One Fifth Avenue, the Art Deco beauty towering over one of Manhattan's oldest and most historically hip neighborhoods, is a one-of-a-kind address, the sort of building you have to earn your way into -- one way or another. For the women in Candace Bushnell's new novel, One Fifth Avenue, this edifice is essential to the lives they've carefully established -- or hope to establish. From the hedge fund king's wife to the aging gossip columnist to the free-spirited actress (a recent refugee from L.A.), each person's game plan for a rich life comes together under the soaring roof of this landmark building. Acutely observed and mercilessly witty, One Fifth Avenue is a modern-day story of old and new money, that same combustible mix that Edith Wharton mastered in her novels about New York's Gilded Age and F. Scott Fitzgerald illuminated in his Jazz Age tales. Many decades later, Bushnell's New Yorkers suffer the same passions as those fictional Manhattanites from eras past: They thirst for power, for social prominence, and for marriages that are successful--at least to the public eye. But Bushnell is an original, and One Fifth Avenue is so fresh that it reads as if sexual politics, real estate theft, and fortunes lost in a day have never happened before. From Sex and the City through four successive novels, Bushnell has revealed a gift for tapping into the zeitgeist of any New York minute and, as one critic put it, staying uncannily "just the slightest bit ahead of the curve." And with each book, she has deepened her range, but with a light touch that makes her complex literary accomplishments look easy. Her stories progress so nimbly and ring so true that it can seem as if anyone might write them -- when, in fact, no one writes novels quite like Candace Bushnell. Fortunately for us, with One Fifth Avenue, she has done it again.

    Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of "Runway "magazine, Andrea finds herself in an office that shouts "Prada! Armani! Versace!" at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child. THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.

    Eve, fresh out of Harvard Business School, has fired “the gray hairs,” put the managing editor in a supply closet, stopped using the landlines, and hired a bevy of manicured and questionably attired underlings who text and tweet their way through meetings. Imogen, darling of the fashion world, may have Alexander Wang and Diane von Furstenberg on speed dial, but she can’t tell Facebook from Foursquare and once got her iPhone stuck in Japanese for two days. Under Eve’s reign, Glossy is rapidly becoming a digital sweatshop—hackathons rage all night, girls who sleep get fired, and “fun” means mandatory, company-wide coordinated dances to Beyoncé. Wildly out of her depth, Imogen faces a choice—pack up her Smythson notebooks and quit, or channel her inner geek and take on Eve to save both the magazine and her career. A glittering, uproarious, sharply drawn story filled with thinly veiled fashion personalities, The Knockoff is an insider’s look at the ever-changing world of fashion and a fabulous romp for our Internet-addicted age.

    It seems that nothing will get Kate out of pajamas and back into the world. Miraculously, one cringe-worthy job interview leads to a position in the admissions department at the revered Hudson Day School. Kate’s instantly thrown into a highly competitive and occasionally absurd culture, where she interviews all types of children: suitable, wildly unsuitable, charming, loathsome, ingratiating, or spoiled beyond all measure. And then there are the Park Avenue parents who refuse to take no for an answer. As Kate begins to learn there’s no room for self-pity or nonsense during the height of admissions season or life itself, her sister and friends find themselves keeping secrets, dropping bombshells, and arguing with each other about how to keep Kate on her feet. Meanwhile, Kate seems to be doing very nicely, thank you, and is even beginning to find out that her broken heart is very much on the mend. Welcome to the world of Small Admissions.

    Felicia has been quietly in love with her happily married boss for twenty years; now that he’s a lonely widower, she just needs the right situation to make him see her as more than the best executive assistant in Midtown Manhattan. Andrea is a private detective specializing in gathering evidence on cheating husbands—a skill she unfortunately learned from her own life—and can’t figure out why her intuition tells her the guy she’s tailing is one of the good ones when she hasn’t trusted a man in years. For these three women, as well as half a dozen others in sparkling supporting roles—a young model fresh from rural Georgia, a diva Hollywood star making her Broadway debut, an overachieving, unemployed Brown grad who starts faking a fabulous life on social media, to name just a few—everything is about to change, thanks to the dress of the season, the perfect little black number everyone wants to get their hands on…

       Tina Fontana is the hapless but brazen thirty-year-old executive assistant to Robert Barlow, the all-powerful and commanding CEO of Titan Corp., a multinational media conglomerate. She’s excellent at her job and beloved by her famous boss—but after six years of making his reservations for restaurants she’d never get into on her own and pouring his drinks from bottles that cost more than her rent, she’s bored, broke, and just a bit over it all.   When a technical error with Robert’s travel-and-expenses report presents Tina with the opportunity to pay off the entire balance of her student loan debt with what would essentially be pocket change for her boss, she struggles with the decision: She’s always played by the rules. But it’s such a relatively small amount of money for the Titan Corporation—and for her it would be a life-changer . . .  The Assistants speaks directly to a new generation of women who feel stuck and unable to get ahead playing by the rules. It will appeal to all of those who have ever asked themselves, “How is it that after all these years, we are still assistants?”

    It’s a professional coup, but her new job comes with more complications than Cate ever anticipated.Cate’s roommate Renee will do anything to nab the plum job of beauty editor at Gloss. But snide comments about Renee’s weight send her into an emotional tailspin. Soon she is taking black market diet pills—despite the racing heartbeat and trembling hands that signal she's heading for real danger.Then there’s Abby, whom they take in as a third roommate. Once a joyful graduate student working as a nanny part time, she abruptly fled a seemingly happy life in the D.C. suburbs. No one knows what shattered Abby—or why she left everything she once loved behind.Pekkanen’s most compelling, true-to-life novel yet tells the story of three very different women as they navigate the complications of careers and love—and find the lifeline they need in each other.

