As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda’s unwavering and skilled maid, Marta, has more claim to Linda’s home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda’s instability. One day, Linda leaves home with a charismatic and beguiling artist, whom she joins on a fervent adventure that causes reverberations felt by everyone, and ultimately binds Marta and Linda in a profoundly human, and tender, way.An exquisite debut novel by young Brazilian American author Gabriella Burnham, It Is Wood, It Is Stone is about women whose romantic and subversive entanglements reflect on class and colorism, sexuality, and complex, divisive histories.

    Twentysomething writer Chani Horowitz is stuck. While her former MFA classmates are nabbing book deals, she's in the trenches writing puff pieces. Then she's hired to write a profile of movie star Gabe Parker. The Gabe Parker--her forever celebrity crush, the object of her fantasies, the background photo on her phone--who's also just been cast as the new James Bond. It's terrifying and thrilling all at once . . . yet if she can keep her cool and nail the piece, it could be a huge win. Gabe will get good press, and her career will skyrocket. But what comes next proves to be life-changing in ways Chani never saw coming, as the interview turns into a whirlwind weekend that has the tabloids buzzing.Now. Ten years later, after a brutal divorce and a heavy dose of therapy, Chani is back in Los Angeles, laser-focused on one thing: her work. But she's still spent the better part of the last decade getting asked about her deeply personal Gabe Parker profile at every turn. No matter what new essay collection or viral editorial she's promoting, it always comes back to Gabe. So when his PR team requests that they reunite for a second interview, she wants to say no. She wants to pretend that she's forgotten about the time they spent together, years ago. But the truth is that those seventy-two hours are still crystal clear, etched in her memory. And so . . . she says yes.Chani knows that facing Gabe again also means facing feelings she's tried so hard to push away. Alternating between their first meeting and their reunion a decade later, this deliciously irresistible novel will have you hanging on until the last word.

    Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn while Olga is the tony wedding planner for Manhattan's powerbrokers.Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1%, but she can't seem to find her own...until she meets Matteo, who forces her to confront the effects of long-held family secrets...Twenty-seven years ago, their mother, Blanca, a Young Lord-turned-radical, abandoned her children to advance a militant political cause, leaving them to be raised by their grandmother. Now, with the winds of hurricane season, Blanca has come barreling back into their lives.Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico's history, Olga Dies Dreaming is a story that examines political corruption, familial strife and the very notion of the American dream--all while asking what it really means to weather a storm.

     Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood.Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly.Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more.Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

    But when a national nonprofit labels Big Burr "the most homophobic town in the US" and sends in a task force of queer volunteers as an experiment-they'll live and work in the community for two years in an attempt to broaden hearts and minds-no one is truly prepared for what will ensue. Furious at being uprooted from her life in Los Angeles and desperate to fit in at her new high school, Avery fears that it's only a matter of time before her "gay crusader" mom outs her. Still grieving the death of her son, Linda welcomes the arrivals, who know mercifully little about her past. And for Christine, the newcomers are not only a threat to the comforting rhythms of Big Burr life, but a call to action. As tensions roil the town, cratering relationships and forcing closely guarded secrets into the light, everyone must consider what it really means to belong. Told with warmth and wit, Under the Rainbow is a poignant, hopeful articulation of our complicated humanity that reminds us we are more alike than we'd like to admit.

    He and his band Kiss & Tell are on their first major tour of North America, playing arenas all over the United States and Canada (and getting covered by the gossipy press all over North America as well). Hunter is the only gay member of the band, and he just had a very painful breakup with his first boyfriend–leaked sexts, public heartbreak, and all–and now everyone expects him to play the perfect queer role model for teens.But Hunter isn’t really sure what being the perfect queer kid even means. Does it mean dressing up in whatever The Label tells him to wear for photo shoots and pretending never to have sex? (Unfortunately, yes.) Does it mean finding community among the queer kids at the meet-and-greets after K&T’s shows? (Fortunately, yes.) Does it include a new relationship with Kaivan, the star of the band opening for K&T on tour? (He hopes so.) But when The Label finds out about Hunter and Kaivan, it spells trouble—for their relationship, for the perfect gay boy Hunter plays for the cameras, and, most importantly, for Hunter himself.

