His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the world-weary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War.

    I was fourteen when I was murdered on December 6, 1973."So begins the story of Susie Salmon, who is adjusting to her new home in heaven, a place that is not at all what she expected, even as she is watching life on earth continue without her -- her friends trading rumors about her disappearance, her killer trying to cover his tracks, her grief-stricken family unraveling. Out of unspeakable tragedy and loss, The Lovely Bones succeeds, miraculously, in building a tale filled with hope, humor, suspense, even joy.

    And it is here, on a cliff edge, that she first meets a young girl, Aurora, who will profoundly change her life. Mysteriously drawn to Aurora, Grania discovers that the histories of their families are strangely and deeply entwined . . .From a bittersweet romance in wartime London to a troubled relationship in contemporary New York, from devotion to a foundling child to forgotten memories of a lost brother, the Ryans and the Lisles, past and present, have been entangled for a century. Ultimately, it will be Aurora whose intuition and remarkable spirit help break the spell and unlock the chains of the past.Haunting, uplifting and deeply moving, Aurora's story tells of the triumph of hope over loss.

    But this is no ordinary screenplay. This is a work of extraordinary imagination which draws on many of the themes of McCarthy's work as well as taking it to new dark places. It is also written with great descriptive passages counteracting the dialogue, so the reader is given the full experience of the McCarthy prose. It is the story of a lawyer, the Counselor, a man who is so seduced by the desire to get rich, to impress his fiancée Laura, that he becomes involved in a drug-smuggling venture that quickly takes him way out of his depth. His contacts in this are the mysterious and probably corrupt Reiner and the seductive Malkina, so exotic her pets of choice are two cheetahs. As the action crosses the Mexican border, things become darker, more violent and more sexually disturbing than the Counselor has ever imagined.

    Its one mission is to track, find, and kill those so dangerous to the United States that they are on a short document known as the Kill List. TOSA actually exists. So does the Kill List.Added to it is a new name: a terrorist of frightening effectiveness called the Preacher, who radicalizes young Muslims abroad to carry out assassinations. Unfortunately for him, one of the kills is a retired Marine general, whose son is TOSA’s top hunter of men.He has spent the last six years at his job. He knows nothing about his target’s name, face, or location. He realizes his search will take him to places where few could survive. But the Preacher has made it personal now. The hunt is on.An extraordinary cutting-edge suspense novel from the master of international intrigue and #1 New York Times–bestselling author.

    It takes in calculating beauties and sadistic husbands along with such real-life supporting characters as Colette, the Duchess of Windsor, Montgomery Clift, and Tallulah Bankhead. Above all, this malevolently funny book displays Capote at his most relentlessly observant and murderously witty.

    It certainly is for Marvin, a college student who wants to take a really good vacation. And so he signs up for what he can afford, a mindswap, in which your consciousness is swapped into the body of an alien lifeform. But Marvin is unlucky, and finds himself in the body of an interstellar criminal, a body that he has to vacate fast. But that criminal consciousness has stolen Marvin's earthly body, and Marvin has to find a body on the black market. Travel from world to world with Marvin, each one crazier than the last, as he keeps finding far from ideal bodies in awful situations, just to stay alive.

    He is divorced, involved in a rather one-sided relationship with a bank clerk, and he is depressed. To lift his depression, a colleague suggests he rent a certain video. Tertuliano watches the film and is unimpressed. During the night, noises in his apartment wake him. He goes into the living room to find that the VCR is replaying the video, and as he watches in astonishment, he sees an actor who looks exactly like him - or, more specifically, exactly like the man he was five years before, moustachioed and fuller in the face. He sleeps badly.Against his own better judgement, Tertuliano decides to pursue his double. As he establishes the man's identity, what begins as a whimsical story becomes a dark meditation on identity and, perhaps, on the crass assumptions behind cloning - that we are merely our outward appearance rather than the sum of our experiences.

    To stop him, the authorities free imprisoned former hacker Wyatt Gillette to aid the investigation. Teamed with old-school homicide detective Frank Bishop, Gillette must combine their disparate talents to catch a brilliant and merciless killer.

    Two childhood friends from Scotland and two illegitimate half-brothers from the American South suffer and enjoy all manner of bizarre experiences which, as it turns out, are somehow interconnected and, surprisingly enough, meaningful. An eclectic cast of characters includes Carl Jung, Fatty Arbuckle, Virgil, Marat, Socrates, and Tony Randall. Love, greed, hope, revenge, organized religion, and Hollywood are alternately tickled and throttled. Impossible to summarize and impossible to stop reading, this is a romantic comic odyssey that actually delivers and rewards.

    Astronomically so. He and his wife lead the kind of charity-giving, art-filled, high-society life for which each has been carefully groomed. Until Jules falls in love with Flo March, a beautiful actress/waitress. What Flo discovers about the superrich is not a pretty sight. And in the end, she wants no more than what she was promised. But when Flo begins to share the true story of her life among the Mendelsons, not everyone is in a listening mood. And some cold shoulders have very sharp edges...

