Each book comprises all new stories, each one set in a distinct location within the geographic area of the book.Brand-new stories by: Michael Connelly, Lori Roy, Ace Atkins, Karen Brown, Tim Dorsey, Lisa Unger, Sterling Watson, Luis Castillo, Sarah Gerard, Danny López, Ladee Hubbard, Gale Massey, Yuly Restrepo Garcés, Eliot Schrefer, and Colette Bancroft.From the introduction by Colette Bancroft:Ask most people what the Tampa Bay area is famous for, and they might mention sparkling beaches and sleek urban centers and contented retirees strolling the golf courses year-round. But it’s always had a dark side. Just look at its signature event: a giant pirate parade.Not only does Gasparilla honor the buccaneer traditions of theft, debauchery, and violence; its namesake pirate captain, José Gaspar, is a fake who probably never existed. And if there’s any variety of crime baked into Florida’s history, it’s fraud. From the indigenous residents who supposedly conned Spanish explorers seeking the Fountain of Youth through the rolling cycles of real estate scams that have shaped the Sunshine State for the last century or so, the place is a grifter’s native habitat.

    Although these stories are not all mysteries, they all are suspenseful and very enjoyable. They already show the creative mind that devised later so many complex plots as well as Stout’s gift for creating characters with a few quick strokes. The stories, which are presented here in order of publication, are: “Excess Baggage,” “The Infernal Feminine,” “A Professional Recall,” “Pamfret and Peace,” “A Companion of Fortune,” “A White Precipitate,” “The Mother of Invention,” “Méthode Américaine,” “A Tyrant Abdicates,” “The Pay-Yeoman,” “Secrets,” “Rose Orchid,” “An Agacella Or,” “The Inevitable Third,” “The Lie,” “Target Practice,” “If He Be Married,” “Baba,” “Jonathan Stannard's Secret Vice,” “Sanétomo,” “The Strong Man,” “It's Science That Counts,” “The Rope Dance,” “An Officer and a Lady,” “Heels of Fate,” and “Annuncio's Violin.”

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.Brand-new stories by: Tom Abrahams, Robert Boswell, Sarah Cortez, Anton DiSclafani, Stephanie Jaye Evans, Wanjiku Wa Ngugi, Adrienne Perry, Pia Pico, Reyes Ramirez, Icess Fernandez Rojas, Sehba Sarwar, Leslie Contreras Schwartz, Larry Watts, and Deborah D.E.E.P. Mouton.From the introduction by Gwendolyn Zepeda:In a 2004 essay, Hunter S. Thompson described Houston as a “cruel, crazy town on a filthy river in East Texas with no zoning laws and a culture of sex, money and violence. It’s a shabby, sprawling metropolis ruled by brazen women, crooked cops and super-rich pansexual cowboys who live by the code of the West—which can mean just about anything you need it to mean, in a pinch.” For what it’s worth, that quote is now posted on a banner somewhere downtown and regularly, gleefully repeated by our local feature writers.Houston is a port city on top of a swamp and, yes, it has no zoning laws. And that means it’s culturally diverse, internally incongruous, and ever-changing. At any intersection here, I might look out my car window and see a horse idly munching St. Augustine grass. And, within spitting distance of that horse, I might see a “spa” that’s an obvious brothel, a house turned drug den, or a swiftly rising bayou that might overtake a car if the rain doesn’t let up . . . Overall, this collection represents the very worst our city has to offer, for residents and visitors alike. But it also presents some of our best voices, veteran and emerging, to any reader lucky enough to pick up this book.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.Brand-new stories by: Lee Martin, Robin Yocum, Kristen Lepionka, Craig McDonald, Chris Bournea, Andrew Welsh-Huggins, Tom Barlow, Mercedes King, Daniel Best, Laura Bickle, Yolonda Tonette Sanders, Julia Keller, Khalid Moalim, and Nancy Zafris.From the introduction by Andrew Welsh-Huggins:Today, Columbus is an epicenter of the opioid epidemic, awash in heroin and the even deadlier fentanyl as dealers flood the city with their wares . . . The wealth gap in the city is growing, and Columbus is now one of the deadliest places in the state for babies trying to make it to their first birthday, even more so if their mothers are African American. These days, Columbus is a place forensic investigators are moving to. Overdoses, homicides, infant mortality: at long last, we’re finally as lethal as any big American city.In that light (and darkness) I’m pleased to present Columbus Noir, a collection of shadowy tales from the city’s best storytellers set in neighborhoods across the metropolis. Sexual passion drives many of the stories, appropriate for a genre marked by protagonists striving for things out of their reach. Racism makes an appearance or two, as do those twin pillars of noir, greed and pride. Still, a deep appreciation of Columbus runs through the book as forcefully as the swath cut by the Olentangy after a couple of days of hard rain.