    It was a source of entertainment at Maple Street Cemetery. Both funny and sad, the kind of story we like best. Natural-born healer Emma Starling once had big plans for her life, but she's lost her way. A med school dropout, she's come back to small-town Everton, New Hampshire to care for her father, dying from a mysterious brain disease. Clive Starling has been hallucinating small animals, as well as visions of the ghost of a long-dead naturalist, Ernest Harold Baynes, once known for letting wild animals live in his house. This ghost has been giving Clive some ideas on how to spend his final days. Emma arrives home knowing she must face her dad's illness, her mom's judgement, and her younger brother's recent stint in rehab, but she's unprepared to find that her former best friend from high school is missing, with no one bothering to look for her. The police say they don't spend much time looking for drug addicts. Emma's dad is the only one convinced the young woman might still be alive, and Emma is hopeful he could be right. Someone should look for her, at least. Emma isn't really trying to be a hero--but somehow she and her father set in motion just the kind of miracle the town needs. Set against the backdrop of a small town in the throes of a very real opioid crisis, Unlikely Animals is a tragicomic novel about familial expectations, imperfect friendships, and the possibility of resurrecting that which had been thought irrevocably lost.

    From the moment Gail emerged between Owen’s ribs, his mother knew that she had to hide him away from the world. After a decade spent in hiding, Owen takes a brazen trip outdoors in the middle of a forest fire, and his life is upended forever.Suddenly, Owen is forced to flee the home that had once felt so confining and hide in plain sight with his uncle and cousin in Washington. There, he feels the joy of finding a family among friends; of sharing the bird in his chest and being embraced fully; of falling in love and feeling the devastating heartbreak of rejection before finding a spark of happiness in the most unexpected place; of living his truth regardless of how hard the thieves of joy may try to tear him down. But the threat of the Army of Acronyms is a constant, looming presence, making Owen wonder if he’ll ever find a way out of the cycle of fear.A heartbreaking yet hopeful novel about the things that make us unique and lovable, The Boy with a Bird in His Chest grapples with the fear, depression, and feelings of isolation that come with believing that we will never be loved, let alone accepted, for who we truly are, and learning to live fully and openly regardless.

    There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline's next semidocumentary movie, which follows the girls' clandestine after-school activity: a Fight Club inspired by the violent classic.As Cass is drawn into the film's orbit, she is awed by Caroline's drive and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art--especially as the consequences become increasingly disturbing. With her past proving hard to shake and her future one she's no longer sure she wants, Cass is forced to reckon with her own ambitions and confront what she has come to believe about the steep price of success.

    She’s not used to mixing work and friendship―after all, between her jealous boyfriend and his young daughter, she has enough on her plate. But the newest dancer is so clueless that Samantha feels compelled to help her learn the hustle and drama of the club: how to sweet-talk the boss, fit in with the other women, and make good money. One night, when the new girl needs a ride home, Samantha agrees to drive: a simple decision that turns deadly.Georgia, another dancer drawn into the ensuing murder and missing person investigation, gathers information for Holly, a grieving detective determined to solve the case. Georgia just wants to help, but her involvement makes her a target. As Holly and Georgia round up their suspects, the story’s point of view shifts between dancers, detectives, children, club patrons―and the killer.Drawing on her experience as a former dancer, Marie Rutkoski immerses us in the captivating world of the club, which comes alive with complicated people trying their best to protect themselves and those they love. Character-driven and masterfully plotted, Real Easy gets to the heart of the timeless question: How do women live their lives knowing that men can hurt them?

