In the winter of 1917, a big-boned young woman shows up at George Bliss's doorstep. She's looking for a job breaking horses, and he hires her on. Many of his regular hands are off fighting the war, and he glimpses, beneath her showy rodeo garb, a shy but strong-willed girl with a serious knowledge of horses. So begins the irresistible tale of nineteen-year-old Martha Lessen, a female horse whisperer trying to make a go of it in a man's world. It was thought that the only way to break a horse was to buck the wild out of it, and broken ribs and tough falls just went with the job. But over several long, hard winter months, many of the townsfolk in this remote county of eastern Oregon witness Martha's way of talking in low, sweet tones to horses believed beyond repair and getting miraculous, almost immediate results and she thereby earns a place of respect in the community. Along the way, Martha helps a family save their horses when their wagon slides into a ravine. She gentles a horse for a dying man a last gift to his young son. She clashes with a hired hand who is abusing horses in unspeakable ways. Soon, despite her best efforts to remain aloof and detached, she comes to feel enveloped by a sense of community and family that she's never had before. With the elegant sweetness of Plainsong and a pitch-perfect sense of western life reminiscent of Annie Dillard, The Hearts of Horses is a remarkable story about how people and animals make connections and touch each other's lives in the most unexpected and profound ways.

    In this, his final novel, he confronts the legacy of evil, and our unquenchable desire to wrest good from it. One week in late autumn of 1996, a group gathers at the site of a former death camp. They offer prayer at the crematoria and meditate in all weathers on the selection platform. They eat and sleep in the sparse quarters of the Nazi officers who, half a century before, sent more than a million Jews in this camp to their deaths. Clements Olin has joined them, in order to complete his research on the strange suicide of a survivor. As the days pass, tensions both political and personal surface among the participants, stripping away any easy pretense to resolution or healing. Caught in the grip of emotions and impulses of bewildering intensity, Olin is forced to abandon his observer’s role and to bear witness, not only to his family’s ambiguous history but to his own. Profoundly thought-provoking, In Paradise is a fitting coda to the luminous career of a writer who was “for all readers. He was for the world” (National Geographic).

    Half a century ago, Joan's grandfather built this majestic house in the historic Black neighborhood of Douglass--only to be lynched days after becoming the first Black detective in Memphis. This wasn't the first time violence altered the course of Joan's family's trajectory, and she knows it won't be the last. Longing to become an artist, Joan pours her rage and grief into sketching portraits of the women of North Memphis--including their enigmatic neighbor Miss Dawn, who seems to know something about curses.Unfolding over seventy years through a chorus of voices, Memphis weaves back and forth in time to show how the past and future are forever intertwined. It is only when Joan comes to see herself as a continuation of a long matrilineal tradition--and the women in her family as her guides to healing--that she understands that her life does not have to be defined by vengeance. That the sole weapon she needs is her paintbrush.Inspired by the author's own family history, Memphis--the Black fairy tale she always wanted to read--explores the complexity of what we pass down, not only in our families, but in our country: police brutality and justice, powerlessness and freedom, fate and forgiveness, doubt and faith, sacrifice and love.

    This highly accomplished debut novel reverberates with ideas, impassioned lyricism, and poignant historical detail as it captures an essential and moving portrait of the Washington, DC community.

    While Shawn is trying his best to keep his demons at bay, he’s not sure Ray can do the same.When another shocking crime hits LA, the Parks and the Matthewses collide in ways they never could have expected. After decades of loss, violence, and injustice, tensions come to a head and force a reckoning that could clear the air or lead to more violence.

    Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother's footsteps as a midwife; and their master's daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom.Magnificently written, brilliantly researched, richly imagined, Conjure Women moves back and forth in time to tell the haunting story of Rue, Varina, and May Belle, their passions and friendships, and the lengths they will go to save themselves and those they love.

    When he finally is resettled in the United States, he finds a life full of promise, but also heartache and myriad new challenges. Moving, suspenseful, and unexpectedly funny, What Is the What is an astonishing novel that illuminates the lives of millions through one extraordinary man.-back cover

    Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family’s entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it?In the gothic tradition of Flannery O’Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre’s literary masters.

