Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period illustrations.

    Maisel, this blockbuster debut set in 1960s California features the singular voice of Elizabeth Zott, a scientist whose career takes a detour when she becomes the star of a beloved TV cooking show. Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it's the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel-prize nominated grudge-holder who falls in love with--of all things--her mind. True chemistry results.But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America's most beloved cooking show Supper at Six. Elizabeth's unusual approach to cooking ("combine one tablespoon acetic acid with a pinch of sodium chloride") proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn't just teaching women to cook. She's daring them to change the status quo.Laugh-out-loud funny, shrewdly observant, and studded with a dazzling cast of supporting characters, Lessons in Chemistry is as original and vibrant as its protagonist.

    London, 1799. Dora Blake is an aspiring jewellery artist who lives with her uncle in what used to be her parents' famed shop of antiquities. When a mysterious Greek vase is delivered, Dora is intrigued by her uncle's suspicious behaviour and enlists the help of Edward Lawrence, a young antiquarian scholar. Edward sees the ancient vase as key to unlocking his academic future. Dora sees it as a chance to restore the shop to its former glory, and to escape her nefarious uncle. But what Edward discovers about the vase has Dora questioning everything she has believed about her life, her family, and the world as she knows it. As Dora uncovers the truth she starts to realise that some mysteries are buried, and some doors are locked, for a reason. Gorgeously atmospheric and deliciously page-turning, Pandora is a story of secrets and deception, love and fulfilment, fate and hope.

    The one who fought back, defeated the killer, and avenged her friends. The one who emerges bloodied but victorious. But after the sirens fade and the audience moves on, what happens to her?Lynnette Tarkington is a real-life final girl who survived a massacre twenty-two years ago, and it has defined every day of her life since. And she's not alone. For more than a decade she's been meeting with five other actual final girls and their therapist in a support group for those who survived the unthinkable, putting their lives back together, piece by piece. That is until one of the women misses a meeting and Lynnette's worst fears are realized--someone knows about the group and is determined to take their lives apart again, piece by piece.But the thing about these final girls is that they have each other now, and no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.

    The radical One State Party—nicknamed the Ospies—is gaining popular support to unite Gedda's four municipal governments under an ironclad, socially conservative vision.Not everyone agrees with the Ospies' philosophy, including master spy Cyril DePaul and his lover Aristide Makricosta, smuggler and emcee at the popular Bumble Bee Cabaret. When Cyril's cover is blown on a mission, however, he must become a turncoat in exchange for his life. Returning to Amberlough under the Ospies' watchful eye, Cyril enters a complex game of deception. One of his concerns is safeguarding Aristide, who refuses to let anyone—the crooked city police or the homophobic Ospies—dictate his life.Enter streetwise Cordelia Lehane, top dancer at the Bee and Aristide’s runner, who could be the key to Cyril’s plans—if she can be trusted. As the twinkling lights of nightclub marquees yield to the rising flames of a fascist revolution, these three will struggle to survive using whatever means—and people—necessary. Including each other.

    Her thin arms are covered with bruises from her "caregiver," and she is on the verge of being thrown into the streets . . . until she is brought to the home of Victor Frankenstein, an unsmiling, solitary boy who has everything--except a friend.Victor is her escape from misery. Elizabeth does everything she can to make herself indispensable--and it works. She is taken in by the Frankenstein family and rewarded with a warm bed, delicious food, and dresses of the finest silk. Soon she and Victor are inseparable.But her new life comes at a price. As the years pass, Elizabeth's survival depends on managing Victor's dangerous temper and entertaining his every whim, no matter how depraved. Behind her blue eyes and sweet smile lies the calculating heart of a girl determined to stay alive no matter the cost . . . as the world she knows is consumed by darkness.

