Lavery comes a collection of darkly mischievous stories based on classic fairy tales. Adapted from his beloved "Children's Stories Made Horrific" series, The Merry Spinster takes up the trademark wit that endeared Lavery to readers of both The Toast and his best-selling debut Texts from Jane Eyre. The feature become among the most popular on the site, with each entry bringing in tens of thousands of views, as the stories proved a perfect vehicle for Lavery’s eye for deconstruction and destabilization. Sinister and inviting, familiar and alien all at the same time, The Merry Spinster updates traditional children's stories and fairy tales with elements of psychological horror, emotional clarity, and a keen sense of feminist mischief.Readers of The Toast will instantly recognize Lavery's boisterous good humor and uber-nerd swagger: those new to Lavery's oeuvre will delight in his unique spin on fiction, where something a bit mischievous and unsettling is always at work just beneath the surface.Unfalteringly faithful to its beloved source material, The Merry Spinster also illuminates the unsuspected, and frequently, alarming emotional complexities at play in the stories we tell ourselves, and each other, as we tuck ourselves in for the night.Bedtime will never be the same.The daughter cells --The thankless child --Fear not: an incident log --The six boy-coffins --The rabbit --The merry spinster --The wedding party --Some of us had been threatening our friend Mr.Toad --Cast your bread upon the waters --The frog's princess --Good fences make good neighbors

    Folk tales and legends are an intrinsic part of English national culture—so which are the fairy tales from England? Rosalind Kerven presents an answer here, as she has revived the best of these tales for a new generation with more than a dozen classics rewritten to engage readers. The 15 stories include tales of giants, dragons, fairies, beauty-and-the-beast, and Arthurian romance. Each tale is linked with a specific place or county in England—for example, "The Dragon Castle" from Northumberland, "The Girl Snatched By Fairies" from County Durham, "The Princess and the Fool" from Kent, and "The Dark Moon" from Lincolnshire. The second half of the book has notes on each story relating where the history came from, its development, and short summaries of many related or similar stories.

    Here are traditional tales about the trees and plants that shape our landscapes and our lives through the seasons. They explore the complex relationship between people and plants, in lowlands and uplands, fields, bogs, moors, woodlands and towns.Suitable for all ages, this is an essential collection of stories for anyone interested in botany, the environment and our living heritage.

    a writer finds himself tossed into a chaotic world of schoolboys by a diabolical professor who wishes to reduce him to childishness. Originally published in Poland in 1937. Ferdydurke became an instant literary sensation and catapulted the young author to fame. Deemed scandalous and subversive by Nazis. Stalinists. and the Polish Communist regime in turn. the novel (as well as all of Gombrowicz's other works) was officially banned in Poland for decades. It has nonetheless remained one of the most influential works of twentieth-century European literature. Ferdydurke is translated here directly from the Polish for the first time. Danuta Borchardt deftly captures Gombrowicz's playful and idiosyncratic style. and she allows English speakers to experience fully the masterpiece of a writer whom Milan Kundera describes as "one of the great novelists of our century." "Extravagant. brilliant. disturbing. brave. funny-wonderful. . . . Long live its sublime mockery." ~ Susan Sontag. from the foreword "[A] masterpiece of European modernism. . . . Susan Sontag ushers this new translation into print with a strong and useful foreword. calling Gombrowicz's tale 'extravagant. brilliant. disturbing. brave. funny... wonderful.' And it is." ~ Publishers Weekly Witold Gombrowicz (1904-1969) wrote three other novels. Trans-Atlantyk. Pornografia. and Cosmos. which together with his plays and his three-volume Diary have been translated into more than thirty languages.

    The island is surrounded by a magical force field that keeps the villains and their descendants safely locked up and away from the mainland. Life on the island is dark and dreary. It is a dirty, decrepit place that's been left to rot and forgotten by the world.But hidden in the mysterious Forbidden Fortress is a dragon's eye: the key to true darkness and the villains' only hope of escape. Only the cleverest, evilest, nastiest little villain can find it...who will it be?Maleficent, Mistress of the Dark: As the self-proclaimed ruler of the isle, Maleficent has no tolerance for anything less than pure evil. She has little time for her subjects, who have still not mastered life without magic. Her only concern is getting off the Isle of the Lost.Mal: At sixteen, Maleficent's daughter is the most talented student at Dragon Hall, best known for her evil schemes. And when she hears about the dragon's eye, Mal thinks this could be her chance to prove herself as the cruelest of them all.Evie: Having been castle-schooled for years, Evil Queen's daughter, Evie, doesn't know the ins and outs of Dragon Hall. But she's a quick study, especially after she falls for one too many of Mal's little tricks.Jay: As the son of Jafar, Jay is a boy of many talents: stealing and lying to name a few. Jay and Mal have been frenemies forever and he's not about to miss out on the hunt for the dragon's eye.Carlos: Cruella de Vil's son may not be bravest, but he's certainly clever. Carlos's inventions may be the missing piece in locating the dragon's eye and ending the banishment for good.Mal soon learns from her mother that the dragon's eye is cursed and whoever retrieves it will be knocked into a deep sleep for a thousand years. But Mal has a plan to capture it. She'll just need a little help from her "friends." In their quest for the dragon's eye, these kids begin to realize that just because you come from an evil family tree, being good ain't so bad.