    Not quite what he expected, and not for the faint of heart.Founded in 2012, The Center for Fiction's Crime Fiction Academy is the first ongoing program exclusively dedicated to crime writing in all its forms. Hone your skills with bestselling crime fiction authors Alison Gaylin and Jason Starr. Attend master classes with crime fiction greats like Mary Higgins Clark, Lee Child, Harlan Coben, Linda Fairstein, Nelson DeMille, Michael Connelly, Lisa Unger, and many more. Students receive a Writers’ Studio membership with access to our extensive circulating collection, and have the opportunity to read their work to an audience filled with editors, agents, and publishing professionals at our seasonal Crime Fiction Slam. Not in New York? Check centerforfiction.org for information about our online classes.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.Brand-new stories by: Jane Hamilton, Reed Farrel Coleman, Valerie Laken, Matthew J. Prigge, Shauna Singh Baldwin, Vida Cross, Larry Watson, Frank Wheeler Jr., Derrick Harriell, Christi Clancy, James E. Causey, Mary Thorson, Nick Petrie, and Jennifer Morales.From the introduction by Tim Hennessy:Presently, Milwaukee is going through a renaissance—abandoned factories being converted to condos, craft breweries and distilleries pushing out corner taverns—yet at the same time it is among the most segregated and impoverished big cities in the country. The gentrification of neighborhoods outside of downtown bear the impact of twentieth-century redlining efforts, forcing residents out due to housing demand, adding fuel to the affordable-housing crisis. Such an environment and atmosphere make excellent fodder for noir fiction . . .The book you’re holding is the first of its kind—a short fiction collection about Milwaukee, by writers who’ve experienced life here. The crime/noir genre at its best can be one of the purest forms of social commentary. I’ve gathered contributors who can tell not just a fine story, but who can write about the struggles and resilience of the people who live here . . . I’m honored to compile a body of work that represents what I love, and fear, about Milwaukee. I love my city’s lack of pretension; its stubbornness and pride in the unpolished corners. I fear that my city faces an uncertain future—that as it becomes more divided it may push our best and brightest to find somewhere else to shine.

    Each story is set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: Tommy Moore, Jessica Breheny, Naomi Hirahara, Calvin McMillin, Liza Monroy, Elizabeth McKenzie, Jill Wolfson, Ariel Gore, Jon Bailiff, Maceo Montoya, Micah Perks, Seana Graham, Vinnie Hansen, Peggy Townsend, Margaret Elysia Garcia, Lou Mathews, Lee Quarnstrom, Dillon Kaiser, Beth Lisick, and Wallace Baine.From the introduction by Susie Bright:Every town has its noir-ville. It’s easy to find in Santa Cruz. We live in what’s called “paradise,” where you can wake up in a pool of blood with the first pink rays of the sunrise peeking out over our mountain range. The dewy mist lifts from the bay. Don’t hate us because we’re beautiful—we were made that way, like Venus rising off the foam with a brick in her hand. We can’t help it if you fall for it every time . . .“If I lived in a place like this,” visitors often say, “I’d wake up with a smile every day.”Oh, we do, thank you for that. There’s no beauty like a merciless beauty—and like every crepuscular predator, it thrives at dawn and dusk. You’re just the innocent we’ve been waiting for, with your big paper cone of sugar-shark cotton, whipped out of pure nothing. We have just the ride for you, the longest tunnel ever. Santa Cruz is everything you ever dreamed, and everything you ever screamed, in one long drop you’ll never forget.

    This collection includes thirteen lean and mean stories from the fingertips of Garnett Elliott, Glenn Gray, John Hornor Jacobs, Patricia Abbott, Thomas Pluck, Brad Green, Ron Earl Phillips, Kent Gowran, Amy Grech, Benoit Lelievre, Kieran Shea, David Cranmer, and Wayne D. Dundee and a boiled down look at hardboiled fiction in an introduction by Ron Scheer. Edited by David Cranmer and Scott D. Parker.

    She is the author of five novels, including A Soldier's Daughter Never Cries and the memoir Lies My Mother Never Told Me. She teaches in the MFA program at Stony Brook Southampton and in the Wilkes University low-residency MFA program in professional writing.

    This collection features new stories from all the Zelmer Pulp regulars as well as stunning noir photography from Mark Krajnak and an introduction by Brit Grit Godfather Paul D. Brazill.Zelmer Pulp arrives with both guns out in this Volume 1 noir collection.

    McCauleySPILL SITE by Matthew C. FunkA CLEAN WHITE SUN by Mike WilkersonLUCK by Johnny ShawPLUS: an exclusive first look at Tyrus Books upcoming novel from Todd Robinson, THE HARD BOUNCE

    Join the O'Reilly family once again as they meet around the Jack O'Lantern on Halloween night and share ghost stories that will make you shiver and have you looking over your shoulder to see if there is "a little something extra" wandering through your home tonight.

    When two young girls disappear with a trunk-load of pot, unaware that their payload has been packed with an extra five kilos of cocaine, a lovable loser persuades a sociopathic killer to pursue them across Northern California in a violent, twisted goose-chase that ends in a horrific place none of them could have forseen.

    Bailey investigates the woman in an attempt to stop the extortion, and as the story unfolds, there are many twists and turns. Following The Double Take, Huggins turned his attention to creating memorable TV shows such as “Maverick,” “The Fugitive,” “City of Angels,” and “The Rockford Files.” Huggins passed away in 2002 at age 87.