    Butcher. Bloodwinn. Ranka is tired of death. All she wants now is to be left alone, living out her days in Witchik’s wild north with the coven that raised her, attempting to forget the horrors of her past. But when she is named Bloodwinn, the next treaty bride to the human kingdom of Isodal, her coven sends her south with a single directive: kill him. Easy enough, for a blood-witch whose magic compels her to kill. Except the prince is gentle, kind, and terrified of her. He doesn’t want to marry Ranka; he doesn’t want to be king at all. And it’s his sister—the wickedly smart, infuriatingly beautiful Princess Aramis—who seems to be real threat. But when witches start turning up dead, murdered by a mysterious, magical plague, Aramis makes Ranka an offer: help her develop a cure, and in return, she’ll help Ranka learn to contain her deadly magic. As the coup draws nearer and the plague spreads, Ranka is forced to question everything she thought she knew about her power, her past, and who she’s meant to fight for. Soon, she will have to decide between the coven that raised her and the princess who sees beyond the monster they shaped her to be. But as the bodies pile up, a monster may be exactly what they need.

    We'll keep your secrets if you keep ours. Natalie Collins hasn't heard from her sister in more than half a year.The last time they spoke, Kit was slogging from mundane workdays to obligatory happy hours to crying in the shower about their dead mother. She told Natalie she was sure there was something more out there.And then she found Wisewood.On a private island off the coast of Maine, Wisewood's guests commit to six-month stays. During this time, they're prohibited from contact with the rest of the world--no Internet, no phones, no exceptions. But the rules are for a good reason: to keep guests focused on achieving true fearlessness so they can become their Maximized Selves. Natalie thinks it's a bad idea, but Kit has had enough of her sister's cynicism and voluntarily disappears off the grid.Six months later Natalie receives a menacing e-mail from a Wisewood account threatening to reveal the secret she's been keeping from Kit. Panicked, Natalie hurries north to come clean to her sister and bring her home. But she's about to learn that Wisewood won't let either of them go without a fight.

    The book jumps forward and backward in time among a pair of twins who ruled a Maya kingdom, a young American on a trip of self-discovery, and two dangerous charismatics in a conflict that will determine the fate of the few humans left on Earth after massive climate change.In each era, age-old questions about existence and belonging and identity converge deep underground. Because only in complete darkness can one truly see the stars.

    Work-In-Progress; with no definitive publication date.

    From princesses warring in space, to the all too-near devastation of climate change, to haunting ghost stories in Argentina, and mermaids off the coast of the Caribbean. This is science fiction and fantasy that breaks borders and realms, and proves that stories are truly universal.Authors include Daniel José Older, Yamile Saied Méndez, Anna-Marie McLemore, Mark Oshiro, Romina Garber, David Bowles, Lilliam Rivera, Claribel Ortega, Isabel Ibañez, Sara Faring, Maya Motayne, Nina Moreno, Vita Ayala, J.C. Cervantes, Circe Moskowitz, Linda Nieves Pérez, and Zoraida Córdova.

    In the shadows, a new hero emerges. After he loses his livelihood as a drag queen and the love of his life, Kay joins the resistance alongside Bahadur, a transmasculine refugee, and Firuzeh, a headstrong social worker. Guiding them in the use of weapons and close-quarters combat is Beck, a rogue army officer, who helps them plan an uprising at a major televised international event. With her signature “raw yet beautiful, disturbing yet hopeful” (Booklist) prose, Catherine Hernandez creates a vision of the future that is all the more frightening because it is very possible. A cautionary tale filled with fierce and vibrant characters, Crosshairs explores the universal desire to thrive, love, and be loved for being your true self.

    But that was before the country sank into total economic collapse and her husband walked out in the harshest, most permanent way, leaving her and her sixteen-year-old daughter with nothing. The streets are full of looting, robbing, and killing, and Miranda and Emma no longer have much choice—either starve and risk getting murdered, or find safety. And so they set off to Femlandia, the women-only colony Miranda's mother, Win Somers, established decades ago.Although Win is no longer in the spotlight, her protégé Jen Jones has taken Femlandia to new heights: The off-grid colonies are secluded, self-sufficient, and thriving—and Emma is instantly enchanted by this idea of a safe haven. But something is not right. There are no men allowed in the colony, but babies are being born—and they're all girls. Miranda discovers just how the all-women community is capable of enduring, and it leads her to question how far her mother went to create this perfect, thriving, horrifying society.