Returning from study abroad, Cornelius Christian enters customs with his luggage and his dead wife. His first encounter in New York is with a funeral director, with whom he reluctantly takes employment to pay for the burial expenses. In the course of his duties he meets the beautiful Fanny Sourpuss over her millionaire husband's dead body. However, his over-enthusiastic handling of his first corpse lands him in court. Cornelius Christian wanders through the great sad cathedral that is New York, examining the human condition in all its comic pathos and lonely absurdity. Whether lingering in the Automat drinking from half empty coffee cups and stealing baked beans from the plates of customers who go looking for ketchup, or finding love on a street corner only to end up fighting his way out of a hooker's fists, Cornelius Christian, heroic anti-hero, sings of life's goodness in the wake of disaster.

    But there are times, and surely the present is one of them, when to do so is manifestly unnecessary. In an age when every standard of decent conduct has either been torn down or is threatened with destruction; when every newspaper is daily reporting scenes of violence, divorce, and arson; when quite young girls smoke cigarettes and even, I am assured, sometimes cigars; when mature women, the mothers of unhappy children, enter the sea in one-piece bathing-costumes; and when married men, the heads of households, prefer the flicker of the cinematograph to the Athanasian Creed -- then it is obviously a task, not to be justifiably avoided, to place some higher example before the world. For some time -- I am now forty-seven -- I had been feeling this with increasing urgency. And when not only my wife and her four sisters, but the vicar of my parish, the Reverend Simeon Whey, approached me with the same suggestion, I felt that delay would amount to sin. That sin, by many persons, is now lightly regarded, I am, of course, only too well aware. That its very existence is denied by others is a fact equally familiar to me. But I am not one of them. On every ground I am an unflinching opponent of sin. I have continually rebuked it in others. I have strictly refrained from it in myself. And for that reason alone I have deemed it incumbent upon me to issue this volume. Illustrations by "Robin" (Marjorie Blood).

    Fusing themes of illusion and imagination, delusion and dreams, he weaves back and forth between three centuries, introducing a blazing cast of Dickensian eccentrics and rogues, from the outrageous, gin-sipping Harriet Scrope, an elderly female novelist, to the tragic young poet, Charles Wychwood, seeker of Chatterton's secret... They find more riddles than answers from their search.This entertaining comedy is at once hilarious, and a thoughtful exploration of the deepest issues of both life and art.

    A tour de force of menace, malicious comedy, and torrential social bile, this book marks the American debut of an extraordinary writer.

    Forester – creator of Horatio Hornblower – takes us aboard HMS Artemis as she steams into battle against overwhelming odds. We get inside the heads of Artemis’s men, from the Captain on his bridge down to the lowest engine room rating, as they struggle over one long and terrifying afternoon to do their duty. C.S. Forester brilliantly recounts life aboard a British warship during some of the darkest days of the Second World War: capturing the urgency of the blazing guns, the thunderous rupturing of deck plates, the screams of pain and the shouts of triumph.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    Treated as a failure at school, and unhappy at home, Billy discovers a new passion in life when he finds Kes, a kestrel hawk. Billy identifies with her silent strength and she inspires in him the trust and love that nothing else can, discovering through her the passion missing from his life. Barry Hines's acclaimed novel continues to reach new generations of teenagers and adults with its powerful story of survival in a tough, joyless world.

    Aubyn's wonderful, wry, and profound Patrick Melrose Cycle, follows five-year-old Patrick through a single day, as the Melrose family awaits the arrival of guests. Bright and imaginative, young Patrick struggles daily to contend with the searing cruelty of his father and the resignation of his embattled mother. But on this day he must endure an unprecedented horror—one that splits his world in two. In Never Mind, St. Aubyn renders this vivid tragedy with profound grace and precision, and introduces us to the unforgettable, complex figure of Patrick Melrose.

    An Englishman plans to assassinate the dictator of a European country. But he is foiled at the last moment and falls into the hands of ruthless and inventive torturers. They devise for him an ingenious and diplomatic death but, for once, they bungle the job and he escapes. But England provides no safety from his pursuers - and the Rogue Male must strip away all the trappings of status and civilization as the hunter becomes a hunted animal.

    Samuel Butler's autobiographical account of a harsh upbringing and troubled adulthood shines an iconoclastic light on the hypocrisy of a Victorian clerical family's domestic life. It also foreshadows the crumbling of nineteenth-century bourgeois ideals in the aftermath of the First World War, as well as the ways in which succeeding generations have questioned conventional values. Hailed by George Bernard Shaw as "one of the summits of human achievement," this chronicle of the life and loves of Ernest Pontifex spans four generations, focusing chiefly on the relationship between Ernest and his father, Theobald. Written in the wake of Darwin's Origin of Species, it reflects the dawning consciousness of heredity and environment as determinants of character. Along the way, it offers a powerfully satirical indictment of Victorian England's major institutions—the family, the church, and the rigidly hierarchical class structure.

    She irons his surplices (badly), delivers the parish newsletter, and scrimps to get by on a pittance, all the while keeping up appearances. She rarely complains and rarely rebels. But now-as she watches her children do without, as her husband withdraws further into his work, and her frustration mounts into fury-Anna realizes that she's willing to do whatever it takes to save herself..."A novel of large ideas and small touches," (Boston Globe) The Rector's Wife "will be quickly devoured and long remembered" (USA Today).

    His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life—the Day of the Dead—his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical.Under the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him.

    The only thing that can be guaranteed is that it will be his next earth-movingly funny bestseller. And we are still pretty confidently saying it will not be about earthworm migration patterns in East Devon.This is the story of Ned Maddenstone, a nice young man who is about to find out just what hell it is to be one of the stars' tennis balls.  For Ned, 1978 seems a blissful year: handsome, popular, responsible and a fine cricketer, life is progressing smoothly for him, if not effortlessly. When he meets Portia Fendeman his personal jigsaw appears complete. What if her left-wing parents despise his Tory MP father? Doesn't that just make them star-crossed lovers? And surely, in the end, won't the Fendemans be won over by their happiness?  But, of course, one person's happiness is another's jealous spite. And spite is about to change Ned's life forever.  A promise made to a dying teacher and a vile trick played by fellow pupils rocket Ned from cricket captain to solitary confinement, from head boy to political prisoner. Twenty years later, Ned returns to London a very different man from the boy seized outside a Knightsbridge language college.  A man implacably focused on revenge. Revenge is a dish he plans to savour and serve to those who conspired against him, and to those who forgot him.

    Set in an iron foundry in Birmingham, LIVING grittily and entertainingly contrasts the lives of the workers and the owners

    Somerset Maugham portrays a wealthy young English woman who finds herself confronted rather brutally by the repercussions of whimsy.On the day her older and prosperous friend asks her to marry him, Mary Leonard demurs and decides to postpone her reply a few days. But driving into the hills above Florence alone that evening, Mary offers a ride to a handsome stranger. And suddenly, her life is utterly, irrevocably altered.For this stranger is a refugee of war, and he harbors more than one form of passion. Before morning, Mary will witness bloodshed, she will be forced to seek advice and assistance from an unsavory man, and she will have to face the truth about her own yearnings. Erotic, haunting, and maddeningly suspenseful, Up at the Villa is a masterful tale of temptation, and the capricious nature of fate.