    In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States. The 1619 Project: A New Origin Story builds on The New York Times Magazine’s award-winning “1619 Project,” which reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on the original "1619 Project, "weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This legacy can be seen in the way we tell stories, the way we teach our children, and the way we remember. Together, the elements of the book reveal a new origin story for the United States, one that helps explain not only the persistence of anti-Black racism and inequality in American life today, but also the roots of what makes the country unique. The book also features an elaboration of the original project’s Pulitzer Prize–winning lead essay by Nikole Hannah-Jones on how the struggles of Black Americans have expanded democracy for all Americans, as well as two original pieces from Hannah-Jones, one of which makes a case for reparative solutions to this legacy of injustice.

    Its neighborhoods include Little Italy, Swedetown, and Polish Hill. For its tight-knit citizens -- and the five children of the Novak family -- the 1940s will be a decade of excitement, tragedy, and stunning change. Baker Towers is a family saga and a love story, a hymn to a time and place long gone, to America's industrial past, and to the men and women we now call the Greatest Generation. It is a feat of imagination from an extraordinary voice in American fiction, a writer of enormous power and skill.

    Where the factions of the noble Hooks and the merchant Cods waged a literal class war but weeks before, there is now only a nigh-endless expanse of grey water, a desolate inland sea with moldering church spires jutting up like sunken tombstones. For a land already beleaguered by generations of civil war, a worse disaster could scarce be imagined.Yet even disaster can be profitable, for the right sort of individual, and into this flooded realm sail three conspirators: a deranged thug at the edge of madness, a ruthless conman on the cusp of fortune, and a half-feral girl balanced between them. With The Folly of the World, Jesse Bullington has woven an extraordinary new tale of the depraved and the desperate.

    Through pithy and poetic chapter-moments - "spring landscape: detail," "death of grandmother," "first beau," "low yellow," "everybody will be surprised" - Maud Martha grows up, gets married, and gives birth to a daughter. Maud Martha, a gentle woman with "scraps of baffled hate in her, hate with no eyes, no smile..." who knows "while people did live they would be grand, would be glorious and brave, would have nimble hearts that would beat and beat," is portrayed with exquisitely imaginative and tender detail by Gwendolyn Brooks, the first African-American to win a Pulitzer Prize

    Not only will they be among the first class of female officers the army has even seen, they are also the first Black women allowed to serve.As these courageous women help to form the 6888th Central Postal Directory Battalion, they are dealing with more than just army bureaucracy—everyone is determined to see this experiment fail. For two northern women, learning to navigate their way through the segregated army may be tougher than boot camp. Grace and Eliza know that there is no room for error; they must be more perfect than everyone else.When they finally make it overseas, to England and then France, Grace and Eliza will at last be able to do their parts for the country they love, whatever the risk to themselves.Based on the true story of the 6888th Postal Battalion (the Six Triple Eight), Sisters in Arms explores the untold story of what life was like for the only all-Black, female U.S. battalion to be deployed overseas during World War II.

    It's through these treasured mementos that we meet Molly Petree.Raised in those ruins and orphaned by the Civil War, Molly is a refugee who has no interest in self-pity. When a mysterious benefactor appears out her father's past to rescue her, she never looks back.Spanning half a century, On Agate Hill follows Molly’s passionate, picaresque journey through love, betrayal, motherhood, a murder trial―and back home to Agate Hill under circumstances she never could have imagined.

    No other work of fiction so faithfully conveys both the sharp physical realities and the mythic sweep of the transformation of the American frontier—and the transformation of the people who settled it. Cather's heroine is Alexandra Bergson, who arrives on the wind-blasted prairie of Hanover, Nebraska, as a girl and grows up to make it a prosperous farm. But this archetypal success story is darkened by loss, and Alexandra's devotion to the land may come at the cost of love itself.At once a sophisticated pastoral and a prototype for later feminist novels, O Pioneers! is a work in which triumph is inextricably enmeshed with tragedy, a story of people who do not claim a land so much as they submit to it and, in the process, become greater than they were.