adult locked in a southern California adolescent psychiatric center in 1985; deprived of his Walkman and hungry for comfort, he explains Black Sabbath as one might describe air to a fish, or love to an android, hoping to convince his captors to give him back his tapes.

    As attraction turns to sex, and they inch closer to getting what they want, both must confront the dark side of ambition and the near impossibility of reinventing oneself when the past is only a click away. Sex with Strangers had its world premiere at Steppenwolf Theatre Company; it will have its New York premiere at Second Stage Theatre in June 2014, directed by David Schwimmer.

    The characters in The Lemon Table are facing the ends of their lives–some with bitter regret, others with resignation, and others still with defiant rage. Their circumstances are just as varied as their responses. In 19th-century Sweden, three brief conversations provide the basis for a lifetime of longing. In today’s England, a retired army major heads into the city for his regimental dinner–and his annual appointment with a professional lady named Babs. Somewhere nearby, a devoted wife calms (or perhaps torments) her ailing husband by reading him recipes. In stories brimming with life and our desire to hang on to it one way or another, Barnes proves himself by turns wise, funny, clever, and profound–a writer of astonishing powers of empathy and invention.

    It's a thrilling story of adventure and rescue, of escape and revenge, set in New England in the early days of Prohibition. Written in the great storytelling tradition, 'Warm Moonlight' has all the intensity of a got-to-hear-how-it-ends campfire yarn, but with a decidedly adult sophistication and sensibility. The ending is unique and satisfying, but leaves the audience, like one of the characters in the story, wondering - how much of it was true? How much invented? Can such things be? Maybe it's a ghost story or . . . . maybe it isn't.

    Her new life is strange and confusing and sometimes frightening. Amanda can barely understand Arabic and the treatment of the women of the family seems wrong to a girl raised in Wales. To add to her problems, Mohammed proves to be verbally and physically abusive - especially once they have their own flat away from the protection of the wider family. Somehow Amanda must escape, but not without her children.

    But how will they respond when love seems to blossom between local man Gavin Hamilton and the beautiful pearl-fisher Effie? The Pearl-fishers is a classic love story and the master storyteller’s last novel.

    The city it evokes isn’t the Paris of tourists but of local people."—The New York Times"Fabre is a genius of these nuanced, interior moments ... The story Fabre tells is that of every one of us: looking for meaning in the mundane, moving through our lives, our interactions, as if through the fabric of a dream ... How do we live? it asks to consider. And: What does our existence mean?"—Los Angeles Times"Guys Like Me is a short, arresting tale that ...not only offers keen insights into the mind of its middle-aged protagonist, but also provides the reader with a unique tour of what everyday life in the low-key suburbs of Paris must truly be like."—Typographical Era"Readers will take pleasure in this well-told tale with a satisfying ending."––Publishers Weekly"The setting may be Paris, but it’s not the Paris of grand avenues and pricey cafés. In fact, Fabre’s hero is a recognizable everyman, from any country."—Library JournalA smile like a soft flash of light . . . travels through this moving novel and tells, in words that are muted and profoundly humane, of life as it is."—Le Monde"Fabre speaks to us of luck and misfortune, of the accidents that make a man or defeat him. He talks about our ordinary disappointments and our small moments of calm. Fabre is the discreet megaphone of the man in the crowd."—Elle"In this novel one finds the intimate geography of an author who lays bare the essence of Paris and its outskirts."—La Quinzaine littéraireDominique Fabre, born in Paris and a lifelong resident of the city, exposes the shadowy, anonymous lives of many who inhabit the French capital. In this quiet, subdued tale, a middle-aged office worker, divorced and alienated from his only son, meets up with two childhood friends who are similarly adrift, without passions or prospects. He's looking for a second act to his mournful life, seeking the harbor of love and a true connection with his son. Set in palpably real Paris streets that feel miles away from the City of Light, Guys Like Me is a stirring novel of regret and absence, yet not without a glimmer of hope.Dominique Fabre, born in 1960, writes about people living on society's margins. He is a lifelong resident of Paris, France. His previous novel, The Waitress Was New, was also translated into English.

    They chew the fat, set the world to rights, curse the ref, say a last farewell… In this second collection of comic dialogues Doyle’s drinkers ponder:- a topless Kate Middleton- Barack and Michelle Obama (‘fuckin’ gorgeous’)- David Beckham (‘Would you tattoo your kids’ names on the back of your neck?’ ‘They wouldn’t fit’)- Jimmy Savile (‘a gobshite’)- the financial crisis (again)- abortion (again) - and horsemeat in your burger… Once again, those we have lost troop through their thoughts - Lou Reed, Seamus Heaney, Reg Presley, Nelson Mandela (‘he should never have left the Four Tops’), Phil Everly, Margaret Thatcher, Shirley Temple - and they still have that unerring ability to ask the really fundamental questions like ‘Would you take penalty points for your missis?’

    He finds an unlikely confidante in Rosie, an inquisitive young neighbor who, while chasing after Lytten's cat one day, stumbles through a doorway in his cellar and into a stunning and unfamiliar bucolic landscape—remarkably like the fantasy world Lytten is writing about. There she meets a young boy named Jay who is about to embark on a journey that will change both their lives. Elsewhere, in a distopian society where progress is controlled by a corrupt ruling elite, the brilliant scientist Angela Meerson has discovered the potential of a powerful new machine. When the authorities come knocking, she will make an important decision—one that will reverberate through all these different lives and worlds.

    This mirror didn't show you your reflection. It showed you your soul - it showed you who you really were. The wizard couldn't look at it without turning away. The king couldn't look at it. The courtiers couldn't look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.The Zone of Interest is a love story with a violently unromantic setting. Can love survive the mirror? Can we even meet each other's eye, after we have seen who we really are?In a novel powered by both wit and pathos, Martin Amis excavates the depths and contradictions of the human soul.

    The Weight of Love pulls you in and does not let go.' ANNE ENRIGHT'Beautiful and painful, exquisitely written, shot through with nostalgia for our earlier selves.' MARIAN KEYESLondon, 1996. Robin and Ruth meet in the staff room of an East London school. Robin, desperate for a real connection, instantly falls in love. Ruth, recently bereaved and fragile, is tentative.When Robin introduces Ruth to his childhood friend, Joseph, a tortured and talented artist, their attraction is instant. Powerless, Robin watches on as the girl he loves and his best friend begin a passionate and turbulent affair.Dublin 2017. Robin and Ruth are married and have a son, Sid, who is about to emigrate to Berlin. Theirs is a marriage haunted by the ghost of Joseph and as the distance between them grows, Robin makes a choice that could have potentially devastating consequences.The Weight of Love is a beautiful exploration of how we manage life when the notes and beats of our existence, so carefully arranged, begin to slip off the stave. An intimate and moving account of the intricacies of marriage and the myriad ways in which we can love and be loved.'Delicate, powerful, hypnotic.' DONAL RYAN