Witness Kristy's eureka moment, when she gets the idea for a "baby-sitters club" and enlists her best friends, shy Mary Anne and artistic Claudia, in an exciting new venture. But the baby-sitting business isn't the only thing absorbing their attention: Kristy is having a hard time accepting her stepdad-to-be, and the newest member of the gang, Stacey, seems to be hiding a secret.

    After the local homecoming queen shows up at her family's struggling drugstore with a beauty disaster that Lucy helps to fix, Lucy has a long line of makeover customers for every school dance and bat mitzvah. But all the makeup tips in the world won't help save the pharmacy. If only she could find a way to make the pharmacy the center of town again, a place where people want to spend time, like in the old days. Lucy dreams up a solution that could resuscitate the family business and help the environment, too. But will Lucy's family stop fighting long enough to listen to a seventh-grader?This book is a funny and sweet debut featuring an unforgettable narrator who knows what she wants, whether it's great makeup, a killer business plan, or a better world.

    JACK spent it training in "The Cage" with his tough-as-nails brothers and hard-to-please dad. By the time middle school starts, they're both ready for a change. And just as Jack's thinking girls have it so easy, Ellie's wishing she could be anyone but herself.Then, BAM! They swap lives - and bodies!Now Jack's fending off mean girls at sleepover parties, while Ellie's reigning as The Prince of Thatcher Middle School.As their crazy weekend races on - and their feeling for each other grow - Elli and Jack begin to wonder if maybe the best way to learn how to be yourself is to spend a little time being somebody else.

    Playfully weaving Stevie’s narration with Alex’s scripts, Joey’s notebook entries, and hilarious elements such as "How to Swear in Shakespeare" and "Dear Sock Monkey" letters, this hugely engaging novel showcases Megan McDonald’s ear for dialogue, comic timing, and insight into the ever-changing dynamics of sisterhood.

    Lydia’s the bold one: aspiring theater star, stick-fighting enthusiast, human guinea pig. Julie’s the shy one: observer and artist, accidental field hockey star, faithful recorder. In this notebook they write down their observations and carry out experiments to try to determine what makes the popular girls tick. But somehow, when Lydia and Julie try to imitate the popular girls, their efforts don’t translate into instant popularity. Lydia ends up with a bald spot, their parents won’t stop yelling, and Julie finds herself the number-one crush of Roland Asbjørnsen. Worse, they seem to be drifting farther and farther from their goal—and each other.Amy Ignatow’s hilarious debut novel introduces the intrepid fifth-graders Julie and Lydia, whose quest to understand popularity may not succeed in the ways they want, but will succeed in keeping readers in stitches. From Bulletin of the Center for Children's Books: Lydia and Julie, BFFs since birth, are now preparing to enter junior high, and they're on a mission to become popular. First, however, they have to determine exactly how popularity is achieved, so they decide to approach the matter as any good scientist would: observe those creatures already at the height of popularity and apply said observations to themselves, in the hopes of cracking into that mysterious world of junior-high stardom. The two record their observations and the often spectacularly unsuccessful outcomes of their various social experiments in a scrapbook-like journal, complete with notes passed at school, lists of projected popularity goals, and credibly goofy and kidlike drawings. The story here is fairly familiar: the girls fail miserably at their first attempts at the A-list (Lydia's hair falls out after a botched dye job, among other disasters) but eventually find acceptance in the upper echelon, only to learn the valuable lesson that it's the people you're most comfortable around who make the best friends. The diary format, however, adds an extra dimension of funny, and as in Jeff Kinney's Wimpy Kid series about Greg Heffley, it allows Julie and Lydia to come alive through their witty dialogue, their perceptive commentary, and even their characteristic handwriting. Secondary characters shine as well, particularly Julie's embarrassing but ultimately charming two dads, along with Lydia's goth-punk sister, a font of random quips and junior high wisdom. The popular kids end up being far from perfect and each has issues of her own to contend with, making the actual friendships that form among the girls all the more endearing. Those waiting for the next installment of Greg Heffley's adventures will be well served by this amusing experiment in sixth-grade celebrity. KQG

    But when Rowley's star starts to rise, Greg tries to use his best friend's popularity to his own advantage. Recorded in his diary with comic pictures and his very own words, this test of Greg and Rowley's friendship unfolds with hilarious results.

