She's brilliant, but she's also a young black woman working in an old boys' club. Her career has stalled out, she's overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she's given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic, revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes. Yes, even though she secretly admires the work Thomas is doing for his country. Yes, even though she is still grieving over the mysterious death of her sister, whose example led Marie to this career path in the first place. Yes, even though a furious part of her suspects she's being offered the job because of her appearance and not her talent.In the year that follows, Marie will observe Thomas, seduce him, and ultimately have a hand in the coup that will bring him down. But doing so will change everything she believes about what it means to be a spy, a lover, a sister, and a good American.Inspired by true events -- Thomas Sankara is known as “Africa's Che Guevara” -- this novel knits together a gripping spy thriller, a heartbreaking family drama, and a passionate romance. This is a face of the Cold War you've never seen before, and it introduces a powerful new literary voice.

    remains one of the most fascinating and significant historical figures. Now, Charles Johnson, a National Book Award-winning novelist, uses his keen insight into the end of the King years to produce a work of historical fiction that dares to change the very nature of the genre. Set against the racial turbulence of the Civil Rights era, "Dreamer" is the first work of fiction to explore King's life. Yet the story, told by Mattew Bishop, one of King's devoted followers, is also a tale of doubles, warring brothers, envy, and inequality.The novel introduces us to Chaym Smith, a man whose startling physical resemblance to King wins him the job of official stand-in. In the course of training Chaym to shield King from danger, Matthew comes to realize the philosophical magnitude of our greatest civil rights leader and the ambiguities within the Movement itself, and he--and we--are irreversibly changed. What makes one man great and the other just a mirror for greatness? What does it mean to be of African American descent in America? What does it take to change to face of a country forever?"Dreamer" is a magisterial homage to the man who answered those questions for us. Readers will come away from this astonishing, mulitlayered novel with a knowledge of King, not only as a triumphant political leader, but as a father, husband, friend--and man. "Dreamer" is a dramatic tour de force that is personal, profound, and deeply inspiring.

    His childhood friend, Nat Weary, plans to propose to his sweetheart, and the singer will honor their moment with a special song. But while the world has changed, segregated Jim Crow Montgomery remains the same. When a white man attacks Cole with a pipe, Weary leaps from the audience to defend him—an act that will lead to a 10-year prison sentence. But the singer will not forget his friend and the sacrifice he made. Six months before Weary is released, he receives a remarkable offer: will he be Nat King Cole’s driver and bodyguard in L.A.. It is the promise of a new life removed from the terror, violence, and degradation of Jim Crow Alabama. Weary discovers that, while Los Angeles is far different from the deep South, it a place of discrimination, mistrust, and intolerance where a black man—even one as talented and popular as Nat King Cole—is not wholly welcome. An indelible portrait of prejudice and promise, friendship and loyalty, Driving the King is a daring look at race and class in pre-Civil Rights America, played out in the lives of two remarkable men.

    In it, Reed, one of our preeminent African-American authors, mixes portraits of historical figures and fictional characters with sound bites on subjects ranging from ragtime to Greek philosophy. Cited by literary critic Harold Bloom as one of the five hundred most significant books in the Western canon, Mumbo Jumbo is a trenchant and often biting look at black-white relations throughout history, from a keen observer of our culture.

    After she is freed by the Union army, she works to reunify her family and embrace her heritage, committing herself to improving the conditions for blacks in America. Through her fascinating characters-including Iola's brother, who fights at the front in a colored regiment-Harper weaves a vibrant and provocative chronicle of the Civil War and its consequences through African American eyes in this critical contribution to the nation's literature.

    . . I have wondered sometimes if it would not finally turn out to be a book about Hell." It is 1932 and he has returned to his native Port William to become the town's barber.Orphaned at age ten, Jayber Crow's acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty.He began his search as a "pre-ministerial student" at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with "Old Grit," his profound professor of New Testament Greek."You have been given questions to which you cannot be given answers. You will have to live them out--perhaps a little at a time.""And how long is that going to take?""I don't know. As long as you live, perhaps.""That could be a long time.""I will tell you a further mystery," he said. "It may take longer."Wendell Berry's clear-sighted depiction of humanity's gifts--love and loss, joy and despair--is seen though his intimate knowledge of the Port William Membership.

