Shaw’s Home for Watercress and Flower Girls. For years, the home has cared for London’s flower girls—orphaned and crippled children living on the grimy streets and selling posies of violets and watercress to survive.Soon after she arrives, Tilly discovers a diary written by an orphan named Florrie—a young Irish flower girl who died of a broken heart after she and her sister, Rosie, were separated. Moved by Florrie’s pain and all she endured in her brief life, Tilly sets out to discover what happened to Rosie. But the search will not be easy. Full of twists and surprises, it leads the caring and determined young woman into unexpected places, including the depths of her own heart.

    Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both.But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each other, the trials of the journey and their disparate pasts work to keep them apart. John’s heritage gains them safe passage through hostile territory only to come between them as they seek to build a life together.When a horrific tragedy strikes, decimating Naomi’s family and separating her from John, the promises they made are all they have left. Ripped apart, they can’t turn back, they can’t go on, and they can’t let go. Both will have to make terrible sacrifices to find each other, save each other, and eventually…make peace with who they are.

    Her husband is the best car salesman in rural south eastern Australia. Together with Willie, their lanky navigator, they embark upon the Redex Trial, a brutal race around the continent, over roads no car will ever quite survive.A Long Way from Home is Peter Carey's late style masterpiece; a thrilling high speed story that starts in one way, then takes you to another place altogether. Set in the 1950s in the embers of the British Empire, painting a picture of Queen and subject, black, white and those in-between, this brilliantly vivid novel illustrates how the possession of an ancient culture spirals through history - and the love made and hurt caused along the way.

    It hints at the existence of an extraordinary artifact that—if he can find it—would redefine history. Traveling in one of Europe’s earliest automobiles, he sets out in search of this strange treasure.Thirty-five years later, a Portuguese pathologist devoted to the murder mysteries of Agatha Christie finds himself at the center of a mystery of his own and drawn into the consequences of Tomás’s quest.Fifty years on, a Canadian senator takes refuge in his ancestral village in northern Portugal, grieving the loss of his beloved wife. But he arrives with an unusual companion: a chimpanzee. And there the century-old quest will come to an unexpected conclusion.The High Mountains of Portugal—part quest, part ghost story, part contemporary fable—offers a haunting exploration of great love and great loss. Filled with tenderness, humor, and endless surprise, it takes the reader on a road trip through Portugal in the last century—and through the human soul.

    They are Nell Stone, fascinating, magnetic and famous for her controversial work studying South Pacific tribes, her intelligent and aggressive husband Fen, and Andrew Bankson, who stumbles into the lives of this strange couple and becomes totally enthralled. Within months the trio are producing their best ever work, but soon a firestorm of fierce love and jealousy begins to burn out of control, threatening their bonds, their careers, and, ultimately, their lives...

    His life is shattered but Morgan refuses to surrender, overcoming all obstacles to find unexpected contentment and happiness in the harsh early days of Australia's settlement.From England's shores to Botany Bay and the rugged frontier of a hostile new world, Morgan's Run is the epic tale of love lost and found, and the man whose strength and character helped settle a country and define its future.Cover Artist: Tom Hallman

    It is the sixteenth century, the beginning of the Spanish conquest of the Americas, and when her shiftless husband disappears to the New World, Inés uses the opportunity to search for him as an excuse to flee her stifling homeland and seek adventure. After her treacherous journey takes her to Peru, she learns that her husband has died in battle. Soon she begins a fiery love affair with a man who will change the course of her life: Pedro de Valdivia, war hero and field marshal to the famed Francisco Pizarro.Valdivia's dream is to succeed where other Spaniards have failed: to become the conquerer of Chile. The natives of Chile are fearsome warriors, and the land is rumored to be barren of gold, but this suits Valdivia, who seeks only honor and glory. Together the lovers Inés Suárez and Pedro de Valdivia will build the new city of Santiago, and they will wage a bloody, ruthless war against the indigenous Chileans—the fierce local Indians led by the chief Michimalonko, and the even fiercer Mapuche from the south. The horrific struggle will change them forever, pulling each of them toward their separate destinies.Inés of My Soul is a work of breathtaking scope: meticulously researched, it engagingly dramatizes the known events of Inés Suárez's life, crafting them into a novel full of the narrative brilliance and passion readers have come to expect from Isabel Allende.