    People never do....Once, they lived in a big house with spectacular gardens and an army of servants.Once, they had a father and mother who loved them more than the sun and moon.But that was before their father disappeared into the woods and their mother disappeared into sorrow.This is the story of two sisters and the enchanted woods that have been waiting for them to break a set of terrible spells.Bestselling author-illustrator Emily Winfield Martin has created a world that sits on the border of enchantment, with characters who are grounded in real emotions that readers will recognize in themselves.

    A tracksuited slacker who spends most of his time doing little more than searching for his next line of speed and dreaming up conspiracy theories about the Polish economy, Nails ricochets from Magda, a doomed beauty who bewitches men, to Angela, a proselytizing vegetarian Goth, to Natasha, a hellcat who tears his house apart looking for speed, to Ala, the nerdy economics-student girlfriend of the friend who stole Magda. Through it all, a xenophobic campaign against the proliferating Russian black market escalates, to the point where the citizens have to paint their houses in national colors and one of these girls will be crowned Miss No Russkies Day—or is that just in Nails’ fevered mind?

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    But all of these soft, cuddly, sweet-faced toys share a wonderful, magical secret... they're alive!Created by Mr. Isaac Bodkins, the old toy maker, the Oddkins are made only for very special children, those who must face something difficult in life and need a true friend. The Oddkins are given to these children to inspire them, help them, and love them as long as the children need them. Only now the toys themselves - Amos, the brave stuffed bear; Skippy, the rabbit who dreams of being a superstar; Butterscotch, the gently, floppy-eared pup; as well as Burl the elephant; Gibbons; and Patch the cat - are the ones in need of help.Mr. Bodkins has passed away before he can give his life-giving powers to Colleen Shannon, the toy maker he had chosen to replace him. Yet before he dies, the old man takes Amos aside, appoints him leader of the Oddkins, and gives him a dire warning: Watch out for an evil toy maker -- and something much, much worse!That 'something' is happening right now. Locked up in the dark subbasement, another group of toys is climbing out of boxes and crates and coming to life. These bad toys -- like Rex and Lizzie, the puppets with no strings; Gear, the vicious robot; and Stinger, the horrid buzzing bumblebee with his knife-sharp stinger -- were made to hurt children, not help them. Leering, laughing, and deadly, they are being loosed on the world by a terrible, terrifying force. Frightening as it may be, the Oddkins have only one choice: to go on a journey in search of Colleen Shannon's toy shop. The night is stormy and black; the way is filled with peril. And the Oddkins have to face a danger that threatens not only their existence...but the magic in us all.

    M. Barrie’s Peter Pan in Kensington Gardens, here are seventeen classic stories and poems from the golden age of the English fairy tale. Some of them amuse, some enchant, some satirize and criticize, but each one–in the words of Laurence Houseman, author of the classic Rocking-Horse Land– “is an expression of the joy of living.”Accompanied by the illustrations from the original editions of these works–by such celebrated Victorian artists as Dante Gabriel Rossetti, Maxfield Parrish, and Arthur Rackham–this collection will delight readers both young and old.

    G. Wells' acclaimed tale, a stranded mountaineer encounters an isolated society in which his apparent advantage, sight, since all the people are blind, proves less than valuable.

    But she will have to travel through the mythical, dangerous land of Furthermore, where down can be up, paper is alive, and left can be both right and very, very wrong. Her only companion is Oliver whose own magic is based in lies and deceit. Alice must first find herself—and hold fast to the magic of love in the face of loss.

    Morgenstern classic, The Princess Bride. But as a grown-up he discovered that the boring parts were left out of good old Dad's recitation, and only the "good parts" reached his ears.Now Goldman does Dad one better. He's reconstructed the "Good Parts Version" to delight wise kids and wide-eyed grownups everywhere.What's it about? Fencing. Fighting. True Love. Strong Hate. Harsh Revenge. A Few Giants. Lots of Bad Men. Lots of Good Men. Five or Six Beautiful Women. Beasties Monstrous and Gentle. Some Swell Escapes and Captures. Death, Lies, Truth, Miracles, and a Little Sex.In short, it's about everything.

    Readers who know Milan Kundera’s earlier books know that the wish to incorporate an element of the “unserious” in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author’s wife, says to her husband: “you’ve often told me you meant to write a book one day that would have not a single serious word in it…I warn you: watch out. Your enemies are lying in wait.”Now, far from watching out, Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humor. What more can we say? Nothing. Just read.

    The first serious academic study of lycanthropy and "blood-lust" written in English, this book draws upon a vast body of observation, myth, and lore.