    The great scholar, W. E. B. Du Bois, once wrote about the Problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s Problem on her shoulders.Ailey is reared in the north in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. From an early age, Ailey fights a battle for belonging that’s made all the more difficult by a hovering trauma, as well as the whispers of women—her mother, Belle, her sister, Lydia, and a maternal line reaching back two centuries—that urge Ailey to succeed in their stead.To come to terms with her own identity, Ailey embarks on a journey through her family’s past, uncovering the shocking tales of generations of ancestors—Indigenous, Black, and white—in the deep South. In doing so Ailey must learn to embrace her full heritage, a legacy of oppression and resistance, bondage and independence, cruelty and resilience that is the story—and the song—of America itself.

    Her family inhabits the upper echelon of Black society and when she falls for no-name Renard, she is forced to choose between her life of privilege and the man she loves. In 1982, Evelyn’s daughter, Jackie, is a frazzled single mother grappling with her absent husband’s drug addiction. Just as she comes to terms with his abandoning the family, he returns, ready to resume their old life. Jackie must decide if the promise of her husband is worth the near certainty he’ll leave again. Jackie’s son, T.C., loves the creative process of growing marijuana more than the weed itself. He finds something hypnotic about training the seedlings, testing the levels, trimming the leaves, drying the buds. He was a square before Hurricane Katrina, but the New Orleans he knew didn’t survive the storm, and in its wake he was changed too. Now, fresh out of a four-month stint for possession with the intent to distribute, he decides to start over—until an old friend convinces him to stake his new beginning on one last deal. For Evelyn, Jim Crow is an ongoing reality, and in its wake new threats spring up to haunt her descendants. A Kind of Freedom is an urgent novel that explores the legacy of racial disparity in the South through a poignant and redemptive family history.

    A plantation owned for generations by a rich family. So much history. And a dead body.Just after dawn, Caren walks the grounds of Belle Vie, the historic plantation house in Louisiana that she has managed for four years. Today she sees nothing unusual, apart from some ground that has been dug up by the fence bordering the sugar cane fields. Assuming an animal has been out after dark, she asks the gardener to tidy it up. Not long afterwards, he calls her to say it's something else. Something terrible. A dead body. At a distance, she missed her. The girl, the dirt and the blood. Now she has police on site, an investigation in progress, and a member of staff no one can track down. And Caren keeps uncovering things she will wish she didn't know. As she's drawn into the dead girl's story, she makes shattering discoveries about the future of Belle Vie, the secrets of its past, and sees, more clearly than ever, that Belle Vie, its beauty, is not to be trusted. A magnificent, sweeping story of the south, The Cutting Season brings history face-to-face with modern America, where Obama is president, but some things will never change. Attica Locke once again provides an unblinking commentary on politics, race, the law, family and love, all within a thriller every bit as gripping and tragic as her first novel, Black Water Rising.

    Living in the poor, segregated quarter of Little Tunis, Ivoe immerses herself in printed matter as an escape from her dour surroundings. She earns a scholarship to the prestigious Willetson College in Austin, only to return over-qualified to the menial labor offered by her hometown’s racially-biased employers.Ivoe eventually flees the Jim Crow South with her family and settles in Kansas City, where she and her former teacher and lover, Ona, found the first female-run African American newspaper, Jam! On the Vine. In the throes of the Red Summer—the 1919 outbreak of lynchings and race riots across the Midwest—Ivoe risks her freedom, and her life, to call attention to the atrocities of segregation in the American prison system.Skillfully interweaving Ivoe’s story with those of her family members, LaShonda Katrice Barnett’s Jam! On the Vine is both an epic vision of the hardships and injustices that defined an era and a moving and compelling story of a complicated history we only thought we knew.