     London, 1926. American-raised Maisie Musgrave is thrilled to land a job as a secretary at the upstart British Broadcasting Corporation, whose use of radio—still new, strange, and electrifying—is captivating the nation. But the hectic pace, smart young staff, and intimidating bosses only add to Maisie’s insecurity. Soon, she is seduced by the work—gaining confidence as she arranges broadcasts by the most famous writers, scientists, and politicians in Britain. She is also caught up in a growing conflict between her two bosses, John Reith, the formidable Director-General of the BBC, and Hilda Matheson, the extraordinary director of the hugely popular Talks programming, who each have very different visions of what radio should be. Under Hilda’s tutelage, Maisie discovers her talent, passion, and ambition. But when she unearths a shocking conspiracy, she and Hilda join forces to make their voices heard both on and off the air…and then face the dangerous consequences of telling the truth for a living.

    The only takers are two eccentric Englishmen who want to embark for the other side of the globe. The Reverend Geoffrey Wilson believes the Garden of Eden was on the island of Tasmania. His traveling partner, Dr. Thomas Potter, unbeknownst to Wilson, is developing a sinister thesis about the races of men. Meanwhile, an aboriginal in Tasmania named Peevay recounts his people’s struggles against the invading British, a story that begins in 1824, moves into the present with approach of the English passengers in 1857, and extends into the future in 1870. These characters and many others come together in a storm of voices that vividly bring a past age to life.

    In a mountain-locked valley, Jessie is on the run.Born wild and brave, by twenty-six she has already lived life as a circus rider, horse and cattle rustler, and convict. But on this fateful night she is just a woman wanting to survive though there is barely any life left in her.Two men crash through the bushland, desperate to claim the reward on her head: one her lover, the other the law.But as it has always been for Jessie, it is death, not a man, who is her closest pursuer and companion. And while all odds are stacked against her, there is one who will never give up on her—her own child, who awaits her.

    Set in the fourteenth century in Europe’s most far-flung outpost, a land of glittering fjords, blasting winds, sun-warmed meadows, and high, dark mountains, The Greenlanders is the story of one family–proud landowner Asgeir Gunnarsson; his daughter Margret, whose willful independence leads her into passionate adultery and exile; and his son Gunnar, whose quest for knowledge is at the compelling center of this unforgettable book. Jane Smiley takes us into this world of farmers, priests, and lawspeakers, of hunts and feasts and long-standing feuds, and by an act of literary magic, makes a remote time, place, and people not only real but dear to us.

    Her guilt-plagued mother cannot accept her daughter's deafness. Grania's saving grace is her grandmother Mamo, who tries to teach Grania to read and speak again. Grania's older sister, Tress, is a beloved ally as well-obliging when Grania begs her to shout words into her ear canals and forging a rope to keep the sisters connected from their separate beds at night when Grania fears the terrible vulnerability that darkness brings. When it becomes clear that she can no longer thrive in the world of the hearing, her family sends her to live at the Ontario School for the Deaf in Belleville, where, protected from the often-unforgiving hearing world outside, she learns sign language and speech.After graduation Grania stays on to work at the school, and it is there that she meets Jim Lloyd, a hearing man. In wonderment the two begin to create a new emotional vocabulary that encompasses both sound and silence. But just two weeks after their wedding, Jim must leave home to serve as a stretcher bearer on the blood-soaked battlefields of Flanders.During this long war of attrition, Jim and Grania's letters back and forth-both real and imagined-attempt to sustain their young love in a world as brutal as it is beautiful. Frances Itani's depiction of a world where sound exists only in the margins is a singular feat in literary fiction, a place difficult to leave and even harder to forget. A magnificent tale of love and war, Deafening is finally an ode to language-how it can console, imprison, and liberate, and how it alone can bridge vast chasms of geography and experience.