    But when his parents decide to send him to Learning Camp, Derek's dreams of fun come to an end. Ever since he's been labeled a "reluctant reader," his mom has pushed him to read "real" books-something other than his beloved Calvin & Hobbes. As Derek forges unexpected friendships and uncovers a family secret involving himself (in diapers! no less), he realizes that adventures and surprises are around the corner, complete with curve balls. My Life as a Book is a 2011 Bank Street - Best Children's Book of the Year.

    So when the book club money disappears, why is the whole class punished? Nothing's fair!But soon Jenny realizes some things aren't fair for Elsie, either. Elsie is on a strict diet, but when she starts losing weight, her mother won't buy her new clothes. Instead, she plans to send Elsie to boarding school. Suddenly everyone wants to help Elsie. Nothing's fair in fifth grade - but sometimes things get better!

    Suddenly she has to make all sorts of decisions including what she wants to be. And it seems that everyone else knows who and what she wants to be except her. Izzie has become friends with the glamorous Nesta, and Lucy isn't certain she likes a threesome. Nesta and Izzie look sixteen, but Lucy, at fourteen, can still pass for a twelve-year-old.But then one day Lucy sees the most wonderful boy crossing the street, and things do start to change -- in all areas of her life...

    Her histrionic older sister, Flora, changes her hair color daily; her younger siblings, Jasmine and Twig, are completely obsessed with their pet rats; and both of her parents spend weeks away from home–and each other. Enter Zoran the Bosnian male au pair and Joss the troublemaking boy next door, and life for the Gadsby family takes a turn for the even more chaotic. Blue poignantly captures her family’s trials and tribulations from fragmented to fully dysfunctional to ultimately reunited, in a sequence of film transcripts and diary entries that will make you cry, laugh, and give thanks for the gift of families.With the charm of The Penderwicks and the poignancy of When You Reach Me, Natasha Farrant's After Iris is a story that will stay with readers long after the last page.

    The book jacket unfolds into an oversized poster. Consumable.

    She and her slick side-kick butler, Hitch, foil crimes and get into loads of scrapes with evil villains, but they're always ice-cool in a crisis.

    The other two days Floss spends with her dad, helping him to run his greasy spoon cafe. But their simple arrangement is thrown into disarray when Floss's mum decides to move to Australia. Making the difficult decision to stay at home, Floss moves in permanently with her dad and they muddle along happily together, surviving on chip butties and enjoying visits to the local funfair. But disaster strikes - Dad's money troubles catch up with him and they have to move out of the cafe. They're homeless - but can their new fairground friends help out?

    Here she is, about to be a teenager and she doesn't know how. It's worse for her than for anyone else, she believes, because she has no role model. Her mother has been dead for years. Help and advice can only come from her father, manager of a music store, and her nineteen-year-old brother, who is a slob. What do they know about being a teen age girl? What she needs, Alice decides, is a gorgeous woman who does everything right, as a roadmap, so to speak. If only she finds herself, when school begins, in the classroom of the beautiful sixth-grade teacher, Miss Cole, her troubles will be over. Unfortunately, she draws the homely, pear-shaped Mrs. Plotkin. One of Mrs. Plotkin's first assignments is for each member of the class to keep a journal of their thoughts and feelings. Alice calls hers "The Agony of Alice," and in it she records all the embarrassing things that happen to her. Through the school year, Alice has lots to record. She also comes to know the lovely Miss Cole, as well as Mrs. Plotkin. And she meets an aunt and a female cousin whom she has not really known before. Out of all this, to her amazement, comes a role model—one that she would never have accepted before she made a few very important discoveries on her own, things no roadmap could have shown her. Alice moves on, ready to be a wise teenager.

    And life is giving her a lot to write about just now. Daddy up and walked out, leaving them broke. Then Harper's family gets evicted.With Mama scrambling to find work, Harper has to skip school to care for her little brother, Hemingway. Their lives have been turned upside down, which Harper could just about handle if it wasn't for the writing contest at school. If only she could get up on that stage and read her poems out loud . . ."