    Bertie is a semi-failed cartoonist, working for a prominent Silicon Valley tech firm. Her job depresses her, but not as much as the fact that Kate has recently decided to move from San Francisco to Los Angeles.When Bertie’s attempts to make Kate stay fail, she suggests the next-best thing: a trip to Paris that will hopefully distract the duo from their upcoming separation. The vacation is also a sort of last hurrah, coming during a ceasefire in a series of escalating world conflicts.One night in Paris, they meet a strange man in a bar who offers them a private tour of the Louvre. The women find themselves alone in the museum, where nothing is quite as it seems. Caught up in a day that keeps repeating itself, Bertie and Kate are eventually separated, and Bertie is faced with a mystery that threatens to derail everything. In order to make her way back to Kate, Bertie has to figure out how much control she has over her future—and her past—and how to survive an apocalypse when the world keeps refusing to end.

    Don’t worry; be happy. Keep calm and carry on.Maeve has heard it all before. She’s been struggling with severe anxiety for a long time, and as much as she wishes it was something she could just talk herself out of, it’s not. She constantly imagines the worst, composes obituaries in her head, and is always ready for things to fall apart. To add to her troubles, her mom—the only one who really gets what Maeve goes through—is leaving for six months, so Maeve will be sent to live with her dad in Vancouver.Vancouver brings a slew of new worries, but Maeve finds brief moments of calm (as well as even more worries) with Salix, a local girl who doesn’t seem to worry about anything. Between her dad’s wavering sobriety, her very pregnant stepmom insisting on a home birth, and her bumbling courtship with Salix, this summer brings more catastrophes than even Maeve could have foreseen. Will she be able to navigate through all the chaos to be there for the people she loves?

    Too soon, with winter coming, he calls it quits. Helped by Rudy—her government-questioning, wisdom-spouting, seasonal-affective-disordered boss—and a neighbor couple, Helen makes it to spring. Those neighbors, Karen and Lily, are awaiting the arrival of their first child, a boy, which means their time at the Women’s Land Trust must end.So Helen invites the new family to throw in with her—they’ll split the work and the food, build a house, and make a life that sustains them, if barely, for years. Then young Perley decides he wants to go to school. And Rudy sets up a fruit-tree nursery on the pipeline easement edging their land. The outside world is brought clamoring into their makeshift family.Set in a region known for its independent spirit, Stay and Fight shakes up what it means to be a family, to live well, to make peace with nature and make deals with the system. It is a protest novel that challenges our notions of effective action. It is a family novel that refuses to limit the term. And it is a marvel of storytelling that both breaks with tradition and celebrates it. Best of all, it is full of flawed, cantankerous, flesh-and-blood characters who remind us that conflict isn't the end of love, but the real beginning.Absorbingly spun, perfectly voiced, and disruptively political, Madeline ffitch's Stay and Fight forces us to reimagine an Appalachia—and an America—we think we know. And it takes us, laughing and fighting, into a new understanding of what it means to love and to be free.

    Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life.But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They head up a halfway house, where they live alongside castoffs like the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone, to teach math at a local all-girls high school, where for the first time in years she will have to reckon with what she sees and feels all on her own. Who will she be if she isn't with her sisters? These women, the church, have been her home--or has she just been hiding?Disarming, delightfully deadpan, and full of searching, Claire Luchette's Agatha of Little Neon offers a view into the lives of women and the choices they make. It is a novel about female friendship and devotion, the roles made available to us, and how we become ourselves.

    The girls are packing light: a supply of Diet Coke for Lux and her ‘89 Canon to help her frame the world in a sunnier light; half a pack of cigarettes for Trixie that she doesn’t really smoke, and a knife—one she’s just hanging on to for a friend—that she’s never used before.But a single night of violence derails their trip and will forever change the course of the girls’ lives, as they go from ordinary high schoolers to wanted fugitives. Trying to stay ahead of the cops and a hellscape of media attention, the girls grapple with an unforgiving landscape, rapidly diminishing supplies, and disastrous decisions at every turn. As they are transformed by the media into the face of a #MeToo movement they didn’t ask to lead and the road before them begins to run out, Trixie and Lux realize that they can only rely on each other, and that the love they find together is the one thing that truly makes them free.In rushing, powerful prose Julia Lynn Rubin takes readers on “a blistering, unapologetic thrill ride” (Emma Berquis) that will leave them haunted and reeling. Trouble Girls is “a powerful, beautifully-written gut punch” (Sophie Gonzales).