    On a foggy beach. In the seconds when Abby Mason—photographer, fiancée soon-to-be-stepmother—looks into her camera and commits her greatest error. Heartbreaking, uplifting, and beautifully told, here is the riveting tale of a family torn apart, of the search for the truth behind a child’s disappearance, and of one woman’s unwavering faith in the redemptive power of love—all made startlingly fresh through Michelle Richmond’s incandescent sensitivity and extraordinary insight.Six-year-old Emma vanished into the thick San Francisco fog. Or into the heaving Pacific. Or somewhere just beyond: to a parking lot, a stranger’s van, or a road with traffic flashing by. Devastated by guilt, haunted by her fears about becoming a stepmother, Abby refuses to believe that Emma is dead. And so she searches for clues about what happened that morning—and cannot stop the flood of memories reaching from her own childhood to illuminate that irreversible moment on the beach.Now, as the days drag into weeks, as the police lose interest and fliers fade on telephone poles, Emma’s father finds solace in religion and scientific probability—but Abby can only wander the beaches and city streets, attempting to recover the past and the little girl she lost. With her life at a crossroads, she will leave San Francisco for a country thousands of miles away. And there, by the side of another sea, on a journey that has led her to another man and into a strange subculture of wanderers and surfers, Abby will make the most astounding discovery of all—as the truth of Emma’s disappearance unravels with stunning force.A profoundly original novel of family, loss, and hope—of the choices we make and the choices made for us—The Year of Fog beguiles with the mysteries of time and memory even as it lays bare the deep and wondrous workings of the human heart. The result is a mesmerizing tour de force that will touch anyone who knows what it means to love a child.

    Into her life drifts Norman Torkelson, a career con man charged with strangling to death his latest mark. At first, as Lee explains to us, the case seems routine, the evidence overwhelming. Norman--manly, magnetic and morally reprehensible--is a man who crisscrosses America looking for patsies for his cruel marriage scam: Love 'em, liquidate their assets, leave 'em. Clearly, he murdered Bobette Frisch, the dumpy, sour 50-something bar owner who had fallen madly in love with him. But just as Lee is resigning herself to the inevitable Guilty! verdict, she begins to have doubts. What, after all, was Norman's motive? Why not do what he had done for the last 20 years: run and leave behind a broke and brokenhearted victim? Lee starts to wonder if her client is not only not guilty but also covering for the real killer and, in doing so, performing the first selfless act of his life. As the Torkelson case unfolds, a second narrator chimes in to tell us the story behind the story: the tale of Lee's life. Born Lily White, Lee is a smart, pretty and privileged child coming of age on Long Island. Her parents have little time for her or her younger sister, devoted as they are to the pursuit of shallowness. Her mother, Sylvia, who looks like Lauren Bacall's twin sister with a mild eating disorder, is busy with the exhausting work of keeping up her wardrobe. Her father, Leonard Weissberg--Weiss--and finally White, is consumed by his chi-chi Manhattan fur salon, his model-bookkeeper mistress, and his obsession with the family next door, the old-money, oh-so-social Taylors. When Lee marries Jazz Taylor, the scion of these blue-bloods, her life seems blessed. Suddenly she has her mother's approval, her father's love--and a sublime husband. No matter that she has to give up her dream job in the Manhattan DA's Office to move back to Long Island with him; that's what marriage is, a series of compromises made in the name of love. Isn't it? Lily White masterfully interweaves the depths of deception surrounding the twisted Torkelson case with the stunning betrayals that devastate Lee's own life. With the characteristic intelligence and delicious, razor-sharp wit displayed in her previous bestsellers, such as After All These Years and Compromising Positions, Susan Isaacs has crafted an extraordinary novel about social mobility -- about what is phony and what is real. Lily White is the seamlessly executed story of the crimes committed in the name of the good life and the victims of these violations: Those like Bobette, who do not survive, those whose spirits are crushed, and the few, like Lee, who fight back--and find something better

    Dick's weirdest and most accomplished novels. Jack Isidore is a crap artist -- a collector of crackpot ideas (among other things, he believes that the earth is hollow and that sunlight has weight) and worthless objects, a man so grossly unequipped for real life that his sister and brother-in-law feel compelled to rescue him from it. But seen through Jack's murderously innocent gaze, Charlie and Juddy Hume prove to be just as sealed off from reality, in thrall to obsessions that are slightly more acceptable than Jack's, but a great deal uglier.

    So she stayed, taking a job at the local paper, to try to both convince the sheriff that she was right-and maybe convince herself she was wrong. After all, her father had been the town doctor, loved (she always thought) by all. To think he was killed was to think that one of her friends or neighbors has harbored some deep resentment toward him. Then she finds the dead body of the women who had been her father's nurse for many years. Obviously murdered. Now Catherine knows that she was not wrong about her parent's death. Someone in Lowfield has a terrible secret, a secret worth killing for. Not once, not twice, but -- when another body is found -- three times. And the killer won't hesitate to add more victims to the list, as Catherine gets closer and closer to the truth.