    Last pears ripen and fall, ferment on the ground; the aroma of their wine mixes with the pungency of leaf smoke from nowhere and everywhere. At nightfall, the wing-song shrill of crickets announces that this season has a natural pathos to it, the brief and flaming brilliance of everything at the climax of life moving toward death.“October Brown had named herself for all of that."So begins this beautifully written coming-of-age story about a young woman who struggles to overcome her family’s frightening legacy and keep her own child from similar emotional harm.It is 1950 and October Brown is a twenty-three-year-old first-year teacher thanking her lucky stars that she found a room in the best boardinghouse for Negro women teachers in Wyandotte County, Kansas. October falls in love with an unhappily married handyman, James Wilson, but when she becomes pregnant, James deserts her. Stunned, and believing that James will eventually come back to her, October decides to have the baby. But he doesn’t come back. As her reputation suffers, and with her job in jeopardy, she spends her days in self-deception and denial. Her best friend, Cora, contacts October’s family: her older sister, Vergie, and her aunts Frances and Maude, who raised the sisters after their mother was killed by their father.October goes back to her family in Ohio and gives birth to her son. Numb, she gives the child–David–to Vergie and her husband to raise as their own, then returns to Kansas City to rebuild her life. But something is missing–and, apparently too late, October realizes what she has done.What follows is the heartrending account of October’s efforts to reclaim her dignity, her profession, and her son, efforts that lead her into a bitter struggle with her sister and a confrontation with her parents’ violent past. The Midwest, the flourishing of modern jazz, and the culture of segregation form a compelling historical backdrop for this timeless and universal tale of one person’s battle to understand and master her own desires, and to embrace the responsibilities and promise of mature adulthood. October Suite plays a beautiful, haunting melody, turning everyday life into exceptional art.

    At the same time, this stark but moving story touches on the central themes of the Harlem Renaissance, including the urgent need for unity and identity among blacks.

    Pat Conroy (The Prince of Tides) says the author of Low Country, Up Island, Peachtree Street, and King’s Oak “ranks among the best of us,” and the Atlanta Journal-Constitution praises Nora, Nora as “Anne Rivers Siddons writing at the top of her form. This lively, sparkling coming-of-age novel is superbly written and wholly engaging.”

    Schuyler's satiric romp. Black No More is the story of Max Disher, a dapper black rogue of an insurance man who, through a scientific transformation process, becomes Matthew Fisher, a white man. Matt dreams up a scam that allows him to become the leader of the Knights of Nordica, a white supremacist group, as well as to marry the white woman who rejected him when he was black. Black No More is a hysterical exploration of race and all its self-serving definitions. If you can't beat them, turn into them.Ishmael Reed, one of today's top black satirists and the author of Mumbo Jumbo and Japanese by Spring, provides a spirited Introduction.The fertile artistic period now known as the Harlem Renaissance (1920- 1930) gave birth to many of the world-renowned masters of black literature and is the model for today's renaissance of black writers.

    Fannie’s New Orleans house is like no place Ibby has ever been—and Fannie, who has a tendency to end up in the local asylum—is like no one she has ever met. Fortunately, Fannie’s black cook, Queenie, and her smart-mouthed daughter, Dollbaby, take it upon themselves to initiate Ibby into the ways of the South, both its grand traditions and its darkest secrets. For Fannie’s own family history is fraught with tragedy, hidden behind the closed rooms in her ornate Uptown mansion. It will take Ibby’s arrival to begin to unlock the mysteries there. And it will take Queenie and Dollbaby’s hard-won wisdom to show Ibby that family can sometimes be found in the least expected places. For fans of Saving CeeCee Honeycutt and The Help, Dollbaby brings to life the charm and unrest of 1960s New Orleans through the eyes of a young girl learning to understand race for the first time. By turns uplifting and funny, poignant and full of verve, Dollbaby is a novel readers will take to their hearts.A Top Ten Finalist for Best Historical Novel, Goodreads Choice Awards, and a LibraryReads and Okra PickA big-hearted coming-of-age debut set in civil rights-era New Orleans—a novel of Southern eccentricity and secrets