    A whip-smart and funny novel told by a former Wall Street insider who reveals what it’s like for a working woman to balance love, ambition, and family in a world of glamorous excess, outrageous risk-taking, and jaw-dropping sexism.In 2008, Isabelle—a self-made, thirty-something Wall Street star—appears to have it all: an Upper West Side apartment, three healthy children, a handsome husband, and a high-powered job. But her reality is something else. Her trading desk work environment resembles a 1980s frat party, her husband feels employment is beneath him, and the bulk of childcare and homecare still falls in Belle’s already full lap.Enter Henry, the former college fiancé she never quite got over; now a hedge fund mogul. He becomes her largest client, and Belle gets to see the life she might have had with him. While Henry campaigns to win Belle back, the sexually harassed women in her office take action to improve their working conditions, and recruit a wary Belle into a secret “glass ceiling club” whose goal is to mellow the cowboy banking culture and get equal pay for their work. All along, Belle can sense the financial markets heading toward their soon-to-be historic crash and that something has to give—and when it does, everything is going to change: her marriage, her career, her world, and her need to keep her colleagues’ hands to themselves.From Maureen Sherry, a prize winning writer, a former Managing Director on Wall Street (who never signed a nondisclosure agreement when she left), Opening Belle takes readers into the adrenaline-fueled chaos of a Wall Street trading desk, the lavish parties, the lunch-time rendezvous, and ultimately into the heart of a woman who finds it easier to cook up millions at work than dinner at home.

    This time around, she’s determined to bury the secret of Lucas’ paternity, and to repair the fissures that sent her wandering the first time. Gabriela regrets that she wasted her most fertile years in hot pursuit of a publishing career. Yes, she’s one of the biggest authors in the world, but maybe what she really wanted to create was a family. With a chance to do it again, she’s focused on convincing her husband, Colin, to give her the baby she desires. Claire is the only one who has made peace with her past: her twenty-two year old daughter, Emily, is finally on track after the turmoil of adolescence, and she's recently gotten engaged, with the two carat diamond on her finger to prove it. But if she’s being honest, Claire still fantasizes about her own missed opportunities: a chance to bond with her mother before it was too late, and the possibility of preventing her daughter from years of anguish. Plus, there’s the man who got away—the man who may have been her one true love. But it doesn’t take long for all three women to learn that re-living a life and making different decisions only leads to new problems and consequences—and that the mistakes they made may, in fact, have been the best choices of all…

    But, in the wake of tragedy and betrayal during their teenage years, everything changed. Val went on to fame and fortune. Addie stayed behind in their small Midwestern town. Destiny, however, had more in store for these two. And when, twenty-five years later, Val shows up at Addie’s front door with blood on her coat and terror on her face, it is the beginning of a wild adventure for two women joined by love and history who find strength together that they could not find alone.

    So when the guilt-ridden husband who abandoned her shows up and offers to take care of their kids for the summer, she accepts his offer and escapes rural Pennsylvania for New York City.Usually grounded and mild mannered, Amy finally lets her hair down in the city that never sleeps. She discovers a life filled with culture, sophistication, and—with a little encouragement from her friends—a few blind dates. When one man in particular makes quick work of Amy’s heart, she risks losing herself completely in the unexpected escape, and as the summer comes to an end, Amy realizes too late that she must make an impossible decision: stay in this exciting new chapter of her life, or return to the life she left behind.But before she can choose, a crisis forces the two worlds together, and Amy must stare down a future where she could lose both sides of herself, and every dream she’s ever nurtured, in the beat of a heart.

    Along their harrowing renovation journey, Mia and Mac get caught up in various wars with the homeowners' association, meet some less-than-friendly neighbors, and are joined by a hilarious cast of supporting characters, including a celebutard ex- landlady. As they struggle to adapt to their new surroundings- with Mac taking on the renovations himself- Mia and Mac will discover if their marriage is strong enough to survive months of DIY renovations.

    She's getting tired of being the hostess, the mother hen, the woman who has to bake her own birthday party. To make things worse, the network execs at the Cooking Channel want to boost her ratings by teaming Gus with the beautiful, ambitious Carmen Vega, a former Miss Spain, who is decidedly not middle-aged.But Gus won't go without a fight. She recreates her show as an on-air cooking class, which she uses as an excuse to bring together her extended family for some lessons in life as well as cuisine. The new cast includes her bickering daughters, fickle Sabrina, who has just gotten engaged for the third time, and overserious Aimee; Troy, Sabrina's ex-boyfriend, and Hannah, Gus's timid neighbor. And while Gus may have to deal with Carmen's diva behavior, she also has to contend with a new culinary producer, Oliver, a handsome ex-banker who raises the temperature just a little beyond Gus's comfort zone. In the pursuit of higher ratings and culinary delights, Gus realizes that she might be able not just to rejuvenate her career but to improve her family life - and perhaps her love life as well...

    But for four women in particular, the big news about the charismatic politician is especially momentous... Stylist Lola has every reason to beinterested in who Paddy's marrying - because she's his girlfriend, yet she definitely isn't the bride-to-be ... Journalist Grace wants the inside story on the de Courcy engagement and thinks Lola holds the key ... while Grace's sister, Marnie, still can'tforget her first love: a certain Paddy de Courcy. And what of the soon-to-be Mrs de Courcy? Alicia will do anything for her fiancé and is determined to be the perfect wife. But does she know the real Paddy? Four very different women. One awfully charming man.And the dark secret that binds them all...

    In a delightful mix of charm, cheek, and satire, Sykes returns to the glittering world of her New York Times bestselling debut Bergdorf Blondes to introduce the Debutante Divorces--high society's newly unwed heiresses.