    Smith, amiable, charming, yet strangely determined to keep suspicion simmering. For in his pocket, he has what seems to be an order for a thousand pounds, a huge amount, and he won't explain why, or where he comes from, or what he can be planning to do in the colonies that requires so much money.Should the New York merchants trust him? Should they risk their credit and refuse to pay? Should they befriend him, seduce him, arrest him; maybe even kill him?As fast as a heist movie, as stuffed with incident as a whole shelf of conventional fiction, Golden Hill is both a novel about the 18th century, and itself a book cranked back to the novel's 18th century beginnings, when anything could happen on the page, and usually did, and a hero was not a hero unless he ran the frequent risk of being hanged.This is Fielding's Tom Jones recast on Broadway - when Broadway was a tree-lined avenue two hundred yards long, with a fort at one end flying the Union Jack and a common at the other, grazed by cows.Rich in language and historical perception, yet compulsively readable, Golden Hill has a plot that twists every chapter, and a puzzle at its heart that won't let go till the last paragraph of the last page.Set a generation before the American Revolution, it paints an irresistible picture of a New York provokingly different from its later self: but subtly shadowed by the great city to come, and already entirely a place where a young man with a fast tongue can invent himself afresh, fall in love - and find a world of trouble.

    At its heart is one day in a Japanese slave labour camp in August 1943. As the day builds to its horrific climax, Dorrigo Evans battles and fails in his quest to save the lives of his fellow POWs, a man is killed for no reason, and a love story unfolds.

    Bila Yarrudhanggalangdhuray is one of those books – a novel that turns Australia’s long-mythologised settler history into a raw and resilient heartsong.' – Guardian ***2021 ARA HISTORICAL NOVEL PRIZE SHORTLIST*** ***2022 INDIE BOOK AWARDS LONGLIST*** ***2022 VICTORIAN PREMIER'S LITERARY AWARDS HIGHLY COMMENDED*** _______________________________________________ Gundagai, 1852 The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai. When she meets Wiradyuri stockman Yindyamarra, Wagadhaany’s heart slowly begins to heal. But still, she dreams of a better life, away from the degradation of being owned. She longs to set out along the river of her ancestors, in search of lost family and country. Can she find the courage to defy the White man’s law? And if she does, will it bring hope ... or heartache?Set on timeless Wiradyuri country, where the life-giving waters of the rivers can make or break dreams, and based on devastating true events, Bila Yarrudhanggalangdhuray (River of Dreams) is an epic story of love, loss and belonging.Praise for Bila Yarrudhanggalangdhuray (River of Dreams) 'Heiss fuses fiction with realism, conjuring a resonance still felt in Blak struggle today ... packs heart into every page.' – Saturday Paper 'Tells a powerful and affecting tale of Aboriginal people's identity, community and deep connection to country.’ – Canberra Times ' A profoundly moving showcase of Heiss’ skill ... Intimate, reflective, and impossible to put down.’  – The AU Review ‘Engrossing and wonderful storytelling. I really loved these strong, brave Wiradyuri characters.’ – Melissa Lucashenko ‘A powerful story of family, place and belonging.’ – Kate Grenville ‘A remarkable story of courage and a love of country ... Anita Heiss writes with heart and energy on every page.’ – Tony Birch'It is a love story, a story of loss, a hopeful story. The river is a guide, but you have to be open to its spiritual lessons.' – Terri Janke ‘Anita Heiss is at the height of her storytelling powers in this inspiring, heart-breaking, profound tale.’ – Larissa Behrendt 'The novel flows like the great Murrumbidgee River itself, with powerful undercurrents that sweep the reader along - I feel it's a book that all Australians should read, to try and understand why our colonial past still causes so much pain and grievance.’ – Kate Forsyth