He is stranded at a motorway service station and all he has left are the clothes he has on. He is approached by a smart eighteen year old with money, a four wheel drive and a video camera, who hums the eponymous song and has strong Neo Nazi views. Together they journey through England and get caught up in sabotaged fox hunt, an encounter with travellers and an illegal rave. They seem to get on, but Danny's luck has changed completely - for the worse. Wherever they go, a mysterious trail of death follows them. Danny is unknowingly trapped by the worst type of enemy imaginable, and one who is completely out of control.

    (Nancy Pearl)After eleven years of marriage to an egocentric opera singer, Pat Murray packs up her daughter and leaves, regaining control of her life and approaching single parenthood bravely until she meets Roland and his pregnant wife.

    It continues the story of Helen Hewitt, striving to be reinstated as prison governor in charge of a high security prison for men (she lost her job at the end of the first series).

    Hold your breath. Justin wants a sex life, not a sex death. Rebecca has breasts but doesn't understand them. She needs to talk to Dostoevsky about erections, hairy armpits and firing squads. Life is difficult. Steve wants cash so he can enjoy his trendy body. He wants Carly too, but she just wants a never-ending orgasm. Johnny wants to be touched and, if possible, he'd like to seem happy. Colin wants to know why tits make his fists clench.This is their story. They try their best. They drag their feet through the fashions, the foul, the famous and the drunk of twenty-first century Britain. They're looking for happiness. What they find is friction.

    Armitage's protagonist is the feckless Barney, thirtysomething, divorced, and alienated from his autistic son. His only passion are his mates, "the old friends, the ones you were brought up with, who go further back than you remember, who've been there since the beginning. You didn't choose them--they're like family. Like blood." When Barney unearths what turns out to be a priceless relic from his childhood days--the "little green man" of the novel's title--he gets back in touch with his old gang: Winkie, Pompus, Stubbs and Tony Football. Desperate to "turn back the clock" and relive their childhood escapades, Barney proposes a game of truth or dare. Each member of the gang "dares" another. Failure to complete a dare leads to disqualification. The winner walks away with the priceless little green man. As the stakes get higher, friendships begin to dissolve as hairy women are seduced, sheep are slaughtered and excrement eaten. In the process the gang reveal some of their deepest secrets, from abuse to impotence, and as the game begins to get out of hand, Barney himself has to confront the responsibilities of adulthood. The problem is that the novel's brutally frank portrayal of both Barney and his gang is so convincing that it becomes difficult to feel any sympathy for anyone. Little Green Man is a tough, uncompromising debut novel, but many fans of Armitage may feel it lacks the originality of his highly acclaimed poetry. --Jerry Brotton

    Lesley Cozens wrote Nicky a letter before she died, the contents of which the reader does not know until much later in the novel, but the letter triggers a rage in Nicky that could have had tragic consequences if Chloe had not got involved. When Nicky begins hanging around Chloe's house with a mixture of curiosity and anger that she has had a happy life compared with his, he is prepared to hate her, but instead the two of them form a strange kind of bond. Chloe is her mother's daughter, and finds herself wanting to help Nicky find his real mother, the one who abandoned him at birth. Ironically, the clues she pieces together about what happened lead her back to her mother's home town, and to her childhood friend, Sonia, who is keeping a painful secret of her own. Chloe finds comfort in helping Nicky, a boy who is almost like a brother in that her own mother looked out for him for so long, and Nicky discovers that sometimes you have to trust in people in order to move on and build a life...

    It is a story about childhood and growing up, loss of innocence, eccentricity, familial ties and friendships, love and life. Stripped down to its bare bones, it’s about the unbreakable bond between a brother and sister.

    She observes goings-on and follows 'suspects' at the newly opened Green Oaks shopping centre and in her street, where she is friends with the newsagent's son, Adrian. But when this curious, independent-spirited young girl disappears, Adrian falls under suspicion and is hounded out of his home by the press. Then, in 2004, Lisa is working as a deputy manager at Your Music, a cut-price record store. Every day, under the watchful eye of the CCTV, she tears her hair out at the behaviour of her customers and colleagues. But when she meets security guard Kurt, she becomes entranced by the little girl he keeps glimpsing on the centre's CCTV. As their after-hours friendship intensifies, they investigate how these sightings might be connected to the unsettling history of Green Oaks.

    He buys his first NB on October 25 at Osco Drug in Tucson. Green spiral. 80 pages. 34 lines per page. He tries to write but his pen won’t cooperate. Then he develops a secret code. Mysterious notebooks record his fight for survival and recovery. Gripping and poignant, this story will hook readers from the first page.

    Jean Ure returns with more warmth and wit in a brilliant book about what happens when two girls decide to run away from home.Fourteen-year-old Jade is fed up with fighting with her mum and step-dad, and her shy sixteen-year-old friend Honey is having a miserable time with her mum, but when Jade decides they should both run away, Honey isn't so sure.It's only when they get to London and things don't work out quite how they expected that Honey shows she has hidden depths, and Jade realises that home is not so bad after all…

    Subtly heartbreaking and wise, The Broken Places is a masterful exploration of the precarious intersection of honor, duty, and family.

    We Follow The Ups And Downs Of Mr Starlight's Career As He Heads To The Bright Lights Of America, As Seen Through The Eyes Of Cled, His Brother.

    Based on a General Hospital storyline, this book lets you experience a young woman's coming of age through her own heartfelt story of love, romance and family ties in the turbulent 1990s.

    In a society where the ability to see the higher end of the color spectrum denotes a better social standing, Eddie Russet belongs to the low-level House of Red and can see his own color—but no other. The sky, the grass, and everything in between are all just shades of grey, and must be colorized by artificial means. Eddie's world wasn't always like this. There's evidence of a never-discussed disaster and now, many years later, technology is poor, news sporadic, the notion of change abhorrent, and nighttime is terrifying: no one can see in the dark. Everyone abides by a bizarre regime of rules and regulations, a system of merits and demerits, where punishment can result in permanent expulsion. Eddie, who works for the Color Control Agency, might well have lived out his rose-tinted life without a hitch. But that changes when he becomes smitten with Jane, a Grey, which is low-caste in this color-centric world. She shows Eddie that all is not well with the world he thinks is just and good. Together, they engage in dangerous revolutionary talk.

    But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s most subtlest and effective achievement to date.